Edgar Plans Sketch Book Signed & Numbered with Hand Finished Doodle
By Edgar Plans
Located in Draper, UT
Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000
Archival Paper, Carbon Pencil, Color Pencil
Park in Winter (Personnages Dans un Parc)
Located in New York, NY
Black crayon on wove paper. Artist initials are ink stamped in lower right corner.
Crayon, Laid Paper, Carbon Pencil
Balloon Heads
Located in Saint Louis, MO
Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...
Carbon Pencil
$205
H 20.48 in W 16.15 in D 1.38 in
NOMAD III, New York - Contemporary architectural color photography
Located in Cambridge, GB
Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...
Photographic Paper, C Print, Color, Silver Gelatin
$10,393
H 21.66 in W 15.36 in D 1.19 in
'Young lady' Drawing on Paper by Pietro Annigoni Queen Elisabeth Painter
Located in Brescia, IT
The fine and elegant woman portrait was realized with red pastel on paper and was drawn by the well known artist Pietro Annigoni, an Italian painter of...
Carbon Pencil
$15,000
H 11.5 in W 9.5 in D 1.2 in
Andy Warhol - Exposures (Deluxe Edition) Hardback Monograph LtEd Hand Signed #1
By Andy Warhol
Located in New York, NY
Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...
Mixed Media, Graphite, Lithograph, Offset
$1,500
H 15 in W 10.25 in
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left
Located in Fairlawn, OH
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left Graphite drawing on thin wove paper, c. 1940's Unsigned Provenance: Paull Cadmus Jon F. Anderson (1937-2018) Condition: Sheet size: 15 x 10 1/4 inches Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...
Graphite
$540
H 15 in W 12 in D 1 in
A Handsome 1920s Modern Portrait Drawing of a Young Man, Gatsby Era.
Located in Chicago, IL
A Handsome, Gatsby-Era, 1920s Modern Portrait of a Young Man by American Artist, Frank T. Ransley (Am. 1887-1959). A finely executed drawing, graphite on paper, dating circa 1925. ...
Paper, Graphite
$3,500
H 29 in W 19.5 in D 1.25 in
“Standing Nude, c. 1930” American Modernist Early Female Nude Drawing Signed
Located in Yardley, PA
“Standing Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful early pencil drawing by Nevelson represents a nude figure, rendered with simple and confident lines that empha...
Paper, Pencil, Graphite
1940s Charcoal and Pencil Portrait of a Man, Modern Style, Framed
Located in Arp, TX
Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned
Paper, Charcoal, Carbon Pencil
$300Sale Price|33% Off
H 14 in W 11 in
American Portrait Drawing Of A Woman, Pastel on Paper
Located in Lake Worth Beach, FL
Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...
Paper, Pastel, Pencil
$5,200
H 24.5 in W 33.5 in D 1.25 in
“Reclining Nude, c. 1930” American Modernist Female Drawing Lady African Mask
Located in Yardley, PA
“Reclining Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful original ink drawing highlights Nevelson’s interest in the early 20th century avant-garde. Inspired by Picass...
Paper, Pencil, Graphite
$135
H 20 in W 16 in D 0.13 in
A Handsome 1940s Portrait of a Seated Man by Chicago Artist, Harold Haydon
Located in Chicago, IL
A Handsome 1940s Portrait of a Seated Man by Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed line drawing dating from 1946 with great character; looks ...
Paper, Graphite
$600
H 15 in W 10.5 in
Hungarian Surrealism Pop Art Hebrew Silkscreen Judaica Print Jewish Serigraph
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Archival Paper, Screen
$600
H 15 in W 10.5 in
Surrealist Abstract Hebrew Shabbat Pop Art Silkscreen Judaica Jewish Serigraph
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Archival Paper, Screen
Sold
H 30 in W 22 in
Abstract Cubist Charcoal Drawing of a Sitting Woman
By Valery Kleveroy (Klever)
Located in Houston, TX
Black and white portrait of a woman sitting on her heels done in a style that combines abstraction and cubism, much like the work of Fernand Leger. Signed and dated in lower left corner. Artist Biography: Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. After 3 weeks hiding in the woods, he eventually made his way to Leningrad, dropped his first name and the “ov” from the end of his name and began his life as the underground artist known as “KLEVER”. He fell in with a close-knit group of young anti-authoritarian rebels who eventually became known to the world as the “Non-Conformists”, a small gang of free thinkers mainly from Leningrad and Moscow who rebelled against State control of artistic expression and of free thought. In the Soviet Union, not only religion was outlawed - art, literature, music and dance were all subject to heavy censorship and state oversight. Among paintings historical, religious, abstract, anti-Soviet and erotic subjects were all against the law. From 1966 to 1977 Klever made a reputation for himself as one of the non-conformists most overtly critical of the Soviet state. Many of his paintings from this period can be described as nothing less than heroic- they are truly remarkable visual essays on the evils of the national security/surveillance state, propaganda and manipulation of cultural symbols, suppression of artistic and religious freedom, revisionist history, and unfilled promises for the future. All of them were painted stored and exhibited not only at great risk to the artist and his associates, but also to anybody who sought to view them. In spite of the secrecy, the KGB discovered the existence of these pieces and began to follow Klever’s every move. There were surprise visits to his studio, harassment wherever he went, friends and family being questioned all a direct result of his determination to express himself artistically against Soviet control. From this time forward Klever had an exhibit which was open for viewing at all times inside the apartment of Bob Kashilohov as part of a network which paralleled the Samizdat network for sharing of forbidden literature. Klever was arrested for his participation in the most important non- conformist exhibitions which took place during his time there. These were the Bulldozer Exhibition in Moscow, 1974, (so named because the KGB bulldozed the exhibition and destroyed much of the work) and the Nevski Dom exhibition in Leningrad, 1975. These exhibitions represented some of the early cracks in the foundations of the Soviet state’s control over the population’s basic aspirations for economic, personal and creative freedom that ended with collapse in 1991. Repercussions of the Bulldozer exhibition were that some of the painters were arrested or even killed. Approximately 70 artists were arrested, including Klever. Media outcry in the west allowed most of the artists to be released within a week. Two weeks later another exhibition was allowed to proceed and became known as “Half Day of Freedom” in the Soviet Union. The Nevsky exhibition caused a huge sensation and was a watershed moment in the cultural history of the Soviet Union. People lined up for 30 blocks long over the course of the two week exhibition to see the forbidden works. Klever showed a large collection of explicit anti-Soviet paintings...
Charcoal, Carbon Pencil