Richard Kalina Art
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Artist: Richard Kalina
Face Value
By Richard Kalina
Located in New York, NY
Richard Kalina
Face Value, 1992
Collage and mixed media (flasche) and acrylic on laid paper painted on canvas
Signed on the verso; also bears Max Protech Gallery Label, Unique
Frame included
Hand signed, dated and titled on the verso with original label from the legendary Max Protech Gallery, as well as Christie's NYC labels. A dazzling mixed media painting that looks so much better in person.
Provenance
Max Protech Gallery
Christie's Inc (see labels)
Measurements:
Frame:
15.5 x 23.5 x 1 inch
Artwork:
15 x 23 inches
About Richard Kalina:
Richard Kalina was born in 1946 and studied at the University of Pennsylvania. He began exhibiting in 1969 and has regularly shown his work in museums and galleries, both nationally and internationally. ... Richard Kalina is Professor of Art at Fordham University in New York, where he teaches studio art and art history. This is a gorgeous work that would look beautiful in any home or office.
His works are included in museum collections such as the Arkansas Art Center, Grey Art Gallery, Guild Hall Museum, Fogg Art Museum, Indianapolis Museum of Art, Milwaukee Art...
Category
1990s Abstract Richard Kalina Art
Materials
Canvas, Mixed Media, Acrylic, Laid Paper, Vinyl
Western Medicine, Pop Art Lithograph by Richard Kalina
By Richard Kalina
Located in Long Island City, NY
Artist: Richard Kalina
Title: Western Medicine
Year: 1993
Medium: Lithograph and Collage, signed and numbered in pencil
Edition: 20
Paper Size: 28.5 x 42 in. (72.39 x 106.68 cm)
Category
1990s Pop Art Richard Kalina Art
Materials
Lithograph
Sea Level, Pop Art Lithograph by Richard Kalina
By Richard Kalina
Located in Long Island City, NY
Artist: Richard Kalina
Title: Sea Level
Year: 1993
Medium: Lithograph with Collage, signed and numbered in pencil
Edition: 20
Paper Size: 42 in. x 18 in. (106.68 cm x 45.72 cm)
Category
1990s Pop Art Richard Kalina Art
Materials
Lithograph
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Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases.
Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017.
Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again.
It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works.
In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons.
It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s.
Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.”
In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting.
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Richard Kalina art for sale on 1stDibs.
Find a wide variety of authentic Richard Kalina art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, red and other colors. You can also browse by medium to find art by Richard Kalina in lithograph, acrylic paint, canvas and more. Much of the original work by this artist or collective was created during the 1990s and is mostly associated with the Pop Art style. Not every interior allows for large Richard Kalina art, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of August Mosca, Steven Sorman, and Robert Kuszek. Richard Kalina art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $640 and tops out at $10,000, while the average work can sell for $800.