Metal More Art

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & Keit...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

An exceptional, fine and impressive antique Austro-Hungarian Antique Judaica Pair of Shabbos hallmarked silver candlesticks, 12" tall, 16 troy Dated 1895 Viennese or Austro Hungaria...

Makes a unique and memorable gift! Jeff Koons Louis Vuitton Da Vinci bag (Hand Signed and dated by Jeff Koons), 2017 Limited Edition print with ...

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Limited Edition Cloisonne brooch/pin with clasp on the back and Judy ...

Artist: David Hockney (English, 1937-) Title/Portfolio: "A Bigger Book" *Signed by Hockney in black ink on the title page Year: 2016 Medium: The Book and Bookstand Set (Collector's E...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

Daniel Arsham, Heinz Tomato Soup, 2019 Ltd edition of 3,000 Excellent Condition 4 1/4 × 3 × 3 in (10.8 × 7.6 × 7.6 cm)

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

Hand-crafted Glassfusing Glass Artwork Glass Urn Symbolic Memorial Art for Sale This unique glass artwork, model "Ravenna Purple", is a hand-crafted piece of colored glass using the...

Collana di Perle di mare coltivate. Anni 1960. Chiusura in oro bianco 18 carati e smeraldini. La chiusura in oro bianco e creata artigianalmente a ...

Shpanyer Arbeit, Jewish textile ritual judaic Folk Art Estimated to the 19th century or early 20th century. there are no markings. It is a hand weaving ...

medium: aluminum (found cans), wire, white gold leaf Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterfl...

Repousse sculptural plaque from the original Bezalel Art School in Jerusalem. This is marked "Made in Palestine" as it is from the British Mandate period. It is in an Orientalist design of the Tower of David. marked in Hebrew and English. Jerusalem's Bezalel School The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionist Congress of 1905, he proposed the idea of an art school in the Yishuv (early Jewish settlements), and in 1906 he moved to Israel and founded the Bezalel School of Art in Jerusalem. Bezalel, which was a school for crafts as well as for graphic art, became successful very rapidly. Schatz’s vision was to develop useful arts and crafts among Palestinian Jews, thereby decreasing the dependence on charity. At the same time, he sought to inspire his students to create a Jewish national style of the arts, in order to promote the Zionist endeavor. The inhabitants of 19th-century Palestine, both Jewish and non-Jewish, had produced mostly folk art, ritual objects and olive-wood and shell-work souvenirs, as well as oil painting, sculpture, tapestry and mosaics. So the founding of Bezalel provided a professional and ideological framework for the arts and crafts in Jerusalem. The school employed workers and students, of whom there were 450 in 1913, in manufacturing, chiefly for export, decorative articles ranging from cane furniture, inlaid frames and ivory and wood carvings, to damascene and silver filigree and repousse work. A major part of Schatz’s school was the workshops, which, starting with rug-making and silversmithing, eventually offered 30 different crafts. Workshops included the "Menorah" workshop where they designed relief and souvenirs made of terra-Cotta, and the Sharar, Stanetsky and Alfred Salzmann workshops where Menorah lamps...

Subrata Biswas - Mother Nature Bronze, H 11.75 x W 9 x D 3.75 inches Style : The motive of a child in its most basic form appears quite repeatedly in the works of Subrata Biswas. Th...

Artist : Yoonjee Kwak Title : (3) Bottomless Pit 2 Materials : Porcelain, gold luster, Hand-building Date : 2021 Dimensions : H6.25” W6.25” D11.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* This is the ultimate homage to QUEEN BE> ...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

Synthesis V is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 28 × 145.6 × 84.2 cm (11 × 57.3 × 33.1 in)...

Divyendu Anand - The Lost Civilisation, Edition 2 of 9 Patinated Bronze over Composite Granite H 63 x W 19 x D 12 inches Growing up with the thoughts of altruism, idealism and beaut...

Planter round. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden a...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Subrata Paul - Natural Game Bronze & Wood, H 21 x W 26 x D 7 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, open edition. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. *Reach is a series of pieces with the same composition and butterfly elements. Variations in the materials (found aluminum cans) and in the finishes result in subtle differences making each Reach piece unique within the series. PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. “SkyCycles,” three full-scale “flying bicycles...

medium: aluminum (found cans), wire, white Flashe paint Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butte...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & Keit...

Luxurious vintage black lacquer and gold plated lighter with red Chinese lettering.

