Abstract Expressionist Mixed Media

Diana Kurz Two Reds #4 Mixed media on paper 24 x 18 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England ...

GP #11 18.0 x 12.0 x 0.1, 3.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Due to some unforeseen circumsta...

GP #15 18.0 x 12.0 x 0.1, 1.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Due to some unforeseen circumsta...

Signed lower left. Mary Gehr was born in Chicago around 1910 and toured as an ingénue with the Chicago Opera Ballet for four years, summered with the Schubert Light Opera Company, a...

Artist Comments
An ornate flower crown rests on a young girl's head in artist Darlene McElroy's expressionist portrait. "It is a Hispanic tradition to be offered to the churc...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

Antifona is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the mu...

"Fan Dance 2 is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Evoking a feeling of exploration with br...

"A Tiny Bit of Structure" is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Evoking a feeling of explor...

Artist Comments
Artist Melissa Gannon explores various methods and techniques in her art career to create a captivating image of ferns and underbrush deep in the woods. Utili...

"Costa Rica Rider" is an abstract expressionist painting of a motorcyclist riding through the streets of Costa Rica framed by beautiful pink flowers. Darius Yektai was born in Sout...

An early abstract expressionist work on paper by American artist Felix Ruvolo. Mystery revolves around the very beginnings of Felix Ruvolo’s life.  Any biographical information to be found only lists a birth year for Felix, but no day or month.  We know he was born in New York City in 1912, and was raised by his grandparents in Sicily until the age of 12.  Why he was sent back to Italy remains a mystery as well. What we do know is that young Felix showed so much promise as an artist that the family hired a professional artist to work with Felix while he was being raised in Sicily.   In 1924, at the age of 12, Ruvolo was sent back to the United States to rejoin his parents, who were settling in Chicago. In Chicago, Ruvolo continued his private art lessons, and later enrolled in the Chicago Art Institute.   By the 1930s, the young prodigy was exhibiting his work regularly in Chicago, and was invited to participate in an American Federation of Arts traveling exhibition. This exposure brought more attention to Ruvolo’s work and he was soon invited to exhibit at major American venues, including the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, and the Walker Art Center.  In 1945, Ruvolo took a position teaching at the Chicago Art Institute where he had studied just a few years prior.   With extensive exhibitions in the United States, international attention arose and Ruvolo was invited to show at the Sao Paulo Biennial in Brazil, and at the Galerie Creuse in Paris, France.    By this time, Felix’s works were being reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum, the Los Angeles County Museum, in the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia, and museums and private individuals around the world were acquiring works by Ruvolo for their collections. By 1950 Ruvolo was invited, by a unanimous vote of the staff, to join the faculty of the art department at University of California, Berkeley, which was a hotbed of modern art at the time. Ruvolo accepted the position at UC Berkeley and settled in Berkeley, CA where his home became a gathering place for many artists and intellectuals.   In 1951, Ruvolo’s work was included in the ground-breaking exhibition ‘Abstract Painting and Sculpture in America’ held at the Museum of Modern Art in New York City. Ruvolo was so highly regarded and respected by his peers around the country.  George McNeil, who had been the director of the Pratt Institute in New York, is known to have said that he accepted an invitation to come to UC Berkeley because Felix was there.  Ruvolo was deeply engrained in the art scene in the San Francisco Bay Area during it’s mercurial rise to a cultural mecca, and was an influence on many young artist in the area including Mark di Suvero, William Brown, Mary Snowden...

Artist Comments
"He would strut into the bar trying to capture the eye of the women," says artist Darlene McElroy. "With his swagger, cool clothes, and sparkle, he played the odds." A playful cowboy portrait in Darlene's Cast of Characters series.

About the Artist
Darlene McElroy sees creating art as similar to reading Turkish coffee grounds. A story becomes revealed as one looks at the surface, texture and color. Her works use a variety of materials ranging from acrylic paints to photo transfers and collage. She currently lives in New Mexico and has been greatly influenced by the work of Robert Rauschenberg. She encourages viewers to search for their narrative interpretation when viewing a work.

Words that describe this painting: man, figurative, cowboy, western, happy, hat, face, mustache, expressionism, people, western, representational, mixed media artwork, yellow

Dressed to Kill...

Artist Comments
When asked about the character in this expressionist portrait, artist Darlene McElroy shared that, "he is pausing on a walk through changing leaves to savor t...

