Canvas More Art

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" i...

A fine impressionist marine painting of boats at dock on Cape Ann by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New En...

70x70cm, print on canvas Edition 20 pcs.

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that few (if any) people you know would have, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp...

N3, 2022, 90x80 cm

Portrait of Grand Duke Pavel Petrovich (1754–1801), later Emperor Paul I of Russia After Alexander Roslin (1718–1793) Oil on canvas, oval, late 18th century This is an exceptionally handsome and historically resonant eighteenth-century portrait, uniting the immediacy of an intimate likeness with the authority of one of the defining dynastic images of Imperial Russia. Grand Duke Pavel Petrovich, the future Emperor Paul I, turns towards the spectator with a composed, almost conversational expression, his youthful face emerging softly from the restrained brown background. The rich scarlet of his coat, the deep blue of the sash and the flashes of gold, lace and jewelled decoration give the picture remarkable visual distinction, while the oval format concentrates attention upon the sitter’s face and magnificent ceremonial attire. Painted during the eighteenth century, the present work is a contemporary reduced version of Alexander Roslin’s monumental state portrait of 1777, now in the State Hermitage Museum, St Petersburg. Roslin’s full-length original measures approximately 265 by 168 centimetres; here, its essential elements have been reformulated as a more intimate portrait suitable for display within an aristocratic residence, diplomatic household or private cabinet. Pavel is dressed in the height of European court fashion of the later 1770s. His scarlet habit à la française comprises a close-fitting coat and elaborately embroidered waistcoat, enriched with scrolling metallic ornament, floral motifs and a sequence of large decorative buttons. The shoulder is finished with a densely worked epaulette-like band, while a white linen stock and delicate lace jabot frame the face. His powdered hair is dressed in the fashionable bag-wig, drawn back and tied with a broad black silk ribbon. Although the costume is unmistakably Russian in its dynastic significance, its cut and ornament belong to the international language of court dress then prevailing from Versailles and Vienna to Stockholm and St Petersburg. In Roslin’s original full-length composition, the costume was completed by matching scarlet breeches, silk stockings, buckled shoes, a sword and a plumed tricorne, all identifying Pavel as both a prince of the blood and a cultivated participant in the ceremonial life of Europe’s great courts. Across his breast passes the broad blue watered-silk sash of the Imperial Order of St Andrew the First-Called, the senior Russian order of chivalry established by Peter the Great. The sash, conventionally worn from the right shoulder towards the left hip, proclaimed the sitter’s position at the summit of the imperial hierarchy. Superimposed upon it is the red-enamelled cross of the Order of St Anna, surrounded in the portrait by scintillating, jewel-like highlights. The cross had a particular dynastic resonance: the order had been founded by Pavel’s paternal grandfather, Duke Karl Friedrich of Holstein-Gottorp, in memory of his wife Anna Petrovna, daughter of Peter the Great. Pavel’s display of the two orders therefore asserted not only rank and honour, but his descent from the founder of Imperial Russia and his inheritance through the Romanov and Holstein-Gottorp lines. Contemporary portraits similarly identify Pavel through the blue sash and star of St Andrew and the red cross of St Anna. Born in St Petersburg in 1754, Pavel Petrovich was the only son of Grand Duke Peter Fyodorovich, later Emperor Peter III, and Grand Duchess Catherine Alexeyevna, the future Catherine the Great. Through his father he was a great-grandson of Peter the Great and inherited the Romanov and Holstein-Gottorp bloodlines; through his mother, born Princess Sophie of Anhalt-Zerbst, he was connected to the extensive network of German princely houses that shaped eighteenth-century European dynastic politics. His childhood was dominated by the uncertainties of imperial succession. Soon after his birth, the Empress Elizabeth removed him to her own household and assumed control of his upbringing. Educated under the statesman Nikita Panin, Pavel studied history, geography and mathematics and became fluent in Russian, French and German. He was eight when his father ascended the throne in 1762, only to be deposed by Catherine within months and to die shortly afterwards in confinement. Although Pavel remained the acknowledged heir, Catherine ruled for another thirty-four years and excluded him from meaningful political authority. He was therefore publicly honoured as the future sovereign while being denied the practical experience of government. In 1773 he married Princess Wilhelmina Louisa of Hesse-Darmstadt, who converted to Orthodoxy as Grand Duchess Natalia Alexeievna. She died in April 1776 after a prolonged labour, together with her stillborn child, leaving Pavel widowed and the succession unsecured. A second marriage was arranged within months. His new bride was Duchess Sophie Dorothea of Württemberg, daughter of Friedrich Eugen, later Duke of Württemberg, and Friederike Dorothea of Brandenburg-Schwedt. Raised at Montbéliard in a cultivated German princely household, she converted to Orthodoxy as Maria Feodorovna and married Pavel in October 1776. The union strengthened Russia’s links with Württemberg and Brandenburg-Prussia, but also became an enduring domestic and