Cord More Art

This piece titled "Bacon, Egg, and Cheese" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and mea...

"So It Grows" is an original hand-embroidered piece on paint chip color samples with Swarovski Elements crystal details by American artist Kelly Kozma. The piece ships in the pictur...

Untitled, 2016 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 110 cm H x 110 cm W Mounted on a stretcher Ana Seggiaro's training as an engraver awakens her fas...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

CORAL Tapestry by MARTA MORENO Yarn Punch Needle Embroidery on Artisan Cotton Intervweaving Blanket 31.5" W X 31.5" H Hand-embroidered textile artwork created using the punch need...

Las Cuatro Brujas Triptych, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Overall size: 120 cm H x 255 cm W (10 cm white border) Individual size: 120 cm H...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Set of 10 Arcanos (Framed), 2019 From the Ventura Series. 1. The Fool 2. The Wizard 3. The Empress 4. The High Priest 5. The Hermit 6. The Hanged Man 7. The Devil 8. The Star 9. The ...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

This work, titled "The Milk Rivers" is a tryptic of 135x70 cm works and it's a jacquard weaving from cotton and recycled plastic thread Eco Nat. Artist Monika Zaltauskaite Grasiene...

Untitled III, 2017 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 120 cm H x 100 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination f...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Untitled, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 35 cm H x 30 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination for the...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

"Security Blanket" is an original work by American artist Kelly Kozma made from hand-cut security envelopes, hand-stitched together with embroidery th...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

Embroidered Fruit Still Life A beautiful embroidery of a colorful grape vine with rich colors of red, purple and blue. Signed "E. P. S. F." lower right. Presented in a new mat and g...

Untitled II, 2017 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 120 cm H x 100 cm W Mounted on a stretcher Ana Seggiaro's training as an engraver awakens her ...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

Jamavar The Jamavar of Kashmir is an exquisite heritage textile of India. The original Jamavar was a yard-long shawl of pashmina wool with delicate patterns handwoven in multicolored silk weft threads. Its authentic designs are finely intricate, imparting gentle aristocracy with its most outstanding and popular motif being the elongated teardrop, originally called 'buteh'. The 'buteh' is what one now recognizes as the 'paisley'. These artworks are compositions of the timeless 'buteh' of the Jamavar. The wall panels are embroidered with fine thread cords couched along the pattern. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Jane Reichle is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. This is not the case f...

Lesley Dill (American, b. 1950), Ecstasy Skeletons on a Horse, Mixed Media Collage, apparently unsigned, ebonized metal frame. Image: 21.75" H x 21.75" W; frame: 22.25" H x 22.25" W ...

comes with original packaging

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Thread on linen

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Each mat is a Unique hand-stitched using the fabric from life vests abandoned on the Mediterranean beaches. The mats were designed by the world-renowned artist, Banksy and fabricated...

comes with original packaging

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

The Hanged Man and The Hermit, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

This piece titled "MySpace Tom No. 5" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 33"h x 30"w framed...

This piece titled "MySpace Tom No. 3" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

A set of four Arcanos: The Fool, The Wizard, The Empress and The High Priest (Framed), 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 80 cm H x 60 cm W x 3 cm D Overall Image size: 54 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

Angelica Raquel is a multidisciplinary artist living and working in San Antonio, Texas. She earned her MFA from The University of Texas at San Antonio and a BFA from Texas State Univ...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. Selected Collections Racine Art Museum, Ra...

In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through ...

HANNAH REEVES There May Bloom (Bleeding Heart) 2021 Chalk, graphite, and stitching on paper and found object Framed: 11.5 x 8 x 1 inches

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Inspired by contemporary fashion, Nilraya Bundasak’s colorful textile paintings celebrate adornment and individuality through the application of fabric and embroidery to canvases of re-purposed materials. Inspired by the beauty and uniqueness that fashion offers, as well as the emotional dynamism of femininity, she creates large-scale works resplendent with bright luxurious fabrics and detailed stitching. This one-of-a-kind textile art...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

This piece titled "Taco Tuesday" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures 8.75...

This piece titled "Frozen Margarita" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures ...

This piece titled "Extra Cheese" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures 8.75...

This piece titled "Milkshake Brings Boyz to Yard" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame ...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...