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Jiban Biswas - Quality Time - 60 x 96 inches (unframed size) Acrylic on Canvas, 2020 Style : According to him, “ The Mud colour are changing its shade, T...

Sanjay Soni - Peace Oil & Acrylic on Canvas, 72 x 60 inches, 2020 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound wa...

Sanjay Soni - Peace Oil & Acrylic on Canvas, 72 x 96 inches, 2019 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound wa...

Sanjay Soni - Parivena Oil & Acrylic on Canvas, 36 x 48 inches, 2016 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound...

Sanjay Soni - Parivena Oil & Acrylic on Canvas, 36 x 48 inches, 2018 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound...

Gurunathan Govindhan - Untitled Pigment on Canvas, 24 x 18 inches

Gurunathan Govindhan - Untitled Pigment on Canvas, 24 x 18 inches

Rajeswar Rao James Bond With 3 Snails Acrylic on Acrylic Sheet, 48 x 36 inches Solo Shows 1996 Sakshi Gallery Bangalore 1997 Sakshi Gallery Mumbai 1998 Sakshi Gallery Mumbai 1998-9 Sakshi Gallery, Bangalore and Mumbai 2000 Gallery Espace New Delhi 2003. Alankritha art Gallery, Hyderaabad. 2003 Forum Art Gallery Chennai 2005 Sakshi Gallery Mumbai 2006 Sakshi Gallry, Mumbai 2007 Sakshi Gallery, Mumbai 2008 Kalakriti Gallery, Hyderabad 2008 Gallery Espace, New Delhi Group Shows 1191 Maxmuller Bhavan Hyderabad 1994 Gallery Espace New Delhi 1994 Gallery Espace New Delhi. 1995 Sakshi Gallry Bangalore 1995 Pundole art Gallry 1998 Gallery Espace New Delhi 1999 Contemporary Deccan CCMB Hyderabad 2000 ‘Embarkations-millenium show’ Sakshi Gallry Mumbai 2001 ‘Human form and art’ organized by Lalit kala Akademi Daira centre for art, Hyderbad 'Human factor’ the Guild art Gallery Mumbai Surya Art Gallery Hyderabad ‘In conversation’ Gallery Espace 2002 Regional art exhibition 2003 The Deccan Conenctions. Apparao Art Gallery Delhi. 2005 Contemporary Indian Artists. Shrishti art Gallery Hyderabad. Tsumani fund rising show at Grand Kakatiya, Hderabad. Back to the future’ 1989-2000Gallery Espace New DelhiNew colors of Sumukha’ Gallery Sumukha Bangalore. 2006 'Making of Divinity’ Sakshi gallery Mumbai‘Vivarta’ Gallery Sanskriti Kolkota. ‘Sands of Color’, Art and Soul New Delhi. Exhibition of Drawings Lakshana Art Gallery, HyderabadTelling it like it is – The Indian story : The Gallery at 28 Cork Street, London by gallery Espace and Ganges Art Gallery. 2008 Deeper than skin: Daira center for arts and culture Hyderabad. 2008 constructing the present Ganges art gallery. 2008 Bangladesh Biennale. 2009 ‘Hamuman’ Forum Art Gallery, Chennai. 2009 Birla Academyof art. 2009 12 Contemporary Artists of India. Daira, Hyd. 2009 Think small. Art alive, New Delhi. 2009 Art summit 2009. New Delhi. 2009 Art Expo. Mumbai. 2012 Art Fair New Delhi 2013 Art Fair New Delhi 2013 ‘High art Low Art’ Art Alive New Delhi 2014 Flowering Cultures, Gallery one, Gurgaon. 2014 ‘Tradition & Transition’ Indo China Water colour Show. KalakritiGallery, Hyderabad. 2014 ‘Ramaniyam’Three Generations of Hyderabad Art, Shrishti Gallery, Hyderabad. 2014 ‘Art Indeed’ Fund raising for ‘Hudud’ victims, gallery muse hyd. 2016 Group Show , Mon art gallery Kolkata. 2017 ‘Dimensions’ Group show, Shrishti gallery, Hyderabad. Art Camps 1981 All India graphic camp by Sate lalit kala academy, Hyderabad. All 1982 India artists...

Amitabh Sengupta - Inscription Series II - 48 X 48 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is dep...

Chandra Bhattacharya - Untitled - 48 x 72 inches (unframed size) Acrylic on Canvas It will be shipped in rolled form. Style : In the last three to four years, he has engaged with t...

"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Somenath Maity - Untitled 30 x 30 inches (unframed size) Oil on canvas Inclusive of shipment in a roll form. About the Artist & his work : Born in 1960 at Midnapore in West Bengal, Somenath Maity studied Fine Arts at the College of Visual Arts in Kolkatta under the guidance of the senior and eminent Bengali artist, Shuvaprassana. After obtaining his degree here, Maity went on to receive a diploma in Fine Arts from the Indian College of Arts and Draftsmanship, also in Kolkatta. Somenath Maity is self-professedly an artist of urban environments and cultures. Called avantgarde and unconventional for his landscapes, this artist’s favourite occupation is to find the inner beauty that exists in every big city and that most people don’t see or bother to look for, and then express it in his abstract oils on canvas. Maity builds up his paintings, all aptly titled "structure", one brush stroke at a time, almost as an architect would work on a blueprint for a building. Maity’s colors and textures are strong, bringing to the forefront the life of the urban sprawls that he paints, and investing them with a force that works beyond the life of their inhabitants, keeping them ticking no matter who comes or goes, lives or dies. Recognized today as one of Bengal's important new emerging painters, Maity has already exhibited his works at many major Indian and European galleries. He has won awards and scholarships from most of the major Indian fine art...

