Oil More Art

Vintage pattern of vines and vegetables creating a colorful contrast on a dark green background Original oil painting, unframed. The sides of the work are painted. Connected, signed...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

This piece titled "Enchanted Forest" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contem...

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Artist Onelio Marrero paints this piece based on a visit to Rome, Italy. He depicts a scene of Constantine's Arch and The Colosseum on a warm late May...

Oil on canvas. Signed in oil, lower right corner.

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Artist Yangzi captures a rainy evening on Chicago's Michigan Avenue. Streetlamps glow warmly against the cool reflections of the wet pavement. Figures with umbr...

Awakened by comparison, 130x80 cm, oil, acrylic, coal, canvas

Oil on canvas 60x60 cm

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This floral painting presents a close-up study of tulips, rendered with traditional attention to form and light. Representative of an earlier phase in artist Ma...

A fine impressionist marine painting of boats at dock on Cape Ann by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New En...

It’s okay, 110x100 cm, oil, acrylic, coal, canvas

This exquisite late seventeenth-century portrait is a beautifully preserved example of the small-scale courtly cabinet likeness: intimate in format, jewel-like in finish, and unusual...

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A path leads to Mt. Diablo in this Fauvist landscape. Artist James Hartman used thick layers of oil paint to create an expressive and textured outdoor scene. In...

This is one of my favorite artworks painted from nature. I like the wonderful light play in it. Comes with aged gold frame, but can be sent without it too. Painting are on str...

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Artist Aruna Rao captures the peaceful stillness of a sunlit dune path leading toward the open sea. Warm grasses glow in the gentle light, while a soft sky and ...

Portrait of a Young Lady, probably British c.1730–1740 Attributed to Jeremiah Davison (c. 1695–1745) What makes this portrait immediately compelling is its directness: the sitter’s ...

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Artist Onelio Marrero captures a Midtown Manhattan scene in low winter afternoon light. The flags' vibrant red and blue attract attention, contrasting with the ...

A Modern and traditional Impressionist Oil Painting of Ballet Dancers dressed in Tutus backstage before a performance. A Signed Oil on Canvas, mounted on stretchers and Framed in a ...

Stuart Dunkel has spent decades refining his hyper-realistic style. He paints realistic imagery based on real world inspirations. His paintings show that the everyday object can be f...

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Orange and yellow candy-colored Gerbera daisies exploding on a nostalgic patterned blue background featuring pink flowers. Painted on Arches heavyweight oil primed paper, which can be framed with our without glass.

About the Artist

Words that describe this painting: Gerbera daisies, daisies, vase, floral, bouquet, flowers, still life, flora, representational, vintage, oil painting, orange

Flowers and Twigs...

A fine New England landscape with a cart path and birch tree by Swedish-American artist Theodore Victor Carl Valenkamph (1868-1924). Valenkamph was born in Stockholm, Sweden, and emi...

At the limit, 100*70cm, canvas/oil

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Brilliant fall colors fill this landscape near Glenwood Canyon, Colorado. Bright orange trees stand against the cool shadows of a shaded hillside covered with s...

An oil painting of boats at rest as seen from Secret Beach in Sag Harbor. "Secret Beach" is the name Ben Fenske has given to his favorite painting spot in Sag Harbor, NY. A place he ...

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The way a fox approaches life appears to be a beautiful blend of work and play. The surreal animal painting inspires the viewer to use their own sense of grace,...

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The original oil painting captures a wildflower meadow in full spring bloom. Layered paint, expressive brushwork, and subtle textural details create a sense of ...

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As the sun descends, it leaves a wondrous gift, bathing the seascape in a beautiful array of colors. Yellow and orange hues grace the darkening sky while irid...

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Drawing inspiration from her hiking trips, artist Crystal DiPietro paints scenes she personally witnesses. She depicts a hillside view of Saguaro cacti overlooking the canyon. "They stand like sentinels along the landscape," describes Crystal. She paints the mountains turning...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Oil on canvas 60x40 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented by Titan Fine Art is a captivating portrait of the noble Lad...

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Artist Aruna Rao explores the interplay of light, color, and atmosphere within a flowering garden landscape. Luminous pink azaleas emerge from a veil of soft gr...

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A generous serving of mint ice cream sits atop a crisp waffle cone. Dark chocolate fudge and sprinkles drip down the sides of the vibrant green scoop. Artist Pa...

Memories, 80*90cm, canvas/oil

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Artist Yangzi Xu captures the joyful return of spring to downtown Chicago in this painting. Vibrant tulips in pinks, reds, and corals fill the foreground, softe...

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Artist Suren Nersisyan shows a beautiful Mediterranean view of a Greek island. The picturesque scene overlooks a charming Grecian ...

70x50cm

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A young girl sits on a red cushioned stool, staring at her reflection in the mirror. Her slip white dress illustrates her innocence, while her expression hints ...

Oil on canvas 60x40 cm

A fine spring scene in historic Williamsburg, Virginia with the Governor’s Palace in the background by American artist Guy Carleton Wiggins (1883-1962). Wiggins was born in Brooklyn,...

Moment, 30x20 cm, oil on canvas

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Three women stand poised in quiet communion. Flowing white forms and dark bodices balance softness and strength. Floral motifs echo their inner lives, suggest...

An original textured oil painting of a Martha's Vineyard home interior! Known for it's beautiful homes, this lovely island is off the coast of Nantucket. I worked there one summer du...

Oil on canvas 60x60 cm

Sometimes the landscape can tell more than figurative works. Thanks to emigration, I increasingly use new colors and forms. Gray-blue tones have been replaced by bright red and acid...

Breakthrough, 52x100 cm, oil on canvas

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Soft evening colors highlight the beauty of the American desert. A gentle and warm palette creates an airy feeling that suggests an open space. The quiet energy...

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Artist Benjamin Xu presents a geometric architectural scene that conveys a strong sense of shelter, stillness, and spatial harmony. The viewer is drawn into a d...

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Fifteen identical horses move in unison across a field of soft, earthy tones, blending seamlessly with the background. Arranged in a deliberate, linear fashion,...

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Inspired by the scenery of Monterey Bay in California, artist Lisa Elley captures a picturesque ocean view dotted with flowers in the foreground. California p...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Oil on canvas 60x60 cm

'California Poppy Coast' is an original oil painting by award-winning artist Lisa Elley. This painting captures a California coastal scene of the Pacific ocean greeting our state flo...

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The warm light from a candle passes through orange slices and a whiskey glass in this still life painting. The glow casts long, flickering shadows across the su...

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A chorus of yellow birds gathers along gestural branches within a soft field of turquoise, yellow, and ochre. The composition suggests a quiet rhythm, where b...

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A vibrant American goldfinch perches on a slender branch, taking center stage as nature's most charming messenger. The striking contrast between the bird's sunn...

This 30" x 32" oil painting on canvas by the American Impressionist painter Harry Leslie Hoffman (b. 1871, d. 1964) depicts a calm, purple-toned waterscape and a semi-open sky. Light...

A fine mountainous winter landscape by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived and worked most of his life in Massachuset...