Artist Comments
Spring is here! I wanted to show the first changes where the leaves are just beginning to become visible along with the pinks. I created some interesting text...

Artist Comments
Part of Ryan's long-running series of portraits done in charcoal and oil paint on gold washed paper. Ryan enjoys pairing the fluidity and transparency of oil paint with the substance of charcoal. "Much like the ballet of the same name, "Giselle" combines dramatic patterns with stoic expression," says Ryan. The figure wears an abstract dress of dripping circles, her hair in modernist angles. She looks intensely at the viewer, her slender frame elongated by her strong pose.

About the Artist

Words that describe this painting: girl, ballet, Gustav Klimt, Egon Schiele, modern, portrait, expressionism, people, fashion, representational, mixed media artwork, yellow

Giselle
Ryan Pickart...

"Sea Dreams" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues, teal...

' Avon Walk . no 8 ; Avoncliff' ,mixed media original painting by Gradwell. circa 2009. signed and dated work by the artist.. Painting : 35cm x 48cm. Silver giltwood glazed frame: ...

Abstract layered tinted painting, different shades blue, navy, turquoise, green, copper and gold 24" x 24" gallery 1.5" profile stretched canvas Different shades of blue, turquoise, ...

Jute Nebula - 3D Abstract Expressionist Mixed Media on Cardboard Abstract in bold red, yellow and sky blue on a soft black background, by California-based artist Ricardo de Silva (B...

"CHERENKOV CYCLOTRON" Abstract Painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The Haas B...

This painting, mixed media, with deep texture made with gesso & impasto and acrylic paint. Inspired by degradation, stell and rust oxidation. It will arrive and ready to hang on your...

This artwork "Untitled" 1980 is a mixed media, drawing and collage on paper by noted artist Daniel Wiener, born 1954. It is inscribed "Daniel Wiener b.1954" on the back. The artwork ...

Textured Abstract Expressionist Composition in Acrylic on Board Textured and detailed abstract composition by Loretta Burton Youngman (American, b. 1943). Red and charcoal blue patc...

An abstract expressionist glazed pottery plaque by British-Japanese artist Takashi Suzuki. There is minimal information about the artist, and unfortunately, there is a more contempo...

EMILY VAN HORN My soul purpose is as a catalyst for transformation. As a visual starting point I draw inspiration from urban surroundings, the crumblin...

Right Turn on the Railroad Track - Abstract Expressionist Mixed Media on Paper Abstract in bold blue and red on a soft black background , by California-based artist Ricardo de Silva (Brazilian, 20th Century). Signed and dated at the bottom left corner, "R. de Silva 86." Image shown above is enhanced in Photoshop to make signature more visible. Paper size: 30"H x 22"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve...

"CALANDRA" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Ste...

"ASYMPTOTIC FREEDOM" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY),...

