Pastel More Art

Daydream, 60x40cm, acrylic, pastel, canvas

"Domino", 100x73 cm, acrylic, pastel, canvas

"Loop", 90x73 cm, acrylic, pastel, canvas

Where is your mind?, 90x70cm, acrylic, pastel, canvas

”Nature’s music fills”, 60x40cm, acrylic, pastel, canvas

“The Lovers”, 60x40cm, acrylic, pastel, canvas

“ Ethereum”, 60x40cm, acrylic, pastel, canvas

Silent harmony, 60x40cm, acrylic, pastel, canvas

Signed lower right, 'Maria Winkler' (American, 20th century) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earne...

Artist Comments
Artist Joanie Fords captures the beauty of Tucson, Arizona in this pastel artwork. Soft, glowing light filters through the terrain, contrasting the lush green c...

Artist Comments
Artist Joanie Ford paints a tranquil landscape where the vibrant colors of earth and sky intertwine. The winding path, bordered by delicate wildflowers, guides ...

Rose in Flute

A bright and breezy still-life showing a variety of spring flowers informally arranged in a pink ceramic vase set on a stone ledge with a panoramic view beyond towards the ocean and ...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Signed lower right, 'Maria Winkler' (American, born 1946) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earned her MFA in painting...

Painting of the series “Not a dicky bird”, 100x80cm, acrylic, pastel, canvas

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

Umbrellas 40x30 cm

Buttoned Up

"Plains Indian Camp" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US, Europe and Asia. keywords: abstract, minimal art...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Still life 70x50 cm

Uday Mondal - Untitled, 13 x 19 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

By that time, 2023, 78x54 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

Girl in a cafe 70x50 cm

Sea 40x30 cm

Fethiye 40x30 cm

Dancer Signed in pencil, l.c. Pastel on paper mounted to Glassine 14 x 10 inches This work is offered by ClampArt in New York City.

"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...

“The Lovers”, 60x40cm, acrylic, pastel, canvas

Acrylic, pastel, charcoal, and graphite on paper

Wasim Kapoor - Untitled - 15 x 14 inches ( unframed size ) Pastel on Paper, 2004 (Unframed & Delivered) Style : Wasim Kapoor is an artist possessed by the dark emotions of pain, sup...

"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...

Life with a cat, 2023, 78x54 cm The work is sold without a frame.

Embrace, 2021, 54x39 cm

Mahlon Blaine (California, 1894-1969) "Saludo" boxing match original pastel painting, circa 1950s Small but mighty original pastel on paper. Dimensions: 7" x 4.5". The frame measures 19" x 16.5". Signed and titled in the lower right corner. A superb original pastel by this very talented California artist. The light over the ring illuminates the back of the heads of the spectators. One fighter gives a face-on "Saludo" to the other. Mahlon Blaine was born in California in 1894. He became part of a coming century of great popularity and diverse talent in the field of illustration that included Dean Cornwell, Robert Lawson, Andrew Loomis, George Petty...

Jogen Chowdhury Untitled, Dry Pastel on Paper 17.5 x 23 inches (unframed size) ( Unframed & Delivered ) In this striking dry pastel work, he channels raw expression through bold, p...

Flooded river 1950s. Paper, pastel. 26,5x35,5 cm The medium used for this artwork is pastel on paper, offering a soft and powdery texture that can effectively convey the atmospheric and natural elements of the subject. The flooding of a river can be a powerful and evocative subject, as it can symbolize the forces of nature and the unpredictable beauty and devastation that water can bring. Aleksandra Belcova...

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Venice at night 2007. Paper, pastel, 19 x 27 cm This work portrays a colorful landscape capturing the lively and enchanting atmosphere of Venice duri...

Travel notes 2007. Paper, pastel, 19x23 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Travel notes 2007. Paper, pastel, 24x22 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

The vision of St. John Paper, pastel, 16x23 cm It presents a colorful cityscape on a dark background, the use of pastels allows for the creation of vibrant colors and a dynamic com...

This is Not a Riot 2

This is Not a Riot 1

This is Not a Riot 3

Entanglements

Razor's Edge

Aundre

Cone Illusion

Crow's Nest

Silk, Leather, and Lace

Red River

Missing You This work is sold unframed, and will need to be framed.

Judging a Book By Its Cover, 2020

Jogen Chowdhury - Untitled - 10.8 x 8.5 inches (unframed size) Ink & Pastel on Paper, 2021 Signed in Bengali ( Unframed & delivered ) Style : He has immense contribution in inspir...

