Stone More Art

Three Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene. Three Duck Egg blue horse hair raku fired ball vases. Set contains small vase, medium vase, and large vase.  ...

Martha Winter employs a unique technique to create visually stunning 3 dimensional pieces where painting meets sculpture. By building textures and patter...

Divyendu Anand - Conch Shell - The Sound of Infinity Edition : 6/9 Metal Skin Over Composite of Stone Glass and Polyester Resin Granite H 18 x W 10.5 x D 13 inches, 2021 Growing up ...

Divyendu Anand - Primodial Awareness Edition 3 of 9 Oxidised Bronze over Stone Composite Granite Base H 30 x W 24 x D 24 inches Growing up with the thoughts of altruism, idealism an...

Untitled "Marble Fragment 4" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

Divyendu Anand - The Zen Tree, Edition 9 / 9 Oxidised Bronze over Stone Composite Granite Base H 34 x W 13.5 x D 9.5 inches, 2021 Growing up with the thoughts of altruism, idealism ...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

Stone collage on cardboard signed and dated on back, Presta 4-10-1970, with lovely frame

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Untitled "Marble Fragment 2" 2019, oil on Italian marble, landscape, wall sculpture, clouds, green, yellow, blue

Divyendu Anand - Piscine, 2023 Patinated Bronze, Oxidised Bronze over Stone Composite Granite Base Edition 1 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism,...

Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

Divyendu Anand - Birth of Bauhinia Patina & Enamel Over Bronze Granite, Edition of 3 H 24 x W 16 x D 12 inches, 2024 Growing up with the thoughts of altruism, idealism and beauty, D...

African (Shona) 49 Shona Stone Samples with Specimen Box

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

3 black and white Raku fired bottles with a striped pattern. Set consists of small, medium, and large bottles. ADDITIONAL INFORMATION: Ceramic on Stone 30 H x 10 W x 10 D cm (11.81 ...

Vase blue flower. 2017. Stone mass, h 13 cm, diam. 15.5 cm

Emma Bell 25cm h x 75cm w x 7cm d 3clays VII Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a ...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Divyendu Anand - Space Rock - H 27 x W 18 x D 11 inches Edition 2/9 Metal Skin over Composite of Stone Glass and Polyester Resin, Black Marble, 2020 G...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with hand-cut Italian marble and smalti, Venetian glass made by the same Italian family for over 400 years. Using traditional Italian techniques, Kii’s art is nonetheless modern. It is monochromatic, abstract, and highly textured and highlights the involved and technical art of mosaic making. In this mosaic entitled "Restoration Test...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Naman Mahipal - Vintage Identity MDF & Paint, L 10 x W 11 x H 16 inches Naman expresses his subjects and thoughts through a variety of art forms like po...

Divyendu Anand - Within The Shell - H 27.5 x W 19 x D 14 inches Edition 7/9 Oxidised Bronze over Stone Composite, Granite Base, 2020 Growing up with th...

Comprising a greenstone axe head of trapezoid outline, with rounded butt and curved cutting edge, marked in white ink: 'LYDIA', 9.5cm ; another smaller...

Sinuous modern carving of a Mesoamerican. Aztec? Mayan? Striated sandstone, circa mid-20th century.

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: 5.25" x 4" x 1" Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyia from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire always in the distance,". Eventually, he ended up in Budapest with his two brothers, where Anti­ Semitism was not as severe, and that is where he began to sculpt and draw. He even had a few odd jobs there as a gold­ and silversmith. When he was seventeen, Gross immigrated to America where his older brother was. There he was a student and then a teacher at the Educational Alliance on the Lower East Side. Teaching became a big part of his philosophy, as he believed that an artist must pass on the knowledge which he had received from others in his artwork. He was part of an artist emigre community which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. His daughter is the artist Mimi Grooms and his son in law was Red Grooms. Chaim Gross works reflect his Jewish and Austrian roots and his Hasidic Jewish upbringing. The figures in his art reflect the Hasidic spirit of being happy and making other people happy. This opiece has children playing and is perfect for a kids room. In his pieces, Jews sing and dance in celebration of the Jewish Sabbath and festivals. They are shown rejoicing in the great gifts of love and life. Chaim Gross was honored with a number of prestigious awards including: the Award of Merit Medal from the National Institute of Arts and Letters in 1963, and the Gold Medal award from the National Academy of Design in 1985. He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin, Raphael Soyer and Moses Soyer). Gross was a member of the New York Artists Equity Association and the Federation of Modern Painters and Sculptors. He was a founder and served as the first president of the Sculptors Guild. He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel.He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel. And the EIN HAROD Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Amedeo Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Joseph Constant and Leon Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zeev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Sternschuss, David Palombo ( who executed the iron...

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

"Shooting Flower" is a Serpentine statue by the artist Leonard Chitanda. It measures approximately 15.5 x 8.5 x 7.5 inches. The date of creation is un...

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 25 Shona Stone Samples with Specimen Box, ca. 2005

Zane Elerte (1987) StoneGod Medal, brushed, polished granite, 75x11x40 mm "StoneGod" is a medal made of brushed and polished granite. The dimension...

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

African (Shona) 49 Shona Stone Samples with Specimen Box.

Kathleen Hope MODULAR 82 cement, pigment, plaster 8.00 X 8.00 in $250.00

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Kathleen Hope MODULAR 78 cement, pigment, plaster 8.00 X 8.00 in $250.00

African (Shona) 49 Shona Stone Samples with Specimen Box

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...

PAIR OF PIETRA DURA PLAQUES WITH LANDSCAPES Italy, Florence, 18th Century pietre dure in gilt bronze frame 28.5 x 39 cm (11 1/4 x 15 1/4 in) with frame 23 x 33 cm (9 x 13 in) withou...

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with hand-cut Italian marble and smalti, Venetian glass made by the sam...

Three Naked Raku Pottery Grey Vases are ceramic works by Tamsin Levene ADDITIONAL INFORMATION: Clay Large vase: 24.7 cm H x 11 cm D Middle vase: 21.2 cm H x 10 cm D Small vase: 17....

PORPHYRY MORTAR, 17th Century porphyry 11 x 15 x 13 cm 4 1/4 x 6 x 5 in

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 49 Shona Stone Samples with Specimen Box

Yann Barrere - Long cou - Original Sculpture Dimensions: 100 x 11 x 10 cm Materials: Pink Marble from Portugal "For me, the pleasure of sculpture...