Metal More Art

This darling angel garden stake sculpture brings the springtime inside or out while making a fantastic gift for mom, a friend, or as a welcome gift for a ...

Places We Call Our Own, by Alejandra España -Mixed Media -25 x 20 cm -Abstract Geometric, c.2026 España’s intuitive processes and open engagement with materials allow images to ari...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Kamyki original decorative wall mirror (18 pieces), Zieta DImensions: Ø 7-20 cm Material: stainless steel. Dimensions of the set : H. 76 cm W. 150 cm D. 6...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

North African Maghribi Manuscript Leaf Gold Illumination, c. 14-15th Century North African, c. 14-15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This Qur’anic manuscript leaf originates from North Africa and is written in the characteristic Maghribi script, recognisable through its rounded contours and extended horizontal profiles. Workshops across the western Islamic world developed this calligraphic style, creating manuscripts where geometry and devotional clarity worked in harmony. The present leaf originates from that tradition, reflecting a script that was developed and refined over many generations of scribes. The parchment carries black ink text with red diacritics, punctuated by gold and polychrome rosettes that divide the verses. Along the right margin, larger teardrop motifs enriched with blue, white, and gold create a sense of both structure and ornamentation. These features are typical for Qur’anic manuscripts produced in North Africa in the late medieval period, when symmetrical and elaborately illuminated pages became the hallmark of regional craftsmanship. Set within a giltwood frame and layered mount, the leaf’s colours gain a striking clarity, making the piece even more impressive. Its craftsmanship and historical resonance give it a natural place within any serious collection of Islamic manuscript...

This sculpture honors one of the planet’s most endangered creatures—the northern white rhinoceros. With only two females remaining, the species stands at the brink of extinction. Zur...

Demetre Chiparus The Clown's Dream, ca. 1930 Bronze and marble 29 in Signed "Chiparus" and "J. Gazan" Provenance: Estate of Arlene Winnick, Beverly Hills, California.

This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. This piece is worn around the neck, like a bolo tie. The Memphis Designers...

This striking wall-mounted light installation is crafted from a reclaimed vintage bed spring frame and fitted with warm bulb lights, forming the wo...

Horse at Rest captures a moment of stillness that transcends exhaustion or defeat. The sculpture isolates the fallen body of the horse—not as a symbol of failure, but of surrender, m...

Keith Haring - PopBox Barking Dog Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 21.2 x 4 cm Condition:...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo ...

Jurate's work explores the materiality of textiles and engages with themes of femininity, identity, and the cultural codes embedded in everyday life. Incorporating threads, non-woven...

Bold one of a kind elephant wall sculpture hand crafted in metals with a stylized assemblage form decorated with paint in eccentric colorful floral designs.

The Mountain Is Also a Universe, by Alejandra España -Mixed media, gold leaf -20 x 15 cm - Contemporary abstract collague, c. 2026 España’s intuitive processes and open engagement...

N. Levi (signed in Hebrew and English) Menorah Done in a brutalist design with the Hebrew words "Seek the peace of jerusalem" Dimensions: 8 X 9 X 2.5 inches This appears to be silver plated as I do not see a silver standard mark or hallmark. There has been a resurgence of fine artists making Judaica, There was initial generation of the Bezalel School in Jerusalem and later Ludwig Wolpert at the Jewish Museum in New York City, whose spare, geometric, functionalist style was influenced by the Bauhaus school in particular and modernism in general, Moshe Zabari, Maxwell Chayat, in New York, Menachem Berman...

Both totemic and confrontational, Goat Head distills raw symbolism into sculptural form. With its broad horns and direct gaze, the piece evokes themes of sacrifice, instinct, and def...

Anthony Caro 1924 - 2013 Table Piece CXXX, 1973 Varnished steel 22.9 x 141 x 25.4 cm 9 x 55 1/2 x 10 in

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s in his California studio. Has neve...

TEXT Stickers on a canvas framed in metal with permanent marker. Unique Pop art from an emerging artist using a familiar style of collage and famous street and pop artists to creat...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

Quiet Please was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the...

Amazing brutalist owl sculpture with felt lined stash box hidden in the base by renowned Iowa abstract artist James Anthony Bearden from his Animal Series.