cultural partnership. Maria was intelligent and artistically gifted, practising drawing, embroidery, ivory carving and hardstone work, while collecting books and decorative art and later supporting charitable and educational institutions. The couple had ten children, nine of whom survived childhood. Their eldest son, Alexander, succeeded Pavel as Emperor Alexander I and ruled during the Napoleonic era; their younger son Nicholas later became Emperor Nicholas I. Constantine Pavlovich became a prominent military figure and briefly stood at the centre of the succession crisis of 1825. Their daughters married into leading European dynasties: Alexandra into the Austrian imperial family, Elena into Mecklenburg-Schwerin, Maria into Saxe-Weimar-Eisenach, Catherine into Württemberg and Anna into the Dutch royal house. Through their children, Pavel and Maria extended Romanov influence across much of Europe. The birth of Alexander in 1777 secured the succession and prompted Catherine to give the couple the estate that became Pavlovsk, south of St Petersburg. Its Neoclassical palace, begun by Charles Cameron in the early 1780s, became closely associated with Maria’s artistic interests, family life and refined sociability. Gatchina, by contrast, reflected Pavel’s more martial character. There he developed his own court and pursued his interests in military organisation, ceremony and administrative discipline. In 1781–82 Pavel and Maria travelled through Europe as the Count and Countess of the North, visiting royal courts, artists, manufactories and antiquities collections. They acquired paintings, furniture, bronzes, sculpture, textiles and porcelain, helping to make Pavlovsk one of Russia’s most sophisticated expressions of international Neoclassical taste. Yet Catherine continued to restrict their independence, taking charge of the upbringing of Alexander and Constantine just as Empress Elizabeth had once removed Pavel from his own parents. This repetition deepened the estrangement between mother and son. Pavel finally succeeded Catherine in 1796, aged forty-two. His reign lasted little more than four years, but his Act of Succession of 1797 established male-line primogeniture and ended much of the uncertainty surrounding the Russian imperial succession. His attempts to regulate the court, army and administration, and to reverse elements of Catherine’s policies, alienated powerful members of the nobility and officer corps. In March 1801 he was assassinated during a palace coup at the Mikhailovsky Castle and was succeeded by Alexander. This knowledge lends the portrait particular poignancy: Pavel appears not as the embattled emperor of his final years, but as the elegant young heir at a moment when marriage, dynasty and the anticipated birth of a son seemed to promise stability and renewal. Roslin’s portrait should be understood within this urgent dynastic context. The Swedish painter had travelled to St Petersburg in 1775 at the personal invitation of Catherine II and was commissioned to paint monumental state portraits of the Empress, Pavel and Maria Feodorovna. The pendant portraits of the young couple presented the heir and his new wife as the polished, fertile and internationally connected future of the Romanov dynasty. Roslin recorded in 1777 that the ruling family had ordered multiple copies. At least six versions of Pavel’s portrait and twelve of Maria’s are known, and such replicas were distributed as courtly and diplomatic gifts. A pair was presented to James Harris, later First Earl of Malmesbury, then the British ambassador to Russia. The existence of numerous eighteenth-century replicas was therefore not accidental or merely commercial: repetition was integral to the commission’s political purpose. Each version extended the official image of succession from the imperial palace into allied courts, embassies and aristocratic collections. The present portrait belongs to that wider culture of dynastic dissemination. Rather than reproducing Roslin’s entire monumental setting, with its architectural balustrade, extensive Neva prospect, sword, hat and full ceremonial costume, the painter has selected the head and upper body and adapted them to an oval. This transformation changes the character of the image. The grandeur of the original remains legible in the orders, costume and confident turn of the figure, but the reduced composition produces a greater sense of proximity to Pavel himself. The face becomes dominant, and the future emperor appears less as a remote emblem of state than as a recognisable young man. The type also circulated through prints: an oval engraved version published in 1781 and now represented in the British Museum demonstrates how rapidly Roslin’s conception entered the broader visual culture of late-eighteenth-century Europe. The artistic economy in which the portrait was created differed substantially from the modern open market. In Catherine’s Russia, the most prestigious portrait production was sustained by imperial commissions, aristocratic patronage and diplomatic gift-giving. Roslin’s success was extraordinary: during approximately two years in Russia he received around seventy-five commissions, many of which had to be completed after his return west. The appetite for his work reflected both the wealth of the Russian court and its determination to present itself through the most polished international style available. Alongside imported masters such as Roslin, Russia was developing its own institutional artistic culture. The Academy of the Three Noble Arts had been founded in St Petersburg in 1757 and was elevated by Catherine in 1764 to the Imperial Academy of Arts. It recruited European teachers, trained Russian...

