Canvas More Art

"Firetruck" is a one-of-a-kind piece created by Eustace Mamba. This oils, acrylics, sewn mixed media, velcro, and thread artwork measures 13"h x 29.5"w and ships with a gallery-issue...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Faun`s sweet dream, 2021, 90x80 cm

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Faun`s rest, 2021, 80x70 cm

"The Fish Bowl" is a one-of-a-kind piece created by Eustace Mamba. This original artwork made of oils and acrylics on sewn mixed media measures 12”h x 12”w. It ships with a gallery-...

Craig Alan Rainbow Effect (1/75), 2023 is a vibrant giclée on canvas that exemplifies Craig Alan's signature ability to transform countless miniature figures into a captivating large...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Evening on the veranda , 80x70 cm, oil on canvas

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

2021, 110x88 cm

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express emotions akin to silent poetry while drawing inspiration for her palette from the layered world around her. Her artworks include layered textures and playful details along the surfaces. This original graffiti-inspired painting measures 24 inches high by 30 inches wide. The sides are painted grey and it does not require framing. It is wired and ready to hang. This painting is signed and titled by the artist on the back. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Amber Goldhammer is best known for creating vibrant abstract paintings with a street art edge. She originally started painting with pigments, powders, and waxes and went on to experiment with different mediums and processes to keep evolving her artworks. As love and joy are paramount emotions in life, Goldhammer hopes her series incorporating the “I Love You” message expands to reach a wide audience. Connecting people through public art is one way she believes her street murals can impact lives, as it is impossible to view her work and not feel a sense of joy and love. Painting a convergence of color and emotion, she builds and layers bold colors organically, allowing the process to determine the outcome. There is no analyzing, conceptualizing, or judging that takes place. It all happens in the moment, as a union between her, the canvas, and the paint. Amber Goldhammer frequently draws inspiration for her palette from the colors of the ocean, saying, “I get to take in the essence of the ocean every day, which fuels my creativity and brings me peace.” A worldwide collected young artist with ongoing concurrent exhibitions in galleries throughout the United States and Switzerland, Goldhammer's artworks have also been exhibited at major international art fairs. Her original paintings have been showcased in print and online publications, and on such TV series as “Million Dollar Listing,” “Being Mary Jane,” “The Catch” as well as both multi-Emmy® nominated series, “Crazy Ex-Girlfriend”, and “Scandal.” Goldhammer’s art is also featured on Netflix’s original series, “G.L.O.W.” by “Weeds” creator, Jenji Kohan. Artspace Warehouse has been representing and exhibiting Amber Goldhammer's original artworks since 2011. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, California SOLO EXHIBITIONS 2022 Christopher Martin...

Faun`s rest, 2021, 80x70 cm

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Craig Alan – Perspectrum Artist Proof, 2021 Medium: Giclée on Canvas Edition: Unframed 7/20 AP Artwork Size: 24 x 24 in Craig Alan’s Perspectrum (2021) is a captivating giclée on c...

"Close my eyes with rose petals"

Autumn evening, 90x70 cm, acrylic , canvas

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

Craig Alan – Rhapsody in Blue 2022 Medium: Giclée on Canvas Edition: Framed 5/75 Artwork Size: 50 x 62 in Framed Size: 50 x 62 in Price: $4,995 Craig Alan’s Rhapsody in Blue (2022) ...

Description about painting “Spirit Herbal Fairies” . Collection "Spirit Herbals" In this painting I focus on what gives us resource and taste for life. I invite the viewer to get to ...

This large-scale contemporary painting by Milly Ristvedt explores colour in abstract form. A masterful, award-winning colourist, Milly Ristvedt’s elegant abstract paintings hang on...

The work is sold without a frame.

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Bouquet of Flowers, 80x135 cm, oil on canvas

Sleep of the mind , 200x72 cm, oil on canvas

This 25.5" x 29.5" oil on canvas painting is by an unknown artist; the signature in the bottom right corner reads as 'Pilou' which is a common European surname. The painting depicts ...