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Brutalist Abstract Nail sculpture comprised of hundreds of hand welded flat nails with a rusticated patina. Would be great as a fireplace screen, in a window sil, or on a credenza.

Art glass sculpture by Riccardo Licata, 1997. This wonderful sculpture offers strong colors in green and yellow. The pattern is very characteristical of the Licata's production. This...

Basquiat spray paint c.2017: Limited Edition Jean-Michel Basquiat spray paint can published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat colle...

Late 19th Century Chinese Decorated Metal Covered Ginger Jar in the Japanese Style Labeled on bottom Ralph M. Chait Galleries, New York 9 x 7.5 x 7.5 inches Ginger jars were used...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Sublime “Stéle” mirror in glazed ceramic, crystallized glass and crackled gold by French ceramist Mithè Espelt, measuring 28.5 x 17.8 cm

After Piero Manzoni The present lot is descriptive of Manzoni’s ironic and perverse style. Calling into play his specific dialogue with the relationship...

Curtis Jere Copper Toned Metal Tree Sculpture c.1970s Tall and elegant tree sculpture by listed American artist Curtis Jere. The tree is made from...

Divyendu Anand - Only Love Edition 2 of 9 Oxidised Bronze over Stone Composite Granite Base H 29 x W 10 x D 8 inches, 2023 Growing up with the thoughts of altruism, idealism and bea...

Grayson Perry Chris Whitty's Cat, 2021 Solid sterling silver with oxidized finish and a 28" oxidized chain. Hallmarked and gift boxed with a hand numbered edition card 1 9/20 × 1 3/5 in 3.7 × 4.1 cm Edition of 100, with hand numbered card (the original edition was contemplated at 500, but only 100 ended up being made) Artist's incised signature; Hallmarked and gift boxed with a hand numbered edition card. Limited edition Chris Whitty's Cat pendant by Grayson Perry The pendant is an exact replica of a larger piece the artist made, and it is cast in solid sterling silver with a 28" silver chain, with an oxidised finish. Hallmarked and gift boxed with a hand numbered edition card. Chain length: 28’’ Pendant width: 39mm Weight: 64g During lockdown, Grayson Perry, one of Britain's foremost artists, brought the nation together through art, helping them to unleash their creativity as part of his Channel 4 TV series made by Swan Films. Every week Grayson Perry hosted the show from his own studio, taking the country with him as he created his own new art works. Grayson and his wife Philippa talked to other famous artists and creatives about how they were spending their time in isolation and invited them to make their own works in response to this unprecedented crisis. Each week a different theme - portraits, animals, fantasy, view from my window, home, Britain - was explored. ‘When lockdown first started back in March my wife Philippa and I went for a walk around the deserted City of London one evening. We came back through Gough Square where Samuel Johnson’s house is and a sculpture of his cat Hodge. When I saw this small life-sized memorial to a pet I was inspired. I was thinking of London and its myths, like Dick Whittington whose cat has its own statue on Highgate Hill. Chris Whitty is the Chief Medical officer for England and Chief Advisor to the government during the crisis. He has become the face of the Covid pandemic...I was looking through sculptures of cats and one that really caught my eye was an Islamic...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. This piece is worn around the neck, like a bolo tie. The Memphis Designers...

. The Sunset. Ed. 7/75. Jalisco, Mexico. Resin.