This magnificent and exceptionally decorative portrait of a young woman is one of those early Georgian images in which likeness, sumptuous colour and symbolic meaning combine to unus...

A colorful tonalist landscape and the end of the day by contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well known as a ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

140x90 cm, oil on canvas

RED HEADS - (Diptych) - This pair of floral landscapes emphasize the thoughtful arrangement of elements, resulting in paintings that are understated yet visually compelling. Textile ...

“Elephant In The Pool,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and blue...

Autumn evening, 90x70 cm, acrylic , canvas

ONLY PINK - An expressive burst of delicate pink flowers creates a composition full of movement and energy. A blend of acrylic and oil pastel is used to build up rich textures and lo...

An oil painting of boats at rest as seen from Secret Beach in Sag Harbor. "Secret Beach" is the name Ben Fenske has given to his favorite painting spot in Sag Harbor, NY. A place he ...

Faun`s rest, 2021, 80x70 cm

Arizona artist Gail Titus paints vibrant abstract compositions in acrylic on canvas with a focus on texture and color. The geometric planes of her artworks and the texture in her movements are boldly hatched in contours of energetic brushstrokes. She sends the viewer on a journey of discovery across the painted surface to continually re-discover the the depth of hue, composition, and dimension. This large one-of-a-kind dynamic and textural painting is 60 inches high by 48 inches wide. It is wired and ready to hang. The sides of this expressive abstract artwork are painted as a continuation of the front. It does not require framing. It is signed and titled by the artist on the back. Free local Los Angeles area delivery and free professional installation in the local Los Angeles area is included, including placement and hardware. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. After working as a ceramic artist for more than twenty years creating wall sculptures and commissioned installation work, Gail Titus has been focusing more extensively into pursuing her long time interest in abstract painting. Her detailed studies of abstract painting techniques lead Gail Titus to develop works on canvas using acrylic paint and a carefully chosen mix of unconventional tools and techniques. The primary focus has been on surface development and exploring textures. Her artworks have been acquired by corporations and private collectors throughout the United States, Canada and Australia. They have been featured on hit TV shows such as "The Catch" on ABC. Artspace Warehouse has been representing and exhibiting Gail Titus' original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles EXHIBITIONS 2022 The Unknown Nature of Being, Tubac Center of the Arts, Tubac, AZ 2021 Surfing Madonna Save the Ocean, Escondido Municipal Gallery, Escondido, CA Mission Valley Artwalk @ Little Italy, San Diego, CA Twenty Women Artists: NOW - Oceanside