Series "Horses", 100x120 cm, acrylic on canvas

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Rachel Taggart’s abstract paintings explore the way light passes through color and creates a sense of depth. Diluted acrylic washes settle into the raw canvas in translucent layers, ...

Autumn Goodies This still life was painted from life. Soft, diffused daylight fills the space, gently interacting with transparent glass, matte surfaces, and textured fabric. The r...

Man 1, 2021, 120x55 cm

Louis Emiel Chappel (1888-1963) floral still life II oil painting, circa 1950s Beautiful full basket bouquet of flowers on a pedestal by listed artist Louis Chappel. Original oil o...

Elegant form and a delightful pastel palette. This is ‘Renaissance’ , an abstract painting by Milly Ristvedt. The master colourist is playing with soft colours here—against a sky-blu...

Soaring. 100x100cm

100x120 cm, acrylic on canvas

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Firoozeh Akhlaghi 1968 - Current Creation, 2022 Oil and acrylic on canvas 150 x 210 cm 59 x 82 5/8 in

Frozen, 100x90cm, oil on canvas The work is sold without a frame.

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

70x70cm, print on canvas Edition 20 pcs.

Portrait of Grand Duke Pavel Petrovich (1754–1801), later Emperor Paul I of Russia After Alexander Roslin (1718–1793) Oil on canvas, oval, late 18th century This is an exceptionally handsome and historically resonant eighteenth-century portrait, uniting the immediacy of an intimate likeness with the authority of one of the defining dynastic images of Imperial Russia. Grand Duke Pavel Petrovich, the future Emperor Paul I, turns towards the spectator with a composed, almost conversational expression, his youthful face emerging softly from the restrained brown background. The rich scarlet of his coat, the deep blue of the sash and the flashes of gold, lace and jewelled decoration give the picture remarkable visual distinction, while the oval format concentrates attention upon the sitter’s face and magnificent ceremonial attire. Painted during the eighteenth century, the present work is a contemporary reduced version of Alexander Roslin’s monumental state portrait of 1777, now in the State Hermitage Museum, St Petersburg. Roslin’s full-length original measures approximately 265 by 168 centimetres; here, its essential elements have been reformulated as a more intimate portrait suitable for display within an aristocratic residence, diplomatic household or private cabinet. Pavel is dressed in the height of European court fashion of the later 1770s. His scarlet habit à la française comprises a close-fitting coat and elaborately embroidered waistcoat, enriched with scrolling metallic ornament, floral motifs and a sequence of large decorative buttons. The shoulder is finished with a densely worked epaulette-like band, while a white linen stock and delicate lace jabot frame the face. His powdered hair is dressed in the fashionable bag-wig, drawn back and tied with a broad black silk ribbon. Although the costume is unmistakably Russian in its dynastic significance, its cut and ornament belong to the international language of court dress then prevailing from Versailles and Vienna to Stockholm and St Petersburg. In Roslin’s original full-length composition, the costume was completed by matching scarlet breeches, silk stockings, buckled shoes, a sword and a plumed tricorne, all identifying Pavel as both a prince of the blood and a cultivated participant in the ceremonial life of Europe’s great courts. Across his breast passes the broad blue watered-silk sash of the Imperial Order of St Andrew the First-Called, the senior Russian order of chivalry established by Peter the Great. The sash, conventionally worn from the right shoulder towards the left hip, proclaimed the sitter’s position at the summit of the imperial hierarchy. Superimposed upon it is the red-enamelled cross of the Order of St Anna, surrounded in the portrait by scintillating, jewel-like highlights. The cross had a particular dynastic resonance: the order had been founded by Pavel’s paternal grandfather, Duke Karl Friedrich of Holstein-Gottorp, in memory of his wife Anna Petrovna, daughter of Peter the Great. Pavel’s display of the two orders therefore asserted not only rank and honour, but his descent from the founder of Imperial Russia and his inheritance through the Romanov and Holstein-Gottorp lines. Contemporary portraits similarly identify Pavel through the blue sash and star