Etching More Art

Ex- Libris - Frohe Ostern is an Artwork realized in 1959. Etching print on colored paper. The work is glued on green cardboard. Hand Signed on the right margin and dated '59. Total...

Flipping through a few pages of " Il Selvaggio, No.4-5 1940 " 31 Dicembre 1940-Anno-XIX", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and ...

Hand Signed. Edition of 125 prints. Published in the artwork series: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Giacomo Manzù (B...

Edition of 150 copies some of which out of commerce. Two volumes in original editorial soft cover with very minor restorations on spine. Copy in near perfect conditions. Includes original poems...

Original title: Le Secret professionnel suivi des monologues de l'oiseleur & augmenté de douze dessins en coeleurs de l'auteur reproduits en fac-similé. Pri...

The Adventures of Peregrine Pickle is an original modern rare book written by Tobias George Smollett (Cardross, 1721 – Livorno, 1771) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1831. Published by J.Cochrane and Co./ J.Andrews, London. Original First Edition. Format: in 12°. The book includes Two Volumes (304 + 340 pages with Eight full page Etchings). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Atlantic Girl is an original etching, realized by Sergio Barletta, hand-signed. In very good conditions. Here the artwork represents the girl with soft and precise strokes in the ...

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Laxma Goud Etching on Paper 13.5 x 9.75 inches ; 2007 (each) (without frame) Inclusive of shipment in roll form. Atin Basak Tempera on Board 15 x 18 inches (without frame) Inclusi...

K. Laxma Goud - Untitled, Intaglio - 11 x 9 inches (unframed size) Etching on paper, 2014 Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour, gouache and pastels to glass painting and sculpture in bronze and terracotta. Over the many years of his artistic career, he is known to have moved from one medium to another with élan. Fellow artist T. Vaikuntam, in one of his interviews, reminisces that it was Laxma Goud who introduced him to the art of sketching and made him aware of the possibilities of this medium. When one looks at Goud’s work, rustic, raw, and potent might be the first words that come to mind. His portraits of men and women represent the dynamic Indian ethos rather than particular individual identities. A recurrent theme with the artist is that of the erotic, treated as an active and powerful aspect of male and female sexuality and existence. Goud’s work is dramatic; his protagonists are raw and vivacious in their appeal, imbibed with energy that reverberates through his strokes and textures. Most of Goud’s art is centered on the rural, recreating landscapes from his childhood as if they were frozen in time. In the artist’s later work, his figures turn softer, more introspective than brash in their outlook. About the Artist and his work : Born : 1940 in Nizampur, Andhra Pradesh...

K. Laxma Goud - Untitled - 15 x 11 inches (unframed size) Etching on paper. Edition of work. Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour, gouache and pastels to glass painting and sculpture in bronze and terracotta. Over the many years of his artistic career, he is known to have moved from one medium to another with élan. Fellow artist T. Vaikuntam, in one of his interviews, reminisces that it was Laxma Goud who introduced him to the art of sketching and made him aware of the possibilities of this medium. When one looks at Goud’s work, rustic, raw, and potent might be the first words that come to mind. His portraits of men and women represent the dynamic Indian ethos rather than particular individual identities. A recurrent theme with the artist is that of the erotic, treated as an active and powerful aspect of male and female sexuality and existence. Goud’s work is dramatic; his protagonists are raw and vivacious in their appeal, imbibed with energy that reverberates through his strokes and textures. Most of Goud’s art is centered on the rural, recreating landscapes from his childhood as if they were frozen in time. In the artist’s later work, his figures turn softer, more introspective than brash in their outlook. About the Artist and his work : Born : 1940 in Nizampur, Andhra Pradesh...

Kamal Mitra - Untitled - 10 x 13 inches (unframed size) Etching on Paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) ...

Zane Elerte (1987) Home Medal, matte iron, etched, 78x68x8 mm The medal is a square abstract object made of matte iron and etched with a design. It measure...

Still life 1986. 1/21. Paper, etching, aquatint, 31x40 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on October 24, 19...

This unique print is 1 of 5 in the series. TumbleWeed 05 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 3 in the series. The Rustling III is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. T...

Mind Over Matter is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small,...

This unique print is 1 of 3 in the series. The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. The...

This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Th...

An etching by Agop Gemdjian. Agop Gemdjian is an Armenian artist born in Bulgaria. He creates art that combines the colors of the East, the Slavic mentality, and his views of the m...

A fine etching titled “Shipwreck,” part of the Sources & Structures series of etchings by American artist Robert Stackhouse (b. 1942). Stackhouse was born in West Chester, PA, and ha...

Lisa Dinhofer's work is presented in a realist style, deftly creating meticulous portraits of creatures - dragonflies, turtles, birds, bats and grasshoppers - that comprise her surro...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Plate VI from the portfolio of nine works to illustrate Poems by Salvador Espriu. Published by Sala Gaspar, Barcelona in 1975 and printed by J.J. Torralba, Rubi (Barcelona). Signed...

Signed and numbered to lower edge ‘48/75 Miró’. This work is number 48 from the edition of 75 published by Maeght Éditeur, Paris. Literature: Dupin 501

David Salle OVERUNDER Portfolio of 5, 2021, (15/20) Archival pigment ink print, hand varnished 42 x 42 in