Museum of Art, Oceanside, CA 2020 20/20: Twenty Women of Vision, Fresh Paint Gallery, San Diego, CA 2019 OMA Artist Alliance: Creative License,- Sparks Gallery, San Diego, CA The First Artist’s Invitational, Swift Gallery, San Diego, CA Mission Federal Artwalk @ Little Italy, San Diego, CA Artwalk @ Liberty Station, San Diego, CA 2018 Informal Languages, Artspace Warehouse, Los Angeles Prom Dress: Seventeen on Being 17, Cannon Gallery, Carlsbad, CA 2017 Featured Artist Exhibition, SACCA, Tucson, AZ Pop Futurism and Abstraction, Artspace Warehouse, Los Angeles, CA 2010 Abstract Paintings, Ventana Canyon, Ventana medical Systems, Inc, Tucson, AZ 2007 hand + spirit + art, Tohono Chul, Tucson, AZ The Practice of Abstract Painting, The Drawing Studio, Tucson, AZ 2000 Crosscurrents, The Gallery at the Tucson International Airport, Tucson, AZ 1997 Art Spirit, Shemer Art Center, Phoenix, AZ Desert Reflections, Ironwood Gallery, Arizona-Sonoran Desert Museum, Tucson AZ 1996 Two person show, Tucson Jewish Community Center Fine Art Gallery, Tucson AZ From Earth to Art, Pink Adobe Gallery, Tucson, AZ 1995 Designer Showcase ’95, Tucson Museum of Art and ASID, Tucson, AZ 1993 Four Person Exhibit, After Image Gallery, Silver City, NM Alumni Show, WMNU McCray Gallery, Silver City, NM SACA Show, Desert Artisans Gallery, Tucson, AZ 1992 WNMU McCray Gallery, Silver City, NM All Fired Up, Impressions Gallery, Tucson, AZ 1991 Southern AZ Clay Artists, Impressions Gallery, Tucson, AZ 1988 Graduate Show, WNMU McCray Gallery, Silver City, NM AWARDS 2022 The Unknown Nature of Being, Best of Show Award 2010 Ventana Canyon Abstract Paintings, Honorable Mention 1997 Desert Reflections, Honorable Mention 1993 Southern AZ Clay Artists, Cash Award 1992 WNMU Miller Library Permanent Collection, Purchase Award COLLECTIONS USC Fisher Museum of Art permanent collection, Los Angeles, CA WNMU Miller Library permanent collection, Silver City, NM Law Office of Jojene Mills, Tucson, AZ Karp and Weiss, Tucson, AZ Farrell and Bromile, Tucson, AZ Crescent Real Estate, Fort Worth, TX Gavi Italian Restaurant Corporation, Tucson, AZ Myerscoff Restaurant Corporation, Inc., Charleston, IL Numerous Private Collections INSTALLATIONS 2006 Ceramic Installation, Ford Elementary School, TUSD,Tucson, AZ 2005 Ceramic Installation and Painted Mural, Gavi Italian Restaurant, Tucson AZ 2005 Ceramic Installation, Private Residence, Tucson AZ 2004 Ceramic Installation, Ochoa Elementary School, TUSD, Tucson, AZ MEDIA COVERAGE 2021 Interview, CBS Channel 8, San Diego PROFESSIONAL AFFILIATIONS Time for Women Artists, San Diego, CA American Women Artists, Chesterfield, MA EDUCATION 2018 Paulette Warner workshop, Tucson, AZ 2017-22 Pen and Ink, Athenaeum, La Jolla, CA 2008-11 Metalsmith Coursework, Pima Community College, Tucson AZ 2003-10 Drawing Studio, Abstract Painting, Tucson, AZ 1990-00 Graduate coursework in art, University of AZ and WNMU 1999 Paula Rice workshop, Tucson, AZ 1997 Frank Boydon workshop, Phoenix, AZ 1996 Akio Takamori, Phoenix, AZ 1996 Wayne Higby...

