Fabric More Art

A fine mountainous winter landscape by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived and worked most of his life in Massachuset...

Jiban Biswas - Nostalgia - 36 x 48 inches (unframed size) Acrylic on Canvas, 2019 Style : According to him, “ The Mud colour are changing its shade, The ...

TIMELESS - In this painting, the timeless, classic form of a pair of jeans takes center stage. Meticulous detail is achieved through a contemporary mix of paint and extensive pencil ...

DIEGO GIACOMETTI La Promenade des Amis, 1984 Ed. EA XXV Woven on loom, point and needle, by hand, all wool, cotton weft, for wall and floor use 235 x 175 x 3 cm I 92 1/2 x 68 7/8 x ...

RALPH ROSENBORG – "NIGHT MOUNTAIN LANDSCAPE, 1974" Oil on Canvas ⚜ Signed Lower Left and on Verso ⚜ Custom Conservation Frame A VIVID ABSTRACT VISION OF MOUNTAINOUS NIGHTSCAPE In "N...

Find a bird, 50x60cm

Bouquet, 85x80cm, oil on canvas

I want to fly , 80x90 cm, oil on canvas

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

The work is sold without a frame.

Japanese beauty , 70x70cm, print on canvas.Edition 20 pcs. Edition 20 pcs.

Cat, Acrylic on canvas, gold leaf , 100x120 cm

"RFD Courant", hooked rug tapestry, rural community with country homes and buildings throughout rolling hills, lush green trees with three-dimensional leaves frame the scene, in the...

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

Contemporary abstract painting by Houston artist Emmanuel Araujo. The work features swirling bursts of color in blue, yellow, and black. Signed, titled, and dated on the reverse. Cur...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Rainbow Valley

A splendid Autumn tonalist landscape by American artist Bruce (Robert Bruce) Crane (1857-1937). Crane was born in New York City, and as an artist, was influenced by the French Barbizon school of...

Lovers, 120x100 cm, acrylic on canvas

Louis Emiel Chappel (1888-1963) floral still life oil painting, circa 1950s Beautiful full basket bouquet of flowers on a pedestal by listed artist Louis Chappel. Original oil on c...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Sudip Roy - Banaras - 48 x 50 inches (unframed size) Oil on Canvas It will be delivered in roll form. Sudip Roy’s Banaras beautifully juxtaposes the ethereal with the tangible, capt...

Here for your consideration is a vintage Chinese forbidden stitch silk embroidery metallic couching textile badge on a pure silk panel. Under glass. C...

One of the most successful illustrators of the early 20th century Dean Cornwell Untitled (Crucifixion on the Battlefield) initialed DC (center left), oil on canvas, framed canvas: 33...

A large marine painting probably depicting a British East Indiaman ship returning from a voyage to the East, attributed to British artist Francis Holman ...

Last evening of flowery promises, 80x60cm

A fine luminous Maine harbor scene by contemporary American artist William R. Davis (1952-). Davis was born in Somerville, Massachusetts, and grew up in Hyannis Port where he took sa...

Contemporary abstract painting by Houston artist Emmanuel Araujo. The work features swirling bursts of color in blue, yellow, and black. Signed, titled, and dated on the reverse. Cur...

A fine impressionist painting of boats by a bridge in Paris by French artist Claude Montier (b. 1900). Oil on canvas, signed lower right, a...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

PaperLandscape collage on canvas the collage paper is vegetable paper has been treated with oil paint original artwork the painting is shipped flat, stretched on a wooden frame 100x1...

Jenny Lock b. 1949 Crazy Rhythms, 2024 oil on canvas 76 x 76 cm 29 7/8 x 29 7/8 in signed and dated verso Jenny Lock came to painting later in life and the fresh relationship with t...

This piece titled "JxDALL·E 2023 13.19.17 (Muddy Creek)" is a crafted original artwork by Tuft the World as part of the inaugural collection of TTW Editions. This piece is made from...

Acrylic on canvas with a wooden frame.

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

RALPH ROSENBORG – "AMERICAN LANDSCAPE: TREES AND SKY" ⚜ Oil on Canvas ⚜ Hand Signed and Dated Lower Right and on Verso ⚜ Conservation Frame AMERICAN ABSTRACT LANDSCAPE Painted in 19...

Limitied edition of 50. Lucien Smith's "Blue" screenprinted onto canvas tote bag that has been stretched onto wooden stretchers. Displays very nicely. Ori...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

A gift for Leyli, 150x110 cm, acrylic on canvas

Amit Bhar - Banaras Ghat Night Oil on Canvas, 30 x 40 inches (Shipment in a roll form) About Artist : Born and brought up in Hoogly, Chinsurah, in 1973, Ami...

ROBERT KENNETH WHITE – "PACIFIC HORIZON" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A TRANQUIL VIEW OF THE CALIFORNIA COASTLINE IN EARLY LIGHT In “Pacific Horizon,...

Quiet conversation, 2020, 55x45 cm The work is sold without a frame.

Feroz Khan - Untitled Acrylic on Canvas, 36 x 48 inches About Artist : Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not undergone...

Faun`s sweet dream, 2021, 90x80 cm

ROBERT KENNETH WHITE – "GOLDEN HOUR CAMP" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display TONAL LANDSCAPE WITH CAMPFIRE GLOW BY ROBERT KENNETH WHITE In Golden Hour Camp...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Jiban Biswas - Nostalgia - 36 x 48 inches (unframed size) Acrylic on Canvas Style : According to him, “ The Mud colour are changing its shade, The sheds...

Original work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

cotton rope and aluminum

"Sea and Sky in Hazy Sun," Oil on Canvas, 60 x 46 Inches, is a large beach painting of the shoreline at sunset dominated by a dramatic sky of bl...

Sandesh Khule - Untitled-133 Acrylic on Canvas, 36 x 60 inches, 2019 ABOUT ARTIST Painting has a spiritual dimension in its purest sense. He searched of infinity, enlightenment & aw...

1960s Handwoven textile piece by world-renowned fiber artist Romeo Reyna. Pieces by Reyna of this scale took months to complete and were mostly only available by commission and are r...

Translated title: " Words". Acrylic on canvas. The words are: " dolce natura crudele in sensi e controsensi articoli la tua misteriosa esistenza" which mean " sweet cruel nature w...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

A fine impressionist landscape along the Seine River in France by American artist Chauncey Foster Ryder (1868-1949). Ryder grew up in New Haven, Connec...

A fine impressionist painting of a French pastoral landscape with trees and cows in the distance by American artist John Leslie Breck (1860-1899). Breck was born in the South Pacific...

Sonia Delaunay Tapis labyrinthe (1929) Édition artcurial de 150 exemplaires 100% laine nouée main Signé par initiales 1980 220 x 245 cms 12000 euros

Jenny Lock b. 1949 Sunday Afternoon, 2024 oil on canvas 75 x 60 cm 29 1/2 x 23 5/8 in signed and dated verso Jenny Lock came to painting later in life and the fresh relationship wit...

Craig Alan – Hope Around the Corner 2018 Medium: Giclée on Canvas Edition: 7/75 Artwork Size: 24 x 24 in Price: $1,500 Craig Alan’s Hope Around the Corner (2018) is a compelling gic...