Glue Mixed Media

"Okapi" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on...

Untitled, 2016 Black glue on paper (Signed on reverse) 78 7/10 H × 59 1/10 W in 200 H × 150 W cm Berszán depicts in his works the primary turmoil where the violence of the unbinding...

Image dimensions: 34.5 x 2 x 21.5 cm. African Butterfly Woman is an original collage realized in France in the middle of the XX Century. Original ...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Death NYC Vuitton saxo Snoopy Techniques mixtes sur billet de 1 dollar 2017 Exemplaire unique 2 certificats Signé et daté 15,5 x 6,7 cms 99 euros

This piece titled "Fault Lines: Bantam #B4" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Sveta Hessler (Russian, born 1973) "Gold Rush" 2024 Glue, Gold Leaf, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Gold Rush" by Sveta Hessler is ...

This piece titled "Fault Lines: Bantam #B8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

This piece titled "Tripod" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 10”h x 9”w x 6.5”d. Kate VanVliet is a sculptor and p...

Steven H. Rehfeld (American, born 1954) 'Orange Colors' 2018 Oil paint, charcoal, ink, paper, glue, canvas, stretcher bars The artist signed the back of the painting. 'Orange Colors...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

Full title: Origen del Deseo: Happy Rhythm 5 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques a...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a somewhat amusing, colorful abstract portraying a black family seated together having breakfast. McIntosh's inventive use of cut bits of colored paper in shades of red, brown, blue, pink, black, and magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents create an energetic and rambunctious morning gathering to start the day! The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, cherry tone beveled wood frame with green and gold liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Steven H. Rehfeld (American, born 1954) 'Surge' 2007 Oil paint, pencil, tape, glue, wax, canvas, stretcher bars The artist signed the back of the painting. Steven Rehfeld's 'Surge' ...

The layout of this work was imposed upon the artist during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, ...

Red and blue abstract contemporary collage sculpture that incorporates wrapping paper, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features a primarily white surface with accents of bright reds, blues, and pinks. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

Monica DeSalvo’s “Cairns” is an 18 x 24 collage made up of a series of 4 individual 11 x 4.25 inch abstract collages with red, silver, chartreuse green, yellow, black, and blue on pa...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...

"Ruptured Futures" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design...

Complete title: Origin of Desire: Positive Energies Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techn...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Complete title: Origin of Desire: Cell Division of Joy Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, te...

"Bridge Loan (Basketcase)" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This composition is a surreal and satirical take on fin...

This piece titled "Fault Lines: Bantam #B7" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

Complete title: Autorretrato Dentro del Origen del Deseo (The Origin of Desire - Self-Potrait Inside of the Desire's Origin) Mari Ito was born in Tokyo, Japan in 1980. She majored i...

"Soul Bond" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). Soul Bond takes the form of a satirical contract, darkly parodying the...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

Complete title: La Transformación del Deseo - Quiero Estar Dentro de Alegría (The Transformation of Desire - I want to be Inside of Happiness) Mari Ito was born in Tokyo, Japan in ...

Monica DeSalvo’s “Sunny Side Down” is a surreal mixed media collage over an asymmetrical digital inkjet photo montage on Yupo paper with blue, green, teal, white, and purple. The abs...

Rare Win for Life ticket by Death NYC, Collage and marker. Signed and dated 2017 by the artist Support: new york lottery ticket Size: 10 X 10 cms 2017 ...

This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...

Rare "double" dollar bill illustrated by Death NYC, street artist at the coast rising sharply. collage Signed by the artist Support: 2 dollar bills Size: 13.5...

This piece titled "Day in the Life: Green #82" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...

"Lulu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Saudi Gazelle was native to the northern and western parts of the Arabian peninsula, preferring rocky habitats with shrubs and acacia trees. It lived alongside Mountain Gazelle and Arabian Sand Gazelle. The populations of these other two gazelle species of the Arabian peninsula have been severely diminished over the last few decades, and they both are classified as vulnerable. Gazelles were some of the most frequently depicted animals in the Neolithic art...

A split second moment is frozen in time as a rider falls from her bike, just barely making contact with the ground. The fluidity with which the artist is able to capture this specifi...

Monica DeSalvo’s “Cochlear Cornucopia” is a 15 x 22 inch surreal collage on an abstract acrylic drip painting with dark purple, green, pink, blue, and white. Crisp, elongated paint d...

"Double Entendre (TwoFaceNote)" Satirical Currency Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical mixed media artwork that mimic...

Complete title: Transformación del Deseo-Alegría II (Diptych) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practi...

This piece titled "The Kiss (Pretzel)" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 6”h x 11.5”w x 8”d. Kate VanVliet is a sculpt...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Complete title: El Origen del Deseo - Buen Rollo I (The Origin of Desire - Good Vibes I) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting m...

This piece titled "Fault Lines: Bantam #B10" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with t...

Collage by Torea Frey created using waste papers and scraps from books, magazines, and sewing patterns. Torea is a writer, editor, and artist living in Oregon. Her work has appeared...

"Love Bond" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). Love Bond is a satirical, mixed-media artwork that mimics the structur...

Complete title: El Origen del Deseo - Estoy Dentro de Alegría (The Origin of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, ...

"Extrication Bond" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a visually striking satirical artwork that masque...

This piece titled "Fault Lines: Bantam #B6" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

This piece titled "This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5...

This painting is titled Origins and it it looks just like the beginning of a large geological shift. Brown and taupe in color, with heavy texture throughout. Brian David Murphy is a...

This piece titled "Chimaera: Green #8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pict...

This piece titled "The Tickler" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5” x 5”x 3.5”. Kate VanVliet is a sculptor and...

This piece titled "Chimaera: Brown #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.75”h x 2”w x 2”d and ships with the pict...

This piece titled "Chimaera: Green #12" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...

Monica DeSalvo’s “The End of Sums" is a mixed-media collage on paper, featuring abstract acrylic monotypes in green, purple, magenta, and yellow. The triptych-like composition has a ...