Felt Mixed Media

Réalisée durant plusieurs live-painting à Nouméa en 2022, Neotokyo est une ville dystopique/futuriste inspirée des livres "Où est Charlie". On peut y trouver et compter certains éléments, comme les ballons rouges qui sont un hommage à l'artiste Banksy. Sous l’autoroute est représenté l’ancienTokyo avec des bâtiments ruraux, le temple étant le plus vieux bâtiment de la ville autour duquel elle s'est construite. La partie haute représente quant à elle un Tokyo futuriste dans lequel se glissent de nombreux éléments de Pop Culture. Les véhicules, engins, plantes et personnages sont inspirés des univers de Miyazaki, Star Wars, MARVEL, Seigneurs de Anneaux, du Jeu-Vidéo (Mario), de dessins-animés, etc. La partie gauche du tableau représente l'aspect industriel de la ville (et la destruction de la Nature par l’Homme) alors que la partie droite évoque l’aspect économique et communautaire ainsi que la nature qui reprend ses droits (tsunami, volcan). Le tableau est fourni avec un cadre équipé d'un ruban LED 120 RGB et d’un cache LED pour tamiser les points lumineux. La télécommande proposant différents modes d'éclairage (réglage des couleurs, de l'intensité, du balayage). 2 possibilités de branchements possible : cadre autonome avec batterie (autonomie 4/5h selon l'intensité de la lumière) ou branchement sur secteur en 220V. La critique du monsieur Yves Kobry sur l'œuvre : Cette ville imaginaire est décrite par Maxime Rouault à partir de Tokyo mais il pourrait s'agir de n'importe quelle ville imaginaire. Le peintre met en scène un conglomérat de temples, de gratte ciel, de bâtiments industriels, commerciaux et d'habitation, sans oublier les zeppelins...

Contemporary mixed media artwork by Julien Tomasello. Julien Tomasello is a multi-disciplinary artist who typically works in collage, sculpture, and ...

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

Wonderful mid century, signed (illegibly) and dated. I believe it is German or Austrian but not certain. It is an assemblage of textures and materials collaged together, done in bright jewel tones. Avant Garde painting...

Drawing inspiration from the beautiful patterns found in the natural world and her own rich heritage, fabric artist Chung-Im Kim creates distinctive contemporary tapestries. This stu...

This contemporary white and blue-gray tapestry was hand-sewn by Canadian fabric artist Chung-Im Kim. Inspired by her own rich heritage and intricate patt...

In this elegant monochromatic white tapestry by fabric artist Chung-Im Kim, finely detailed patterns swirl around the fabric. Kim’s organic form is inspired by the patterns she sees ...

Chung-Im Kim’s striking fibre art is inspired by the intricate designs and beauty she sees in nature. This series of contemporary wall sculptures are hand se...

Emulating the beauty of a sunlit spider’s web, this new pure white tapestry by fabric artist Chung-Im King continues her exploration of patterns. Kim sews together small pieces of in...

Striking organic shapes in bright red provide dramatic contrast in this cream felt tapestry by fabric artist Chung-Im Kim. Kim meticulously hand stiches together small pieces of indu...

Framed felt collage

The natural world provides infinite inspiration for the beautifully textured work of Chung-Im Kim. The fabric artist creates unique wall hangings from sewing tiny pieces of industria...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Julien Tomasello is a multi-disciplinary artist based in San Francisco Bay, CA. Collage is one of Julien’s main forms of art. His collage works are ...

This depicts King David playing the harp, along with a verse in Hebrew from the Psalms. all made by hand. woven and stitched. Vintage, original piece. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel...

Original Sam Sidney felt collage depicting a classic New York City MTA Metrocard. The felt collage is mounted on acid free board, within white-painted shad...

Drawing on paper, old photography, pearls, glass button, felted lace.

Fabric artist Chung-Im King’s series of felt tapestries called “Mutation” consist of striking geometrical shapes that mimic designs found in nature. The artist has cut pure white fel...

Ed. of 100 Disclaimer Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted...

Fabric artist Chung-Im King’s series of felt tapestries called “Mutation” consist of striking geometrical shapes that mimic designs found in nature. The artist has cut pure white fel...

