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This outdoor fireplace "Globe" is the eye-catcher in your garden. Thanks to the good air supply, you can light a beautiful fire very quickly. The base also serves as an ash containe...

View of a Venetian Harbor oil painting on wood panel 2Oth C Additional information about the work: Title: View of a Venetian Harbor Medium: oil on wooden panel Signature: not sign...

Photo print on panel

Photo print on panel

Francesco Albani Circle Italian Mythological Painting This important oil painting on wood depicts a subject that is very rare in the iconography of ancient mythological paintings: the birth of Erittonio. Erichthonius who succeeded Amphictyon becoming the fourth mythological king of Athens and married the naiad Praxithea who made him the father of Pandion. The extremely high quality of this very rare painting suggests that it was painted by an artist who frequented Francesco Albani's studio. The period, the mythological subject, the harmony of the colours and, above all, the sublime quality of the flesh tones all point in this direction. This artwork, never before on the market, comes from an important Italian private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. ERYTHTONIOS (᾿Ερυχϑόνιος, Erychthonios) Born of Hephaestus' love for Athena, from the breast of Ghe, who was impregnated by the god; welcomed by Athena, who placed him in a basket together with one or two snakes, entrusting him to the care of Cecrops' three daughters. Against the goddess's wishes, they opened the chest, from which emerged, according to different versions of the myth, either the child wrapped in snakes or a snake, which, in some versions, killed the girls, while in others, they threw themselves from the Acropolis in fear. Erittonio, in the form of a snake, is welcomed by Athena into her temple and curls up under the goddess's shield. Alongside this myth, of Ionian origin, are others due to the doubling of the figures of E. and Erechtheus The scene of the birth appears in figurative tradition: in a Melian terracotta relief from the early 5th century, Ghe, half-emerging, holds out the baby Erittonio. to Athena, who welcomes him in the presence of Cecrops; the same scene appears on various painted vases, such as a red-figure kölix by the Painter of Kodros, from Tarquinia, in the Berlin Museums, dating from around 440 BC, where Hephaestus also appears alongside Cecrops. A modest red-figure vase from Camiro, in the British Museum, depicts the moment when the fleeing Cecropids discover the cista, from which the infant Erittonio. emerges between two snakes, greeting Athena. The moment when the chest was opened was depicted by Phidias on the xiii and xiv S metopes of the Parthenon, where Cecrops and Pandrosus appear in the first and Erisichthon and Aglaurus with the chest uncovered in the second. A kölix in the style of the Brygos Painter in Frankfurt, on the other hand, depicts the large snake E. chasing the fleeing Cecropids towards their father's palace. Luciano (De dom., 27) recalls a painting depicting the scene of the birth and the representation of the myth in pantomime on the theatre (De salt., 39). Bibliography: Engelmann, in Roscher, cc. 1303-1308, s. v. Erichthonios; P. Jacobstahl, Die Melischen Reliefs, Berlin 1931, pp. 96-98, plate 75 a; W. Züchner, in Jahrbuch, LXV-LXVI, 1950-51, p. 200 ff., figs. 34-35; J. D. Beazley, Red-fig., p. 720; G. Becatti, Problemi fidiaci, Florence 1951, p. 22. Questo Francesco Albani (Bologna, August 17, 1578 – Bologna, October 4, 1660) was an Italian painter. Albani was born in Bologna, Papal States, in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi...

“Don’t Come In, It’s a Mess” oil and silver leaf on wood 28” x 9.5” framed About the Artist: Shanna E. D'Antonio is a mixed-media artist living and working in Hammond, Louisiana. ...

"Lost Between The Details" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Cast Away From The Mainland" depicts a city near a waterway. These small paintings beckon viewers to draw closer and observe all that artist has been able to convey on such a small ...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Clones of Clones" depicts a a city at the foot of a mountain ranged. This painting is rendered in about nine variations of gray, the darkest in the foreground is a few steps from bl...

Magenta and white abstract contemporary concentric oval shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statemen...

Pink and white abstract contemporary concentric ombre shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of blue and pink creates its own essences of form atop washes of whites and green. Spil...

Afterwave By Christopher Witchall is a realist seascape oil painting, measuring 30 x 40 inches (approx 76 x 101cm). The viewer is looking directly out to sea from the standpoint of t...

Stony Beach is a small realist oil painting on gesso panel, 8 x 10 inches (approx 20 x 25cm). Inspired by visits to the Suffolk coast town of Aldeburgh, Christopher Witchall continue...

House I Painting by Daisy Cook B. 1965, 2024 Additional information: Medium: Oil on panel Dimensions: 18 x 13 cm 7 1/8 x 5 1/8 in Daisy Cook is a British ...

A fine impressionist townscape oil painting by American artist Nancy Maybin Ferguson (1872-1967). Ferguson was born in Philadelphia, PA, and studied with academic realists Charles Hawthorne...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Maya Kabat’s Let the World Push Through exemplifies her signature approach of building compositions through thick, deliberate layers of oil paint, scraped and reworked to create tact...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

Artist: Michelle Boyle (1967 - ) Title: The Boy and the Frozen Lake Medium: Oil on Panel Date: 2024 Framed Size: 57 x 67 x 3 cm Image Size: 50 x 60 cm ...

Acrylic on Panel 'Still Life I' Painting by David Pearce B. 1963, 2023 Additional information: Medium: Acrylic on panel Dimensions: 40.6 x 30.5 cm 16 x 12 in Signed with initials an...

Parking Downtown, 2020

Colōrem I

Mighty Ducks Coral Crown

Alley Shed, 2020

Colōrem II

What's Cuter? Nothing

Camlyn

Wildflowers

Untitled 3, 2018

Jaime

Glass and Flesh, 2018

Black Cloud 4, 2018

Structure 3, 2018

Origami, 2018

Towering Sights, 2018

Views from Fall, 2018

Into the Shadows, 2018

Still Life in Transit, 2018

Dusk's Kiss, 2018

Passage, 2018

Missing Numbers, 2018

Salon, 2018

Pear Cider, 2015

Structure 2, 2018

Concentric

Apron

Tulips and Rose on Blue, 2018

Intersection

Cult Leader, 2018

Harvester, 2018

Anima, 2018

Dust Motes, 2018

Asleep in the Snow, 2018

Structure 7, 2018

Rocks and Water, 2018

Lilies, 2018

Too cool for a three year old, 2020

Social Media Blues, 2018