Glaze More Art

Sublime mirror by French ceramist Mithé Espelt measuring 26 x 21.5 x 1 cm

Melanie Sherman Vase (Handmade, Pastel, Warm Tones, Smooth, Curvy) Porcelain, Glaze, Cone 6 Firing 2025 Size: 10.5 x 5 x 7.5 inches (26.67 x 12.07 x 19.05 cm) Signed by hand COA pro...

Monika Laborcz (Hungarian, b. 1941) Figural Group Red Glazed Ceramic Relief Plaque, signed "MONIKA" to reverse. 5.25" H x 14.25" W x 1.25" D. Provenance: From a New York City Collect...

Melanie Sherman Bowl with Interior Still Life (Handmade, Mid-Century, Lounge Chair, Stereo Tower, Speakers, Gold Luser) Earthenware, 24K German Gold Luster, Glaze, Underglaze, China ...

The Mid-Century Modern red vase by Dante Baldelli is an elegant example of the work his studio could produce for the consumer to enhance the décor of th...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Melanie Sherman Vase with 3 Openings Porcelain, Glaze, Cone 6 Firing 2025 Size: 7.5 x 4.5 x 7 inches (19.05 x 11.43 x 17.78 cm) Signed by hand COA provided *One Opening slightly cr...

Melanie Sherman Vintage Moth X (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2025 S...

The Untitled Blue Plate, (IKB 54), was executed in 1957 at a pivotal moment in Yves Klein’s career, the same year in which he perfected the production of the colour-matter that he wo...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher safe (MADE...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock, Decals Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher saf...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...