of St Andrew and the red cross of St Anna. Born in St Petersburg in 1754, Pavel Petrovich was the only son of Grand Duke Peter Fyodorovich, later Emperor Peter III, and Grand Duchess Catherine Alexeyevna, the future Catherine the Great. Through his father he was a great-grandson of Peter the Great and inherited the Romanov and Holstein-Gottorp bloodlines; through his mother, born Princess Sophie of Anhalt-Zerbst, he was connected to the extensive network of German princely houses that shaped eighteenth-century European dynastic politics. His childhood was dominated by the uncertainties of imperial succession. Soon after his birth, the Empress Elizabeth removed him to her own household and assumed control of his upbringing. Educated under the statesman Nikita Panin, Pavel studied history, geography and mathematics and became fluent in Russian, French and German. He was eight when his father ascended the throne in 1762, only to be deposed by Catherine within months and to die shortly afterwards in confinement. Although Pavel remained the acknowledged heir, Catherine ruled for another thirty-four years and excluded him from meaningful political authority. He was therefore publicly honoured as the future sovereign while being denied the practical experience of government. In 1773 he married Princess Wilhelmina Louisa of Hesse-Darmstadt, who converted to Orthodoxy as Grand Duchess Natalia Alexeievna. She died in April 1776 after a prolonged labour, together with her stillborn child, leaving Pavel widowed and the succession unsecured. A second marriage was arranged within months. His new bride was Duchess Sophie Dorothea of Württemberg, daughter of Friedrich Eugen, later Duke of Württemberg, and Friederike Dorothea of Brandenburg-Schwedt. Raised at Montbéliard in a cultivated German princely household, she converted to Orthodoxy as Maria Feodorovna and married Pavel in October 1776. The union strengthened Russia’s links with Württemberg and Brandenburg-Prussia, but also became an enduring domestic and cultural partnership. Maria was intelligent and artistically gifted, practising drawing, embroidery, ivory carving and hardstone work, while collecting books and decorative art and later supporting charitable and educational institutions. The couple had ten children, nine of whom survived childhood. Their eldest son, Alexander, succeeded Pavel as Emperor Alexander I and ruled during the Napoleonic era; their younger son Nicholas later became Emperor Nicholas I. Constantine Pavlovich became a prominent military figure and briefly stood at the centre of the succession crisis of 1825. Their daughters married into leading European dynasties: Alexandra into the Austrian imperial family, Elena into Mecklenburg-Schwerin, Maria into Saxe-Weimar-Eisenach, Catherine into Württemberg and Anna into the Dutch royal house. Through their children, Pavel and Maria extended Romanov influence across much of Europe. The birth of Alexander in 1777 secured the succession and prompted Catherine to give the couple the estate that became Pavlovsk, south of St Petersburg. Its Neoclassical palace, begun by Charles Cameron in the early 1780s, became closely associated with Maria’s artistic interests, family life and refined sociability. Gatchina, by contrast, reflected Pavel’s more martial character. There he developed his own court and pursued his interests in military organisation, ceremony and administrative discipline. In 1781–82 Pavel and Maria travelled through Europe as the Count and Countess of the North, visiting royal courts, artists, manufactories and antiquities collections. They acquired paintings, furniture, bronzes, sculpture, textiles and porcelain, helping to make Pavlovsk one of Russia’s most sophisticated expressions of international Neoclassical taste. Yet Catherine continued to restrict their independence, taking charge of the upbringing of Alexander and Constantine just as Empress Elizabeth had once removed Pavel from his own parents. This repetition deepened the estrangement between mother and son. Pavel finally succeeded Catherine in 1796, aged forty-two. His reign lasted little more than four years, but his Act of Succession of 1797 established male-line primogeniture and ended much of the uncertainty surrounding the Russian imperial succession. His attempts to regulate the court, army and administration, and to reverse elements of Catherine’s policies, alienated powerful members of the nobility and officer corps. In March 1801 he was assassinated during