Emulsion Mixed Media

Modern abstract outdoor totem sculpture by Houston artist Joe Mancuso. The piece is constructed out of various decorative brick, stone, and concrete piec...

This piece is from the LOVE rugs series by Robert Indiana, issued by Galerie f in 2007. This rug is an editioned, hand-carded carpet by Robert Indiana. Th...

Two women recline on improvised sunbeds at the Cranmore Mountain Resort, North Conway, New Hampshire, 1955. Slim Aarons New England Skiing Black an...

This beautiful work of art has neutral colors and is perfect for decorating minimalist and modern spaces. Any color on the background goes perfect with the sandstone tones that predo...

“Ballet Pink Folds” is a light pink/flesh colored wall sculpture made with burlap on linen. The folds are carefully arranged from a single piece of burlap. This creates a dynamic art...

Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

Judy Pfaff original signed paper and mixed media 3D collage, ca. 1986 Mixed media 3:D paper collage with vinyl signed and inscribed "To Connie Love Judy Pfaff" in marker on the front...

“Iris Blue Folds” is a deep blue colored wall sculpture made with burlap on wood. The folds are carefully arranged from a single piece of burlap. This creates a dynamic artwork where...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

This piece was created with a real found snail shell and durable epoxy clay by New York artist, Bethany Krull to traverse the surface of the floral plate. The glistening wet snail f...

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...