Engraving Mixed Media

This work embraces breaking barriers and all that's necessary to maintain the desired level reached from one's accomplishments. Scales of justice provide insight into what it takes to sustain one's position once they've arrived. Piercing through that glass ceiling is never easy. One's fears get in the way as well as obstacles, both perceived and real. Staying on top delivers novel challenges with fear coming back with a vengeance. The reflection from the mirror shows the viewer and surroundings in the broken glass. This begs the question are they the obstacle or the way. Insight, fortitude and knowledge that you can and will do it - together with kindness symbolized by the daisies - sustain accomplishments. This artwork inspires viewers to connect with their life force and achieve their potential allowing fears to coexist with passions. Learning from "Big Magic: Creative Living Beyond Fear" Elizabeth Gilbert (b. 1969), the artist duo has adopted Ms. Gilbert's way forward, embracing the big magic circulating in this world. Metalamirror™ works, build upon the duo's original artist process, Metalagram®, channeling their messages through a revolutionary medium comprised of one layer of handmade Metalagram® + one aligned layer of hand-made silver mirror. The Metalagram® layer, made with the artist duo's original artist process, exists as a separate layer under the aligned silver mirror. The artist duo creates this sculptural work at the intersection of old-world skills and 21st century technology. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...

This work symbolizes the intuitive journey of an empath as she channels her inner knowledge. The work reminds viewers that they know more than they realize in fields of plenty in consciousness beyond the knowable realm. One is reminded to trust one's instinct, to take that leap of faith knowing that there is more there than meets one's eyes. In the reflection the viewer sees themselves and their surroundings as part of the Empath, allowing for a stronger connection with themselves and the world. Metalamirror™ works, build upon the duo's original artist process, Metalagram®, channeling their messages through a revolutionary medium comprised of one layer of handmade Metalagram® + one aligned layer of hand-made silver mirror. The Metalagram® layer, made with the artist duo's original artist process, exists as a separate layer under the aligned silver mirror. The artist duo creates this sculptural work at the intersection of old-world skills and 21st century technology. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...

Le Creuset Philosophal is a superb etching with drypoint, lithograph, silkscreen, and collage on parchment by Salvador Dalí. Hand-signed in black pencil on ...

This is a botanical cyanotype print made using natural sunlight. The technique is combined with a Suminagashi marbling that was previously coated on the watercolor paper. It is handmade and unique. Details: + Title: Palm Tree Sunset...

Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. He graduated from the Government College of Art & Craft, Kolkata and subsequently at École nationale supérieure des Beaux-Arts, Paris in 1967. He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolour and pastel. He has painted in oil medium as well. He shot to fame once his works were collected by Mr. Masanori Fukusuma , the director of the Glenbarra Art Museum . This particular "reclining woman" is a typical style of the master artist. This work is a complete collectors joy, a Dry Pastel on Paper . ( 19 x 28.5 inches Unframed ) Kneeling Man takes a fresh look at tradition and Modernism, drawing freely upon ideas and values from native sources, solely guided by their need for self expression. This determined not only how they would paint but also what they would paint. A core subject in around which he would organise the perception of the world within and without. The Kneeling Man is a perfect example of Chowdhury's mastery of lines and to make the curves depict the character of his figures. By careful distortion of the form he imparts the air of caricature in his figures, figures of men and women...