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Peter Shire Night Studio, 1989 Welded steel and aluminum metal sculpture with anodizing and two-part polyester painting, Movable kinetic Elements: yellow vane 27 1/4" tall, 18" wide, and 15" deep. Edition of 24 (not sure if they were all produced, this is not numbered) This piece is unsigned. There is some Paint Loss present, and some small Scratches. Overall, the piece looks to be in Nice shape. Additionally, the yellow squares can turn when they are pushed, or if they are in the presence of a strong gust of air. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage, Dallas, Texas Toomy-Turrel Gallery, San Francisco, California Frank Lloyd Gallery, Santa Monica, California Bobbie Greenfield Gallery, Santa Monica, California Diane Nelson Fine Art, Laguna Beach, California Loyola University, New Orleans, Louisiana S.K. Josefsberg Gallery, Portland, Oregon University of Judaism, Platt Gallery, Los Angeles, California El Centro del Pueblo, Los Angeles, California Gallery Saito, Sapporo Hokkaido, Japan Morgan Gallery, Kansas City, Missouri Riva Yares Gallery, Scottsdale, Arizona Daniel Saxon Gallery, Los Angeles, California David Lawrence Editions, Beverly Hills, California Art et Industrie, New York Clara Scremini Gallery, Paris, France Design Gallery Milano, Milan, Italy Lucy Berman Gallery, Palo Alto, California Parallel Gallery, Del Mar, California Davis-McClain Gallery, Houston, Texas Saxon-Lee Gallery, Los Angeles, California Traver-Sutton Gallery, Seattle, Washington Onyx Gallery, Los Angeles, California Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California Installation of the Olympic Village Entertainment Center, California State Polytechnic University in conjunction with the School of Architecture Museum of Contemporary Art, Temporary Contemporary, Los Angeles, California Hokin-Kaufman Gallery, Chicago, Illinois Hand and the Spirit Gallery, Scottsdale, Arizona B.Z. Wagman Gallery, St. Louis, Miss Traver Sutton Gallery, Seattle, Washington The Morgan Gallery, Shawnee Mission, Kansas, Missouri The Art Store, Los Angeles, California American Hand Gallery, Washington, D.C Modernism, San Francisco, California Studio Alchymia, Florence, Italy Janus Gallery...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Divyendu Anand - Mystical Woodland - H 20.5 x W 28 x D 10 inches Edition 3/9 Metal Skin Over Composite of Stone Glass and Polyester Resin, White Marble...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Yves Klein "Table Bleu" Designed in 1963 and from an open edition circa 1990s. Plexiglass, glass, chromed aluminum and IKB pigment. The "Table Bleu" by Yves Klein, also known as "T...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

An exceptional, fine and impressive antique Austro-Hungarian silver spice tower; This beautiful box is fitted with a hinged door and is fully hallmarked The square shaped foot is or...

Fireplace flame with angular base deep. Customization possible and designed in 2010. Also available to order in stainless steel. The included burner a...

Worn like a bolo tie around the neck. This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. The Memphis...

medium: aluminum (found cans), wire Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

The Devil and The Star, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individ...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, mounted ...

Size note: 40 mm Pioneering: Jacob & Co. has a well-deserved reputation for breaking new ground in high watchmaking, creating complications and combinations of complications that ar...

Very rare vintage screenprint on copper postcard featuring Eduardo Chillida's Antzo III, Proporción. Variations in color with oxidation of the copper. Framed and ready to hang.

Adolphe Jean Lavergne (1863-1928), Pecheur, c. 1900. Brown patinated bronze with rectangular cast plinth on a green marble base (3 cm high), total height with hinge 37 cm, width 9 cm, depth 8 cm, weight 2.9 kg, signed “Lavergne” on the plinth. - Base with old drilling and a few oxidized areas, patina occasionally rubbed, somewhat stained in the folds. - Full of anticipation - This bronze is the larger, highly detailed version of the fisherman that made Parisian artist Adolphe Jean Lavergne famous. In preparation for fishing, the boy prepares his rod before heading out to sea. The attachment of the iron ring and the rope behind him suggest a quay wall and a boat moored there. However, the depiction is entirely focused on the actual action of the young fisherman: With equal skill and concentration, he bends a hook to connect it to the fishing line. The contrast with his casual clothing, the loose-fitting trousers, the open shirt with its "wild" folds, and, last but not least, the sun hat boldly perched on his neck, reinforces the impression of the attentive care with which he goes about his work. His gaze makes him appear absorbed, as if he has forgotten the world around him and yet he is visibly filled with anticipation of fishing. GERMAN VERSION Adolphe Jean Lavergne (1863-1928), Pecheur, um 1890. Braun patinierte Bronze mit rechteckiger gegossener Plinthe auf grünem Marmorsockel (3 cm Höhe), Gesamthöhe mit Angel 37 cm, Breite 9 cm, Tiefe 8 cm, Gewicht 2,9 kg, auf der Plinthe mit „Lavergne“ signiert. - Sockel mit alter Bohrung und wenigen oxidierten Stellen, Patina mitunter berieben, in den Falten vereinzelt etwas fleckig. - Voller Vorfreude - Die Bronzefigur ist die größere äußerst detaillierte Ausführung des Fischers, mit dem der Pariser Künstler Adolphe Jean Lavergne bekannt geworden ist. In Vorbereitung auf das Fischen präpariert der Junge die Angel...

Diamond Bezel and Dial A stainless steel and diamond-set, screw down case back Signed: case, dial and movement Stainless steel Jacob & Co. folding clasp closure Size note: 40 mm Pi...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...