Amitabh Sengupta - Trip to Hampi - 30 x 30 inches ( unframed size ) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost . Style : Amitabh Sengupta’s ...

City, Oil on Canvas Painting by Jon Probert B. 1966 Additional information: Medium: Oil on canvas Dimensions: 123 x 92 cm 48 3/8 x 36 1/4 in Signed verso Having studied Fine Art an...

Slate Shore II Painting by Pamela Burns, 2015 B. 1938 Additional information: Medium: Oil and marble dust on canvas Dimensions: 25 x 30 cm 9 7/8 x 11 3/4 in Signed, dated, titled an...

Acrylic on canvas with a wooden frame.

Acrylic on canvas.

Translated title: "What if we have nothing more to say?" Acrylic on canvas.

Translated title: "When someone point at the moon, the fool looks at their finger" Acrylic on canvas.

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 84 cm. Frame size: 118 × 99 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102×77 cm. Frame size: 117 × 93 x 5 cm. Acquired directly from the artist. Free shipment w...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 83×102 cm. Frame size: 98 × 117 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103×70 cm. Frame size: 118 × 85 x 5 cm. Acquired directly from the artist. Free shipment...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 80 × 104 cm. Frame size: 95 × 119 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 95 × 103 cm. Frame size: 110 x 118 x 5 cm. Acquired directly from the artist. Free shipme...

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 395 ARTIST: Peter Ellenshaw SKU: DFA-LE-POOHSOCCER ABOUT THE IMAGE: Inspired by Wa...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cerulean blue form nestles against a vibrant nearly neon orange shape, with linear gestur...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

48"x 72" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Deep blue waves of color are i...

Utiliza piedras rayadas o bancos de corte sobre las que coloca las telas y hace frottage con grafito para luego intervenirlas con óleo. Su obra habla acerca del paisaje y de la natur...

72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Violet and blue hues are contrasted with neon orange and deep red orange forms. A circular form of violet attracts a central focus in the fields light orange and nearly pastel blue undertones in this stunning vibrant painting by the artist Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Distant Dreams is an oil painting created using oil, acrylic, and gold leaf on canvas by British artist Charlotte Aiken. Aiken responds to her environment through her use of paint, w...

Shooq AlShawi The Signs, 2025 Oil and oil stick on canvas 90 x 60 cm 35 3/8 x 23 5/8 in

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings...

MEDIUM: Giclée Canvas Limited Edition SIZE: 18" x 27" EDITION SIZE: 195 ARTIST: Peter Ellenshaw SKU: DFA-LE-POOHFRIENDS ABOUT THE IMAGE: Inspired by W...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

84"x60" oil and acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Pinks and oranges inte...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Martin's vision of cities is cartographic. He is undoubtedly a man from another era - who likes the present - his plans of cities are an act of resistance in the era of google maps

60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...

60"x48" oil and acrylic on canvas, signed on reverse by the artist. Hot pink, violet, tangerine and sherbert colors flow into forms or cerulean blue and orange in this abstract paint...

72"x60" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vibrant red, violet and pink fields of color are contrasted by sky blue and golden yellow in this gestural abstract painting. An impressive statement piece by the artist. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and background in color field painting shows a heightened sense and ...

A pleasant still life with coffee pot, bowls, and flowers in a vase by American artist Dines Carlsen (1901-1966). Son of Soren Emil Carlsen, Dines was born in New York, and studied w...

The Rising Collection, my latest body of work, combines two key elements of my process—my signature use of needlepoint, plus, the use of powdered pigment, g...

The Rising Collection, my latest body of work, combines two key elements of my process—my signature use of needlepoint, plus, the use of powdered pigment, g...

MEDIUM: Limited Edition Cel IMAGE SIZE: 12 Field EDITION SIZE: 200 SKU: 83172 ABOUT THE ART: Estate Signed

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 395 ARTIST: Peter Ellenshaw SKU: DFA-LE-SMOKESTAIRS ABOUT THE IMAGE: Inspired by Walt Disney’s Animated Classics and features Mary Poppins. ABOUT THE MEDIUM: Each piece is on hand-numbered canvas and includes a Certificate of Authenticity. ABOUT THE ARTIST: William Samuel Cook “Peter” Ellensaw was an English matte designer, special effects creator and master painter. He mentored under Percy Pop Day who played a pivotal role and mentored him on painting on canvas and glass, which was to create matte background form film. After serving his country as an RAF pilot in World War II, Ellenshaw returned to work for Mr. Day at the studios. After a brief yearlong stint at MGM, Ellenshaw left in 1947 upon receiving a call to work for Walt Disney Studios on the film, Treasure Island. As it turned out, his partnership with Disney would last over thirty years and earn him five Oscar nominations. For his work on "Mary Poppins" in which he recreated scenes of Edwardian London in 102 different mattes, he won an Academy Award. Walt Disney became Ellenshaw's mentor and friend, spurring him on continually to perfect his craft and push the creative envelope. ABOUT THE FILM: Mary Poppins is a 1964 musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers...

A nice abstract oil painting by American artist Donald Hugo Stoltenberg (1927-2016). Stoltenberg was born in Milwaukee, WI, attended public grade school in Chicago, and High School i...

A fine impressionist landscape with a rocky path by American artist (Edward) Wilbur Dean Hamilton (1864-1943). Hamilton was born in Pennsylvania, studied at the Massachusetts Normal ...

Jaws of Challenge -sumi ink, acrylic, graphite, stained col wax, paper on canvas-depicts a tiny boat at sea---like us all. Falling in a dream or teetering on a ladder, pivotal moment...

A fine abstract expressionist mixed media collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy,...