Abstract Expressionist Mixed Media

Right Turn on the Railroad Track - Abstract Expressionist Mixed Media on Paper Abstract in bold blue and red on a soft black background , by California-based artist Ricardo de Silva (Brazilian, 20th Century). Signed and dated at the bottom left corner, "R. de Silva 86." Image shown above is enhanced in Photoshop to make signature more visible. Paper size: 30"H x 22"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve...

This artwork "Untitled" 1980 is a mixed media, drawing and collage on paper by noted artist Daniel Wiener, born 1954. It is inscribed "Daniel Wiener b.1954" on the back. The artwork ...

Francesco is the painter of music. Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musical rhythm dancing i...

Confucius once said you must first study the past to define the future. In this mysterious series, we will explore the secret origins of our human species and the various cultures th...

CORTIA NEBULA is an 8x8 square piece that Tiffani made using her iconic holographic resin layering painting technique. Bold, vibrant pinks and radiant gold capture the mesmerizing ot...

Man on Wire - Abstract Expressionism A vibrant abstract painting in intense poppy-red depicting a man dressed in black tie walking a tightrope with an umbrella, by California-based artist, Ricardo de Silva...

This artwork, "Untitled" is a mixed media on paper by renown Malaysian artist Thang Kiang How, born 1946. It is signed at the lower right corner by the artist. The artwork size is 27.5 x 26.75 inches, framed is 31.25 x 30.75 inches. Custom framed in a wooden silver frame, with black color spacer. It is in excellent condition. An oil painting on canvas 38 x 44 inches by this artist, sold at auction on Nov 30th 2014 for a record price of $195,700.00 plus premium. About the artist: Thang Kiang How was born in 11th Sept.1946 in Malaysia Kiang How received the Public Service Medal (PBM) awarded by the President of Singapore in 1981 for his contribution to Singapore Nation Building. In the past 30 years, he has been an active participant in local and international art scenes. His unique technique of blending acrylic and airbrush printing effect on canvas and paper has become his trademark in the art circle and is constantly involved in major art projects (sculpture and murals). He has held 12 solo exhibitions and participated in more than 100 group exhibitions in countries, such as Australia, China, France, Indonesia, Korea, Malaysia, New Zealand, Thailand, Vietnam and also Singapore. He received many local and international awards.His works are collected by local as well as overseas museums, organizations and private collectors. He was the President of Modern Art Society Singapore (1982 – 1993), Vice President of Federation of Art Societies Singapore (1990 – 1996) and sits on the panel in National Arts Council (1984 – 1993). However, he was the person brought MASS onto a regional platform, Asian International Art Exhibition (AIAE) hosting by members in Federation of Asian Artists (FAA) yearly in 1990. Education 1964 - Graduated from Thomson Secondary School 1968 - Graduated from National Youth Leadership Training Institute and was awarded a Diploma for Community & Youth Work 1976 - Began experimenting with a mixed media of batik and acrylic Career 1964-1968 - Joined People's Association as Organising Secretary 1968-1979 - Chief Instructor-in-Charge of Art & Photographic Unit in Vihilante Corps 1977-2001 - Vice Chairman of Ang Mo Kio Citizens' Consultative Committee 1982-1993 - President of Modern Art Society 1982-1988 - Council Member of the Visual Arts Advisory Community 1984-1989 - National Arts Council Arts Advisory Committee 1989-1993 - Committee Member of National Community Organisation Council 1990-1994 - Member of Organising Committee ASIAN International Art Exhibition 1990-1996 - Vice-President of Federation of Art Societies, Singapore 1993-1996 - Member of Visual Art Resources Panel National Arts Council 1994-1996 - Vice-president of Modern Art Society One-Man Exhibition 1980 - Singapore Chinese Chamber of Commerce and Industry, Singapore 1987 - National Museum Art Gallery 1988 - Hyatt Regency Singapore Hotel, Singapore 1988 - To-day Art Gallery, Taipei, Taiwan 1988 - Kaohsiung National Library, Kaohsiuing, Taiwan 1989 - 5th Solo Art Exhibition at National Museum Art Gallery, Singapore 1990 - Singapore Conference Hall, Singapore 1995 - Art Gallery of Beijing International-Art Palace, China Group Art Exhibitions 1970-1989 - Annual National Day Art Exhibition 1974-1979 - National Museum Annual Art Exhibition 1980 - The Fifth Festival of Asian Arts 1980-1994 - ASEAN Painting and Photography Exhibition 1980 - Contemporary Singapore Paintings...

“Beauty Beneath the Chaos” is an original abstract expressionist painting by multidisciplinary Finnish artist Emmi Iida, whose work blends raw emotion, layered symbolism, and poetic ...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Periodo is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the mus...

Antifona is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the mu...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I'm not t...

Contralto is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

A collage and acrylic abstract art piece on a cradled wood panel. Sides painted black. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of au...

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

Artwork with embedded herbarium flowers, plants and herbs in handmade paper explores the beauty of nature preserved in time in the work “Starry Meadow”. Conceptually, the work explo...

2024 acrylic, resin, plaster, gilding, fire glass, bismuth crystals, holographic glitter (watch video) on stretched canvas: /d7o6UoJn_Os Before we can evolve, balance must be rest...

2025 acrylic, resin, plaster, gilding, crushed fire glass, bismuth crystals, holographic glitter (watch video) on stretched canvas. Five centuries ago our beloved planet was blessed...