This artwork, "Untitled" is a mixed media on paper by renown Malaysian artist Thang Kiang How, born 1946. It is signed at the lower right corner by the artist. The artwork size is 27.5 x 26.75 inches, framed is 31.25 x 30.75 inches. Custom framed in a wooden silver frame, with black color spacer. It is in excellent condition. An oil painting on canvas 38 x 44 inches by this artist, sold at auction on Nov 30th 2014 for a record price of $195,700.00 plus premium. About the artist: Thang Kiang How was born in 11th Sept.1946 in Malaysia Kiang How received the Public Service Medal (PBM) awarded by the President of Singapore in 1981 for his contribution to Singapore Nation Building. In the past 30 years, he has been an active participant in local and international art scenes. His unique technique of blending acrylic and airbrush printing effect on canvas and paper has become his trademark in the art circle and is constantly involved in major art projects (sculpture and murals). He has held 12 solo exhibitions and participated in more than 100 group exhibitions in countries, such as Australia, China, France, Indonesia, Korea, Malaysia, New Zealand, Thailand, Vietnam and also Singapore. He received many local and international awards.His works are collected by local as well as overseas museums, organizations and private collectors. He was the President of Modern Art Society Singapore (1982 – 1993), Vice President of Federation of Art Societies Singapore (1990 – 1996) and sits on the panel in National Arts Council (1984 – 1993). However, he was the person brought MASS onto a regional platform, Asian International Art Exhibition (AIAE) hosting by members in Federation of Asian Artists (FAA) yearly in 1990. Education 1964 - Graduated from Thomson Secondary School 1968 - Graduated from National Youth Leadership Training Institute and was awarded a Diploma for Community & Youth Work 1976 - Began experimenting with a mixed media of batik and acrylic Career 1964-1968 - Joined People's Association as Organising Secretary 1968-1979 - Chief Instructor-in-Charge of Art & Photographic Unit in Vihilante Corps 1977-2001 - Vice Chairman of Ang Mo Kio Citizens' Consultative Committee 1982-1993 - President of Modern Art Society 1982-1988 - Council Member of the Visual Arts Advisory Community 1984-1989 - National Arts Council Arts Advisory Committee 1989-1993 - Committee Member of National Community Organisation Council 1990-1994 - Member of Organising Committee ASIAN International Art Exhibition 1990-1996 - Vice-President of Federation of Art Societies, Singapore 1993-1996 - Member of Visual Art Resources Panel National Arts Council 1994-1996 - Vice-president of Modern Art Society One-Man Exhibition 1980 - Singapore Chinese Chamber of Commerce and Industry, Singapore 1987 - National Museum Art Gallery 1988 - Hyatt Regency Singapore Hotel, Singapore 1988 - To-day Art Gallery, Taipei, Taiwan 1988 - Kaohsiung National Library, Kaohsiuing, Taiwan 1989 - 5th Solo Art Exhibition at National Museum Art Gallery, Singapore 1990 - Singapore Conference Hall, Singapore 1995 - Art Gallery of Beijing International-Art Palace, China Group Art Exhibitions 1970-1989 - Annual National Day Art Exhibition 1974-1979 - National Museum Annual Art Exhibition 1980 - The Fifth Festival of Asian Arts 1980-1994 - ASEAN Painting and Photography Exhibition 1980 - Contemporary Singapore Paintings...

30"x40" Mixed Media on canvas. This series is called “Ictus.â€

Contralto is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

"Ictus" - rhythmic emphasis of a word. Ictus is inspired by the rustic sumptuousness of Carmel Valley, California. With a limited palette, what started as an attempt to capture th...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

"HARLEM CANDU" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The H...

Tema is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musica...

Lake Jewel-Fools Gold on Blue Vertical 60 X 48 Fools Gold is pyrite, considered a protective stone, shielding the user from negative energy. it is a symbol of prosperity and good lu...

Confucius once said you must first study the past to define the future. In this mysterious series, we will explore the secret origins of our human species and the various cultures th...

Confucius once said you must first study the past to define the future. In this mysterious series, we will explore the secret origins of our human species and the various cultures th...

Confucius once said you must first study the past to define the future. In this mysterious series, we will explore the secret origins of our human species and the various cultures th...

Madrigale is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

"Tropical Layers" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues,...

A mixed media landscape using acrylic paint and collage on archival oil paper. Comes with a white mat to finished size of 13" x 13" :: Mixed Media :: Abstract Expressionism :: This p...

'Rooted Light' - An earthy, grounding piece that reflects the strength of stillness and the resilience of nature. Tones of forest green and soft beige are layered with texture, expre...

30"x40" Mixed Media on canvas. This series is called “Ictus.â€

“Frequency of Flow” is an original 50 x 40 cm acrylic painting on canvas by Finnish multidisciplinary artist Emmi Iida, whose practice blends visual art, energy, and intention into m...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

This vibrant painting is based on the gardens in Paris that are an inspiration for many of the artist's work. Highly textured with layers of paint that represent in abstract realism...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...

30"x40" Mixed Media on canvas. This series is called “Ictus.â€

A cool blue entity, perhaps the moon, lights up the bits and pieces of the surrounding universe giving a mysterious feel to a darkened sky. This original abstract acrylic painting i...

A San Francisco Bay Area abstract expressionist painting by American artist John Saccaro. John Saccaro, (1913-1981), was an important member of the San Francisco school of abstract ...

Tiffani created the JELLYFISH NEBULA as a way to capture the spirit of exploration and adventure of the unexplored depths that the ocean and space offer. Every nebula she creates is ...

Ocean Rocks, windblown water, and tropical colors give this original painting the feel of the seaside. It's created on canvas which is highly textured, gallery wrapped, and painted b...

The Oboe will Shine Tomorrow by Lorette C Luzajic, Canadian Date: 2014 Mixed Media on Canvas, signed verso Size: 30 x 40 in. (76.2 x 101.6 cm)

"Lava Sea" is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Evoking a feeling of molten lava moving u...