Laid Paper Mixed Media

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...

My work is rooted in expressive mark-making and guided by intuition, play, and emotion. During a recent workshop, Concept to Exhibition, I was challenged to reflect on the words I wa...

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ. The origins of this collection are unknown but it’s likely that t...

Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Anne Youkeles Gemini, ca. 1969 Three-dimensional silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the edition of 1...

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

Richard Kalina Face Value, 1992 Collage and mixed media (flasche) and acrylic on laid paper painted on canvas Signed on the verso; also bears Max Protech Gallery Label, Unique Frame included Hand signed, dated and titled on the verso with original label from the legendary Max Protech Gallery, as well as Christie's NYC labels. A dazzling mixed media painting that looks so much better in person. Provenance Max Protech Gallery Christie's Inc (see labels) Measurements: Frame: 15.5 x 23.5 x 1 inch Artwork: 15 x 23 inches About Richard Kalina: Richard Kalina was born in 1946 and studied at the University of Pennsylvania. He began exhibiting in 1969 and has regularly shown his work in museums and galleries, both nationally and internationally. ... Richard Kalina is Professor of Art at Fordham University in New York, where he teaches studio art and art history. This is a gorgeous work that would look beautiful in any home or office. His works are included in museum collections such as the Arkansas Art Center, Grey Art Gallery, Guild Hall Museum, Fogg Art Museum, Indianapolis Museum of Art, Milwaukee Art...

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

False Bar Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

This refined mixed media work was realized by the esteemed American artist Michael Brangoccio in 1986. Realized in the manner of Robert Motherwell, this painting features laid paper ...

Tracey Emin Rothko Comfort Blanket, 2010 Blanket, Embroidery, Thread, Linen 7 × 7 inches Edition 14/100 Hand signed and numbered with ink title and inscription on tag "Rothko Comfort Blanket for Private Views and Other State Occasions." Held in original Emin International packaging (unframed) Provenance: Emin International Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery An article in Artnews recounts the story: When Tracey Emin was going to the Royal College of Art in London in the late 1980s, she broke down while viewing a radiant pink-and-yellow Mark Rothko painting...

My work is rooted in expressive mark-making and guided by intuition, play, and emotion. During a recent workshop, Concept to Exhibition, I was challenged to reflect on the words I wa...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front ...

Mixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).

DONALD BAECHLER Untitled painting for ACRIA, 1996 Mixed media with ball point pen, acrylic paint, industrial varnish and paper collage on canvas board Hand Signed and Dated. Framed with official label verso. artist frame included Measurements: Framed: 13.4 inches (vertical) x 10.8 (horizontal) x 1.25 (width) Artwork: 8 inches (vertical) x 6 inches (horizontal) Makes a fantastic gift! This unique signed collage by Donald Baechler is one of a series of unique pieces the artist made to benefit ACRIA a New York-based charity that supports AIDS victims. ACRIA, pioneers of HIV research, prevention & awareness, have now merged with the Gay...

Soft watercolor accents add to the beauty of this cyanotype and watercolor landscape of forest trees, titled "Floating Shadows", by Cheryl Trotter (American, 20th century), c. 1980's...

''Abstract Portrait" French School, circa 1980's inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 16 x 13 inches the p...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

''Abstract Portrait" French School, circa 1980's inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 18 x 13 inches the painting is in overall very go...

One More is a tridimensional original painting on paper on branches depicting a golfer playing on a field on a sunny day. keywords; golfer, yellow shirt,...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

Soft watercolor and Cyanotype of oak trees at Rancho San Carlos by Cheryl Trotter (American, 20th century). Signed lower right "Cheryl Trotter." Displayed i...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. THE GAZE Monoprint with Chine collé, 13 ¼ x 10 inches, 1999 Dorothy Canfield Fisher 1879 –1958) Dorothy Canfield Fisherwas an educational reformer, social activist, and best-selling American author in the early 20th century. She strongly supported women's rights, racial equality, and lifelong education. Eleanor Roosevelt named her one of the ten most influential women in the United States. The Women’s Rights Historical Park exhibited Benton's growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Ryan Sarah Murphy's creative practice is intuitive and process-driven, prompted by the found ephemera of my daily experience. Responding to the inherent energy within discarded and...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallicized through some process. they are very luminous and beautiful. it is mounted on heav...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...

Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Suffragist (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...

''Abstract Portrait" French School, circa 1980's signed inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 18 x 13 inches the painting is in overall ...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

Busy is a tridimensional original painting on paper on branches depicting tailor ladies working taking body measurements along a path in a dark night. keywords; vintage tailor ladi...

Hermits is a tridimensional original painting on paper on branches depicting a woman next to a giant butterfly along a path in a dark night. keywords; butterfly, woman, lingerie, americana...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Hannelore Baron Untitled (C82-142), 1982 Signed and dated on the reverse Mixed media collage Sheet 12 1/4 x 10 1/2 inches Provenance: Manny Silverman ...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...

Nancy Pantirer Untitled Mixed Media on Canvas 24 x 24 in Nancy Pantirer incorporates abstract expressionism and collage into her canvases, letting the properties of paint and paper ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Spirit of Hope (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

Nancy Pantirer Untitled Mixed Media on Canvas 50 x 47 in Nancy Pantirer incorporates abstract expressionism and collage into her canvases, letting the properties of paint and paper ...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

mounted, framed and glazed Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

mounted, framed and glazed Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...