Metal Mixed Media

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Untitled 02, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repul...

Number 2 by NTEL Acrylic, spray paint, enamel, metal found object, wood and found paper collage on canvas. Classic confident gestural abstract style by the artist, graffiti and stree...

Autumn's Golden Heart is an original painting by Nicky Chubb. Nicky Chubb is available online and in our gallery at Wychwood Art. Nicky comments "My work is essentially optimistic, w...

Stuttgen, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21.6 in H x 16.5 in W Unframed The “visible” spectrum, probabl...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Give your garden a touch of industrial elegance with our steel wall in a 3-part design with a rusty surface! Each part of the wall is made of high-quality steel and has been careful...

mixed media on paper with silver frame and glass Total size with frame: 51x41 cm

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Hole, 2022, by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21.2 in H x 16.1 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Directive Forces, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20 in H x 15.5 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Jamie, 2017 by Hunter & Gatti From the series of IWMYAS Wax, acrylic oil pastel on glicée print archival metallic paper. Image size: 107 cm H x 83 cm W Signed front and signed back w...

Give your garden a touch of industrial elegance with our steel wall in a 3-part design with a rusty surface! Each part of the wall is made of high-quality steel and has been careful...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Invader Rubik Shot Red Marilyn, 2023 Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg 39 2/5 × 39 2/5 in 100 × 100 cm Edition of 774 Published by HENI

Acrylic paints, oil paints, and gold leaf My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my work, I aim to bring together certain properties of each of these elements to create an experience and understanding of the world and the contrasting relationships between each of these ideas. The use of texture in my work is formed using material which has been subjected to the forces of the weather, and I love to use ‘untouched’ and ‘natural’ material in my work to form the basis of all my paintings. It is the idea of bringing together a number of natural materials in my work that inspires me. The contrast between elements such as the roughness of the texture, the smoothness of the ink or paint. and the reflection of the metallics brings about a composition and structure that is unique. The impact of the weather, space, and seasons has been important in determining the structure of each of the paintings and the way the different elements and materials react to one another. The use of ink in my work has been a work in progress that I have been experimenting with over the past year. The use of this new medium has proved to be invaluable to the message and direction that I would like my work to take. On each of the works, I manipulate the Ink using air from my mouth as I want to form a stronger relationship with the canvas and the way that the ink Is manipulated. I have particularly enjoyed the added contrast which has been created between the variety of mediums being used. Textured mixed media original abstract painting by Rajan Seth.

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...

Tactile memory #120, by Natasha Zupan Mixed Media on wood, Manton de manilla silk knots, 24K gold, acrylic and oil Size: 18 in. H x 15 in. W x 3 in D. Mounted on a stretcher Natasha...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Sisyphean Circle 3-23 (Sagitta) Granite and galvanized and powder-coated steel 36" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object st...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

Eilene, bronze portrait, female by John Waddell, Arizona sculptor Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also give your outdoor area a special charm. The rusty surface gives each element an individual...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity.

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Katrina Revenaugh Piccolo Giardino Numero 3 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches Signed: On Verso COA provided...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI... Th...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Melanie Sherman Cufflinks with Red & Gold Flowers on Black Porcelain Dimensions: 20mm x 17mm x 17mm Materials: Porcelain, Glaze, Vintage Decal Metal type: Brass COA Provided Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

One of the 12 original works that the artist created to accompany his book, Arabian Love Story. “Wilderness is a lonely empty place thinking about the one you love.” Wadsworth's word...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Tactile Memory #66, 2020 by Natasha Zupan Oil, 24K Gold, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unites the ...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also give your outdoor area a special charm. The rusty surface gives each element an individual...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. In this wall-mounted sculpture entitled "Buck Head...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

A 21” x 31” x 2" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Temperance card sig...

Contemporary DC comic inspired work by Texas based artist Michael Macedo Meazell. Created with UV cured inks on aluminum, the work has a unique sheen. The piece features a collage of different pop culture images from Superman comics and other sources to create an otherworldly landscape. Signed and dated on the reverse. Currently unframed, but options are available. Artist Biography from the Artist: "I have made art for as long as I can remember. When I was in high school in Beaumont, Texas, I would draw constantly. During high school, I took classes in painting, drawing, and design at the Beaumont Art Studio, Beaumont Art League, and the Art Institute of Houston. During the mid to late 1980s, I studied art, concentrating on design, drawing, sculpture, and painting at Lamar University and the MFAH Glassell School of Art on a scholarship. After leaving school I worked on the installation crew at the Contemporary Arts Museum Houston. That was a great time, because I was working with some talented people who are still making art today – David McGee and Tierney Malone to name a couple. While I was there, I learned museum quality handling of art and installations. I began making art with found materials while attending Lamar University, mostly wall-dependent works and collage from found wood, fabric, paper, and paint. I have always been a scavenger, partly because I never had much money and partly because it is a medium that I identify with. I continue working on assemblage and collage today, incorporating drawing, painting, printmaking, and traditional sculpture techniques into my pieces, often using objects that have a storied history to myself or others. I incorporate objects from others in my own work and for commissioned works of art. I worked at Judy Youens Gallery from 1990-1993, doing whatever needed to be done. She specialized in glass, so I became an expert in handling fragile works of art, which included installing them, building custom crates, and preparing them for shipping. While at the gallery I was also on the Art League and Texas Accountants and Lawyers for the Arts boards. I designed, curated, and installed over 100 exhibitions though the 90s. I studied with a master carpenter from 1994-1999 and learned how to use a variety of hand and power tools, sourcing material, building techniques, as well as repurposing and fixing just about anything. This has served me well. Combining my art and design skills with my new building skills, I designed dozens of home remodels from single rooms and outdoor deck tops and complete homes from the ground up. I still do design work and consultations. I served on the Art League of Houston Board of Directors from 1991-1994, where I was president of the Artist Committee and a member of the Executive Committee. In 1997 I moved into an empty shell of a warehouse and immediately finished out the space with a large studio, kitchen, full bath, and bedroom loft. My Barnes Street Studio was next door to artist Harvey Bott...

Resurrection is an original modern artwork realized by Pericle Fazzini in 1970s. Bonded bronze framed. Signature and number inscribed on the lower marg...

Printed on high gloss paper, mounted to acid free foamcore Edition of 5 of 10 Three sizes Made to Order Aluminum Dibond backing and a UV protective laminate. Ready to Hang Comes wi...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

A. Ghosh - Untitled Scrap Iron Welding & Conch H 96 x W 48 x D 48 inches ( Delivered in India ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bh...

A. Ghosh - Untitled Bronze Casting & Brass Engraving H 48 x D 12 x W 36 inches ( Delivery Time 45 days ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana,...

Yellow-toned abstract surrealist figurative print on metal by artist Vic Lee / Victor Lee. The work depicts a young lady in a dainty dress with a print of koi fishes in a pond. The l...

Katrina Revenaugh Stai Fuori dal Mio Giardino Numero 1 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 8 x 1.75 inches Signed: On Verso ...

This is an original mixed media collage by Southern California artist, Kathleen Kane Murrell featuring vintage silk paper, dye, ink, and silver leaf. It is unframed. The artist prote...