a palace coup at the Mikhailovsky Castle and was succeeded by Alexander. This knowledge lends the portrait particular poignancy: Pavel appears not as the embattled emperor of his final years, but as the elegant young heir at a moment when marriage, dynasty and the anticipated birth of a son seemed to promise stability and renewal. Roslin’s portrait should be understood within this urgent dynastic context. The Swedish painter had travelled to St Petersburg in 1775 at the personal invitation of Catherine II and was commissioned to paint monumental state portraits of the Empress, Pavel and Maria Feodorovna. The pendant portraits of the young couple presented the heir and his new wife as the polished, fertile and internationally connected future of the Romanov dynasty. Roslin recorded in 1777 that the ruling family had ordered multiple copies. At least six versions of Pavel’s portrait and twelve of Maria’s are known, and such replicas were distributed as courtly and diplomatic gifts. A pair was presented to James Harris, later First Earl of Malmesbury, then the British ambassador to Russia. The existence of numerous eighteenth-century replicas was therefore not accidental or merely commercial: repetition was integral to the commission’s political purpose. Each version extended the official image of succession from the imperial palace into allied courts, embassies and aristocratic collections. The present portrait belongs to that wider culture of dynastic dissemination. Rather than reproducing Roslin’s entire monumental setting, with its architectural balustrade, extensive Neva prospect, sword, hat and full ceremonial costume, the painter has selected the head and upper body and adapted them to an oval. This transformation changes the character of the image. The grandeur of the original remains legible in the orders, costume and confident turn of the figure, but the reduced composition produces a greater sense of proximity to Pavel himself. The face becomes dominant, and the future emperor appears less as a remote emblem of state than as a recognisable young man. The type also circulated through prints: an oval engraved version published in 1781 and now represented in the British Museum demonstrates how rapidly Roslin’s conception entered the broader visual culture of late-eighteenth-century Europe. The artistic economy in which the portrait was created differed substantially from the modern open market. In Catherine’s Russia, the most prestigious portrait production was sustained by imperial commissions, aristocratic patronage and diplomatic gift-giving. Roslin’s success was extraordinary: during approximately two years in Russia he received around seventy-five commissions, many of which had to be completed after his return west. The appetite for his work reflected both the wealth of the Russian court and its determination to present itself through the most polished international style available. Alongside imported masters such as Roslin, Russia was developing its own institutional artistic culture. The Academy of the Three Noble Arts had been founded in St Petersburg in 1757 and was elevated by Catherine in 1764 to the Imperial Academy of Arts. It recruited European teachers, trained Russian...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Oil on canvas 60x60 cm

Dreams, 80x130 cm, oil, acrylic, coal, canvas

Valley, 120x100cm, acrylic on canvas

A contemporary painting by British Artist Alec Cumming. Alec Cumming 'Through the Nights that have Gone' 76cm x 71cm - canvas 2014 Signed and dated verso with a Gallery for Art 18...

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Beth Munro’s original paintings, whether composed of still life, landscape, or abstract forms, focus on pattern, color and texture. Munro is inspired by everything from the impressio...

In the moonlight, 50x40 cm, acrylic on canvas

Linda Stein, 1217 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

New Moon, 120x120cm, acrylic on canvas

Edition 20 pcs., print on canvas A different print size can be made upon request.

Wonderful contemporary abstract signed painting Series of 4 canvas assembled to form a single painting signed Kozo Inoue dated 1974 This painting, never before on the market, comes f...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

"BLOOM IV" is an original piece by Linnéa Andersson made from oil on cotton canvas. This piece measures 20"h x 16"w and is signed en verso. In her pa...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...