Judaica Shabbat Continental Hanging Solid Brass Oil Lamp with Central Six Pointed Jewish Star Shaped Body Dimensions Approx: with Chain 23"H x 8 11 x 8 x 8 chain is 22" long Antique...

A monumental 19th century patinated animalier cast bronze of a rooster & ermine (weasel), with varying titles including "Coq Guettant," "Coq Attaquant une Belette," and "Cockerel and...

Fun, unique, one-of-a-kind tagged "Rase Alley" wood bench, with colorful graffiti tags covering the top and underside of the wood seat. Material: Spray paint, paint pens, and polyu...

Jean-Michel Basquiat - PopBox The Crown Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 26.3 x 4 cm Cond...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Rus...

Brutalist metal cat, made of pipes and wire. The sculpture has a nice weight to it and shiny black finish.

Edmund De Waal 1964 - Current Who shall I listen to IV, 2018 1 porcelain vessel, 1 porcelain shard, 1 alabaster fragment, 1 alabaster block and gold leaf in an aluminium and plexigla...

Peter Shire (American, b. 1947) Angel, 1998 painted aluminum abstract sculpture with moveable parts 19 x 13 x 10 inches (approximately) This is not hand signed. It is handmade and there is no signature KInetic sculpture. the limbs all articulate and move. This appears to be designed to hang as a mobile sculpture. I assume if all the bolts are tightened it can also stand. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures suitable for outdoors in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson...

Synthesis M 3 is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, dimensions are 44.5 × 6 × 6.5 cm (17.5 × 2.4 × 2.6 in). To...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Important bronze sculpture by Luigi Broggini “Dancer” Datable to the from the early 1940s. It is part of the series of Dancers created by the sculptor Broggini in the 1930s. The wo...

French 19th Century striated agate box with fine engine engraved gilt mounts and base, in Pomponne which is an alloy developed by two goldsmiths, Turgot and Daumy, who set up shop at...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

This metal relief, by the artist Jean Carlo Brutus, features the figure in Haitian Voudou known as Bossou. Bossou is one of the Lwa – the pantheon of deities that intermediates betwe...

Kenneth Bates (American, 1904-1994) Botanical Motifs, 1953 Enamel Signed and dated on bottom 9 inches Described in a 1967 issue of Ceramics Monthly as the ‘Dean of American Enameli...

Sculpture Close to Heart 2 Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I used a “wood with history”...

Vintage French folk art, Early 19th century, painted wood wedding, hope or bridal chest, for the wedding of Charles Herbert Frederic and Corinne de Blaru in 1848. The names and dates...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

Linda Stein, 1291 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

The modern Sculpture " Pregnant woman ” is a limited edition piece, created by David Marshall in 1999, cast in , brass, lost wax technique, in our foundry, handcrafted by the Arti...

A pair of gilded bronze torchere lamps with Alabaster shades on top and exquisite detailed bottom part supported by multi level round carved marble base. Measurement: 91”height x 2...

Sculpture YASU Limited edition of 12 Mediums: burnt wood and brass Discover the stunning artistry of Zlata Kornilova with this exquisite sculpture crafted from burnt wood using the...

Produced under the auspices of the Frank Lloyd Wright Foundation. It is an exact replica of the Robie House No. 2 Window. Inscribed "1988 Frank Lloyd Wright Foundation #60" lower b...

Krista Reuter's contemporary paper sculpture artworks unfold like a quiet study in light, shadow, texture, and dimensional abstraction. Hand-cut and layered with meticulous precision...

eternAL II is a nickeled and Elox aluminium wall sculpture by Czech artist Ondřej Oliva. Elox is a hard surface treatment of aluminum. Dimensions are 100 × 100 × 20 cm (39.4 × 39.4 ×...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

This hand-crafted glass sculpture and urn "Sunset" is a unique colored glass window model that vividly depicts a desert scene with cacti and an in...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

French 19th Century oval agate box with fine engine engraved gilt mounts in Pomponne which is an alloy developed by two goldsmiths, Turgot and Daumy, who set up shop at the Hôtel de ...

Christopher Windsor Ice, 2007 Borosilicate Glass 60h x 34w x 34d in

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition Oh, rotating bronze sculpt...

Baboune is a bronze sculpture by contemporary artist Marine de Soos, dimensions are 41 × 34 × 13.5 cm (16.1 × 13.4 × 5.3 in). The sculpture is signed and numbered, it is part of a li...