2024 acrylic, resin, gilding, holographic glitter (watch video) on cotton paper: /iZI-T4IU-0k True peace can only come through the surrendering of the heart. With a brushstroke of...

2025 acrylic, resin, gilding, holographic glitter (watch video), crushed fire glass on stretched canvas. True peace can only come through the surrendering of the heart. With a bru...

"Tropical Layers" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues,...

Inspired by my many travels across Colorado and Utah on I-70 West. This diptych reminds me of the vivd sunsets outside of Moab, evoking as well the great aquatic giants that used to ...

Joseph Lawrence Gardella (American, XX-XXI), Untitled (Abstract Composition), Mixed Media on Canvas with Collage Elements, unsigned, artist's estate stamp verso, unframed. Image: 27...

“Fire Remembered” is an original 54 x 47 cm painting on cardboard by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged abstractions that merge movement, intuition, and raw texture. The work pulses with elemental energy — vivid reds, deep umbers, and molten oranges rise from the surface like embers caught in motion. Painted in acrylics on cardboard, its composition feels both spontaneous and ceremonial, as if capturing the memory of warmth after transformation. This piece speaks of renewal and the persistence of creative fire — a reminder of the beauty within change and the power of emotion made visible. Its compact scale and strong visual rhythm make it a striking addition to any contemporary collection. About the Artist: Emmi Iida is an internationally exhibiting artist, author, musician and interior architect, working at the intersection of visual art, sound, and design. Her practice is rooted in Nordic minimalism and emotional depth, infused with a global perspective from her years living and creating across Europe and the United States. Her works have been acquired by collectors from New York to Los Angeles, Sydney to Paris, and she is currently represented by MONAT Gallery (Paris, Madrid, Innsbruck) and Van Gogh Art Gallery (Munich, Miami). Upcoming exhibitions include international art fairs and group shows in Europe and the United States in 2025. Abstract Art on Paper...

Peer through an aperture of space and time out from nebulaic layers to the vastness of space. Tiffani created the ZEALLA NEBULA in the spirit of wondrous space exploration unfolding ...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and t...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note this painting was never matte...

Tiffani created the OMEGA SOTO NEBULA in the spirit of wondrous space exploration unfolding in our time. The nebulae coming out the James Webb infrared telescope show what awaits us ...

A cool blue entity, perhaps the moon, lights up the bits and pieces of the surrounding universe giving a mysterious feel to a darkened sky. This original abstract acrylic painting i...

Lake Jewel-Fools Gold on Blue Vertical 60 X 48 Fools Gold is pyrite, considered a protective stone, shielding the user from negative energy. it is a symbol of prosperity and good lu...

Diving In The Blue Abstract On Paper 2023 Mixed Media on Paper Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a ...

The painting captures a surreal wilderness, where a forest of trees emerges from a tapestry of mixed media. Twisted trunks sculpted from plaster rise organically, intertwined with vi...

“Everything in nature evolves. This process is usually slow, taking millions of years. But every couple hundred millennia or so, an entire species takes a giant leap forward…A re...

Two 3D wooden panels form the base for this exploratory artwork. Textured, distressed, tactile, rough, shiny and smooth. Colouration mainly focuses on the blues and golds. A intense,...

This vibrant painting is based on the gardens in Paris that are an inspiration for many of the artist's work. Highly textured with layers of paint that represent in abstract realism...

"Shore Break" is a beautiful large luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, featuring textural blues, tan, l...

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

Inspired by my many travels across Colorado and Utah on I-70 West. 11x14" mixed media on canvas. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certifi...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

30"x40" Mixed Media on canvas. This series is called “Ictus.â€

Inspired by my many travels across Colorado and Utah on I-70 West. 11x14" mixed media on canvas. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certifi...

Hand painted/drawing one of a kind original on 100% cotton Archival watercolor paper With Gold Leaf :: Mixed Media :: Abstract Expressionism :: This piece comes with an official cer...

'Motion Sickness' oil pastel, oil stick, graphite, and collage on paper 18x24" :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of authentici...

"Black Tie And Bubbly" is a beautiful large luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, featuring textural blac...

AZAE THETA NEBULA was made using Tiffani's signature holographic resin painting technique to capture the vibrant exhilaration of cosmological discovery. Rich sapphire-blue fades into...

Confucius one said that if you your aim is to define the future then you must first study the past. In this highly mysterious and powerful new series we will explore the secret origi...

Modern, minimalism, emotion. Impressions and emotions as a source of expression in painting. Abstract painting is something like seeking the truth. My own truth. Every painting is a...

Tiffani employed her holographic resin painting technique to create the NALLORYA NEBULA, bursting with brilliant blue and purple hues, surrounded by swirling tendrils of electrifying...

"Pond Memories" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues, l...

Insomnia is almost a nocturnal landscape: a deep blue ground, nearly black at the edges, built up thickly with marble powder, lets a luminous, near-white disc emerge on the right, oc...

"Black Tie Affair" is a beautiful large luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, featuring textural black, t...

This framed 24.8" x 24.8" acrylic on linen painting, 'Beyond the Lullabye Trees,' by Noelle McAlinden is from her 'Lullaby Trees' series. This abstracted landscape painting feature...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I'm not t...

"Making A Splash is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues,...

"Pastel Party" is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Soft, quiet pastel color is applied t...