Plate Glass Mixed Media

(48 x 48 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social me...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Mid-Hudson Inscape' features whimsical details and vi...

Landscape mixed media on canvas 50x50 cm 2018 Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

Hanibal Srouji Red Sunset, 2014 Acrylic, fire on canvas and neon in plexglas 17 5/8 x 17 5/8 x 5 7/8 in. 45.0 x 45.0 x 15.0 cm

Blue and orange abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Peter Fischli / David Weiss Equilibres 1984–85/2006 Limited-edition book with photograph in linen-bound portfolio Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm Edition of 60 Photograph signed and numbered in ink (lower verso) Book signed and numbered in graphite on title page For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Ross Tamlin's unique photorealistic compositions merge traditional painting methods with modern industrial techniques to create captivating works of art. Using layers of oil and enamel paint, Tamlin creates an illusion of corrugation that adds depth and texture to his pieces. His use of industrial imagery and found objects is a nod to contemporary art, while his bold color palette and incorporation of text is a nod to the Pop Art movement. Tamlin created this one-of-a-kind, vibrant, and colorful painting measuring 42 inches high by 36 inches wide and 1.25 inches deep with oil and enamel paint on canvas. The sides of the canvas are painted in a continuation of the front eliminating the need for framing. In addition to being signed by the artist on the front, the artwork also comes with a certificate of authenticity issued by the art gallery. The certificate guarantees the authenticity and provenance of the artwork. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. In this artwork, Tamlin reworks the traditional idea of landscape painting by incorporating text and familiar places' names, such as southern U.S. states, painted in large letters over the colorful photorealistic painted corrugated metal. This photorealistic painting by Ross Tamlin is so expertly executed that it perfectly mimics the texture and appearance of corrugated metal, even when seen in person. However, upon much closer inspection from the side at a nearly 90-degree angle, the levelness of the canvas is revealed, allowing you to appreciate the skillful brushwork of oil and enamel paint that gives the amazing illusion of depth and texture. With meticulous attention to detail, Tamlin imparts extraordinary depth to the painting, creating a finish that emulates the shine of polished metal and further enhances the piece's realistic appearance. This original artwork stands as a testament to Tamlin's remarkable talent and precision, demonstrated through the inclusion of even the smallest details, such as the masterfully painted rusty rivet holes. Tamlin's works are represented by Artspace Warehouse Los Angeles and are held in private collections worldwide, including Australia, New Zealand, the United Kingdom, Hong Kong, Singapore, the USA, Switzerland, and France. Corporate collections include ING Bank, Babcock & Brown, Barclays Bank, Saville Hotel Group, Savills Property Group, Minter Ellison, Hai Win Shipping, Allkotes Pty Ltd, Blue Scope Steel Pty Ltd, Sieper & Co., A. P. Moller Maersk Group, Grant Thomas Management, Maridan Pty Ltd, Esprit Changeware Pty Ltd, Maritime Transport Ltd, London. Artspace Warehouse has been representing and exhibiting Ross Tamlin's original artworks since 2015. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA EDUCATION 1979 – 1981 NZ Certificate of Town Planning (3 Years) 1982 Emigrated to Australia, 1989 Australian citizenship 1985 Fine Arts Certificate (Meadowbank) (not completed) 1987 Graphic Arts Certificate, Brisbane 1988 – 1997 Paint/Colour Laboratory Technician SOLO EXHIBITIONS 2014 Soho Galleries, Sydney, Australia 2013 Soho Galleries, Sydney, Australia 2012 Paintbox Fineart, Canberra, ACT, “Melange” 2011 Jackman Gallery, St. Kilda, Melbourne, Australia 2010 Harrison Gallery, Paddington, Australia 2008 Rushcutters Bay Gallery, Sydney, Australia 2007 Paintbox Gallery, Braddon, Canberra, Australia 2007 Rushcutters Bay Gallery, Sydney, Australia 2006 Rushcutters Bay Gallery, Sydney, Australia 2005 Rushcutters Bay Gallery, Sydney, Australia 2005 Paintbox Gallery, Braddon, Canberra, Australia 2004 Rushcutters Bay Gallery, Sydney, Australia 2003 Rushcutters Bay Gallery, Sydney, Australia 2002 Rushcutters Bay Gallery, Sydney, Australia 2001 1+2 Artists Studio Gallery, Rozelle 2000 New Aesthetix Gallery, Camperdown, Sydney, Australia GROUP EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 Artspace Warehouse, Los Angeles, CA 2021 “Urban Thoughts”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2019 Affordable Art Fair Hong Kong 2019 Artspace Warehouse, Los Angeles, CA 2019 Affordable Art Fair New York 2019 Palm Springs Fine Art Fair, Palm Springs, CA 2018 AAF Hong Kong 2018 New York AAF, NY, USA 2018 Morris Art Prize; Gold Coast, Queensland 2018 Art Palm Springs Fine Art Fair, California 2017 SOHO Galleries, Sydney, group exhibitions 2017 Gallery Beneath, Moolloolaba, Queensland, group show 2017 Whistler Contemporary...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This painting features hues of orange, yellow and brown with highlights of pink and purple. It is a work on paper mounted to three cradled wood panels that lock together when installed. The materials used are watercolors made with clay, ochre, and weathering rind found in Georgia, manganese brown pigment, and watercolor on paper mounted on panel, protected with beeswax, This piece is part of a recent show titled "love as large as grief demands." Heather ‘Bird’ Harris...