Original Sam Sidney felt collage depicting an infamous NYC Hotdog. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & Dated. Previously exhibited at Eerdmans New York for show: "Sam Sidney: New York Never Felt So Good". As its title suggests, New York Never Felt So Good marks the revival of a city that appears to have the worst of the Covid-19 pandemic behind it. In fact, the show may not have materialized were it not for the homebound isolation the virus imposed. Sidney, after earning her master’s in Art Education from NYU, moved to Charleston, South Carolina, in 2007, and stopped exhibiting her work publicly. When the pandemic hit last year, the mother of four found herself at home with the kids every day, and arts and crafts took on special significance. She set a goal...

Original Sam Sidney felt collage depicting Jean-Michel Basquiat. The felt collage is mounted on acid free board, within white-painted shadow box frame. Sig...

Original Sam Sidney felt collage depicting an old fashioned NYC Taxicab. The felt collage is mounted on acid free board, within white-painted shadow box f...

Original Sam Sidney felt collage depicting Fran Lebowitz. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed ...

Original Sam Sidney felt collage depicting Keith Haring. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & Da...

Original Sam Sidney felt collage depicting Notorious B.I.G. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed &...

Original Sam Sidney felt collage depicting Jackie Onassis. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & Dated. Previously exhibit...

Original Sam Sidney felt collage depicting an Italian Cookie Platter. The felt collage is mounted on acid free board, within white-painted shadow box frame...

Original Sam Sidney felt collage depicting a NYC Pretzel. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & D...

Original Sam Sidney felt collage depicting Andy Warhol. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & Dat...

Original Sam Sidney felt collage depicting Billie Holiday. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signe...

Original Sam Sidney felt collage depicting a NYC street cart Gyro. The felt collage is mounted on acid free board, within white-painted shadow box frame. S...

Original Sam Sidney felt collage depicting New York City's The Guggenheim Museum. The felt collage is mounted on acid free board, within white-painted shad...

This wall-hanging textile sculpture titled "Full Moon" is an original artwork by Vanessa Barragão made of latch hook, hand-tuft, embroidery, felt and ...

iRobot v.6.67 i by street artist NTEL, mixed media wall sculpture in earth tones Unique wall sculpture mixed media series by Philly based artist, NTEL. Bright orange, deep brown an...

Animatronic spray can sculpture by NTEL that dances and shakes its hips when plugged in. Made with felt, polymer and acrylic and includes cardboard black and silver brick wall. Gen...

iRobot v.6.67 ii by street artist NTEL, mixed media wall sculpture in earth tones Unique wall sculpture mixed media series by Philly based artist, NTEL. Bright orange, yellow, meta...

Acrylic and felt on canvas (diptych); clever split-image piece of a graffiti writer clipping a fence with fiskars in order to gain entry to a location that is otherwise off limits. ...

Ed. of 20 Disclaimer Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted...

Sylvia Vander Sluis’s “Dense Space” is a tactile and colorful abstract mixed media collage on canvas. Black and orange dominate with touches of red and purple. In this 24 x 24 x 1.5 ...

Ed. of 20 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Ed. of 20 Disclaimer Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. Felt artist Lucy Sparrow is one of ...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Hanging crafted wood wall sculpture with a mini diorama of a vintage 80s dining room that can be seen through a viewfinder. Batteries included. More informa...

Ed. of 20 Disclaimer Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. Felt artist Lucy Sparrow is one of ...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

Ed. of 10 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Hanging crafted wood wall sculpture with a mini diorama of an old record shop that can be seen through a viewfinder. Batteries included. More information be...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Ed. of 4 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Disclaimer Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. Felt artist Lucy Sparrow is one of the most ex...

Ed. of 10 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Ed. of 10 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Ed. of 10 Felt artist Lucy Sparrow is one of the most exciting and original artists working in the UK today. Her practice is quirky yet subversive, luring the audience in with her soft, tactile, colorful felt creations before hitting them hard with her comment on subjects from the demise of the traditional high street to censorship in pornography. She took the art world by storm in Summer 2014 with the opening of her fully stocked felt Cornershop installation in London’s East End. With queues around the block and wall to wall media coverage, the installation was both a commercial and critical success. In 2016, the BBC commissioned Lucy to recreates the Crown Jewels in felt, to celebrate HRH The Queen’s official 90th birthday. In May 2017, Lucy undertook her first solo show in the US, opening The Convenience Store, a New York bodega stocked with 9,000 felted artworks...

Art UNTITLED II Felt, Mixed Media with Frame 61.50 X 64.00 in $5,000.00

Cotton and alpaca yarns, mason line, rubberized glue, felt