Hemant Rao - Untitled Dry Pastel on Paper, 12 x 12 inches, 2020 Born in a remote village and my paintings are inspired by nature. Different elements of the world, including the mystery of light and shadows fascinate me. In a soothing vocabulary of abstract forms, they re-claim their touch. I use dry pastel, exploring luminescent shades, forms submerged under semi-transparent layers, creating a journey, a discovery of some kind,adding some space to let the eyes breathe, till I find myself creating a sanctuary of inner peace and serenity, in a constantly moving world. Born 29th July, 1984, Raghogarh, Dist. Guna (Madhya Pradesh) - Self-Taught Artist - Worked at Graphic Studio, Bharat Bhawan, Bhopal (2005-2010) - 60th National Academy Award recipient 2019 (from Lalit Kala, Delhi, India's National Academy of Fine Arts) Solo Shows : - Solo Show Curated by Prayag Shukla at Gallery Art & Soul, Mumbai, 2016 - Art Spice Gallery, New Delhi, 2013 - Indian Council for Cultural Relations (ICCR) Regional, Bhopal, 2012 - Indian Habitat Centre, New Delhi 2006 Group Shows : - Restart Art, Online Art Exhibition, Mumbai Midtown Arts Collective, represented by Art & Soul, Gallery, 2020 - Wings & Plumes, Art & Soul Gallery, Mumbai, 2019 - Rasas of Indian Art, Art Spice Gallery, New Delhi 2019-20 - Unmesh Kala Pradarshini, Bharat Bhavan, Bhopal, 2019 - Wings & Plume curated by Prayag Shukla, Art & Soul, Mumbai, 2019 - 88th Izmir International Fair, Kültürpark, İzmir, Turkey, 2019 - Drawing: A New Chapter by Art Pilgrim, AIFACS (All India Fine Arts & Crafts Society), New Delhi 2019 - Parables and Paradoxes, The Lodhi, New Delhi 2018-2019 - Art for Kerala National Flood National Gallery of Modern Art, Ministry of Culture 2018 - Art Mela by CIMA Art Gallery, Delhi, 2018 - Art Mela by CIMA Art Gallery, Kolkata, 2017 - Artworld, Sarala Art Centre, Chennai, 2017 - Preview Show at Raghogarh, Guna by MLA Shri Jayvardhan Singh, 2017 - Kala Ghoda Art Festival at Jehangir Art Gallery by Art & Soul, Mumbai, 2017 - India Art Festival by Art Spice Gallery, Delhi, 2017 - Royal Fables, Hyatt Hotel, Delhi, 2015 - Museum Art Gallery, Mumbai, 2011 - Jehangir Art Gallery, Mumbai , 2011 - International Art Fair Busan, South Korea, 2011 - Asian Young Artist, Seoul Art Festival, South Korea, 2011 - Jehangir Art Gallery, Mumbai , 2011 - Butterfly Show Curated by Prayag Shukla at Gallery Art & Soul, Mumbai, 2009 - Drawing Exhibition, Dhoomimal Art Gallery, New Delhi, 2009 - Mindscape Studio 21, CIMA Gallery, Kolkata, 2009 - Homage to J. Swaminathan, Dhoomimal Art Gallery, New Delhi Curated by Prayag Shukla, 2008 - CIMA Art Gallery, Kolkata, 2006 - Annual Exhibition, Bharat Bhawan, Bhopal, 2005-06 Participations : ○ Twelfth edition of the annual India Art Fair (IAF) NSIC, Delhi 2020 (represented by Art Houz, Chennai) - Art Revolution Taipei, 2019 - 60th National Exhibition of Art - Lalit Kala Akademi 2019 - International Bengal Biennale, 2019 - Jaipur Art Summit, 2017 - 7th Bharat Bhavan Biennale of Contemporary Indian Art (Bhopal), 2017 - International Bodhgaya Biennale (Patna), 2016 - The 4th Bangkok Triennale International Print & Drawing Exhibition, 2014 Visual Arts (Painting) “Junior Artist Fellowship” HRD. Govt. Of India, 2011-12 New Delhi Awards : - 60th National Academy Award 2019 (Lalit Kala), New Delhi - Prafulla Dhanukar Art Foundation (MP State Award), Mumbai, 2015 - Certificate of Honour from the 4th Bangkok Triennale International, 2014 - Print & Drawing Exhibition Madhya Pradesh S.H. Raza Award, Gwalior, 2010 - All India Lalit Kala Award, Lucknow (UP), 2010 - Annual All India Art Exhibition (AIFACS), New Delhi, 2010 - “Art Mall” Bhiku Ram Jain Foundation, New Delhi, 2009 - Indian Fine Art...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...