Harvest, 120x100cm, oil on canvas

70x70cm, print on canvas Edition of 20 pieces A different print size can be made upon request.

Valley, 120x100cm, acrylic on canvas

A girl with cat, 50x60 cm, acrylic on canvas

Portrait of a Lady, possibly Elizabeth Percy, Countess of Essex (1636–1718) c.1660-1665 Studio of Sir Peter Lely (1618–1680) This portrait, presented by Titan Fine Art, is a particu...

way home, 60x80cm

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ "LA Gangstars" is one of the street art style Oliveira is adventuring on. The resin, the glitter and the cars are addition to make the piece even richer and more interesting. The French Bulldogs are now America's favorite dog. After more than 3 decades with the labrador reign, the 'Frenchies' are now the kings and queens of the dog world. This piece is also an homage to Los Angeles, its skyline, the beautiful weather and the busy traffic with fancy cars. These two are 'Billy' and 'Veronica', the gangstar couple who terrorize the greater Los Angeles, controlling the distribution of dog treats in South California. Don't mess with them. Whichever dog you own, this couple with the Los Angeles skyline...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Description about painting “Spirit Herbal Fairies” . Collection "Spirit Herbals" In this painting I focus on what gives us resource and taste for life. I invite the viewer to get to ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Elegant form and a delightful pastel palette. This is ‘Renaissance’ , an abstract painting by Milly Ristvedt. The master colourist is playing with soft colours here—against a sky-blu...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Breakfast , 46x46 cm, oil on canvas

Comfort zone, 100x80 cm, oil on canvas

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Portrait of a Young Lady, probably British c.1730–1740 Attributed to Jeremiah Davison (c. 1695–1745) What makes this portrait immediately compelling is its directness: the sitter’s ...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

70x70cm, print on canvas Edition 20 pcs.

Coulombe-Bégin creates dynamic, highly textured paintings that explore identity, emotion, and the human experience. Contrasting colors, spontaneous gestures, and layered materials br...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. We offer complimentary worldwide shipping and cover all tariffs...

The dreamy figures and introspective mood are characteristic of all Amilcar's works. The characters in the painting look detached yet serene, drawing the viewer into a quiet, contemp...

This 32" x 32.75" x 3" oil painting on canvas by Scottish artist Norman Harper depicts a serene mountain valley with a body of water at its center. Towering mountains frame a dramati...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Family , 140x180cm, acrylic on canvas

A fine tonalist landscape with colorful twilight sky at the end of the day by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and wen...

Circle of Cornelius Johnson (1593–1661), circa 1620–1630 Portrait of a Young Lady with Long Hair, in White Dress with Red Bows There is something unusually intimate about this beaut...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

A fine impressionist painting of a French pastoral landscape with trees and cows in the distance by American artist John Leslie Breck (1860-1899). Breck was born in the South Pacific...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Experience a sense of tranquility with this original green abstract painting by contemporary artist Clara Berta. Blending rich organic textures with layered green acrylic and mixed-m...

Portrait of Prince George of Denmark, Duke of Cumberland (1653–1708) c.1690–1695 Studio of Sir Godfrey Kneller (1646–1723) Few portraits embody the visual authority and dynastic sy...

The work is sold without a frame.

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

Two , 120x140 cm, oil on canvas

"BLOOM I" is an original piece by Linnéa Andersson made from oil on cotton canvas. This piece measures 12"h x 10"w and is signed en verso. In her pai...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...