Stone More Art

Untitled "Marble Fragment 2" 2019, oil on Italian marble, landscape, wall sculpture, clouds, green, yellow, blue

James Spencer Russell "#4" 1958 Collage with paper, sand, gouache Signed in pencil 19.25x13.5" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of h...

Divyendu Anand - Primodial Awareness Edition 3 of 9 Oxidised Bronze over Stone Composite Granite Base H 30 x W 24 x D 24 inches Growing up with the thoughts of altruism, idealism an...

Divyendu Anand - Arcane Valley Oxidised Bronze over Stone Composite Granite Base Edition of 9, H 45 x W 27 x D 10 inches, 2024 Growing up with the thoughts of altruism, idealism and...

Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

Divyendu Anand - The Zen Tree, Edition 9 / 9 Oxidised Bronze over Stone Composite Granite Base H 34 x W 13.5 x D 9.5 inches, 2021 Growing up with the thoughts of altruism, idealism ...

Divyendu Anand - Piscine, 2023 Patinated Bronze, Oxidised Bronze over Stone Composite Granite Base Edition 1 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism,...

Chain is 23.5 inches long. Pendant is 3.75 X 2 X 1 inches This piece is not signed. but the chain matches completely with the signed one that I have. Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Divyendu Anand - Conch Shell - The Sound of Infinity Edition : 6/9 Metal Skin Over Composite of Stone Glass and Polyester Resin Granite H 18 x W 10.5 x D 13 inches, 2021 Growing up ...

Divyendu Anand - Piscine - Red, 2023 Oxidised Bronze over Stone Composite Granite Base Edition 2 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism, idealism an...

Divyendu Anand - Transmuted Leaves Edition of 8 Oxidised Bronze over Stone Composite Granite Base H 14 x W 21 x D 9 inches, 2019 Growing up with the thoughts of altruism, idealism a...

Three Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene. Three Duck Egg blue horse hair raku fired ball vases. Set contains small vase, medium vase, and large vase.  ...

Divyendu Anand - Birth of Bauhinia Patina & Enamel Over Bronze Granite, Edition of 3 H 24 x W 16 x D 12 inches, 2024 Growing up with the thoughts of altruism, idealism and beauty, D...

Comprising a greenstone axe head of trapezoid outline, with rounded butt and curved cutting edge, marked in white ink: 'LYDIA', 9.5cm ; another smaller...

Three Naked Raku Pottery Grey Vases are ceramic works by Tamsin Levene ADDITIONAL INFORMATION: Clay Large vase: 24.7 cm H x 11 cm D Middle vase: 21.2 cm H x 10 cm D Small vase: 17....

3 black and white Raku fired bottles with a striped pattern. Set consists of small, medium, and large bottles. ADDITIONAL INFORMATION: Ceramic on Stone 30 H x 10 W x 10 D cm (11.81 ...

African (Shona) 49 Shona Stone Samples with Specimen Box

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

Collection: Unsigned and marked with a unique reference number on the underside. New although some imperfections may exist given the nature of the material. Sold with the original receipt from WOH. About: Miniature concrete souvenir sculpture, hand painted by local artists Open edition. The Souvenir Wall Section consists of a mini stretch of separation wall decorated with recreations of well-loved graffiti. Lovingly hand painted by local craftspeople. Made from enhanced polymer resin on a stone plinth extracted from the dividing wall. Graffiti artist Banksy...

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: 5.25" x 4" x 1" Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyia from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire always in the distance,". Eventually, he ended up in Budapest with his two brothers, where Anti­ Semitism was not as severe, and that is where he began to sculpt and draw. He even had a few odd jobs there as a gold­ and silversmith. When he was seventeen, Gross immigrated to America where his older brother was. There he was a student and then a teacher at the Educational Alliance on the Lower East Side. Teaching became a big part of his philosophy, as he believed that an artist must pass on the knowledge which he had received from others in his artwork. He was part of an artist emigre community which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. His daughter is the artist Mimi Grooms and his son in law was Red Grooms. Chaim Gross works reflect his Jewish and Austrian roots and his Hasidic Jewish upbringing. The figures in his art reflect the Hasidic spirit of being happy and making other people happy. This opiece has children playing and is perfect for a kids room. In his pieces, Jews sing and dance in celebration of the Jewish Sabbath and festivals. They are shown rejoicing in the great gifts of love and life. Chaim Gross was honored with a number of prestigious awards including: the Award of Merit Medal from the National Institute of Arts and Letters in 1963, and the Gold Medal award from the National Academy of Design in 1985. He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin, Raphael Soyer and Moses Soyer). Gross was a member of the New York Artists Equity Association and the Federation of Modern Painters and Sculptors. He was a founder and served as the first president of the Sculptors Guild. He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel.He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel. And the EIN HAROD Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Amedeo Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Joseph Constant and Leon Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zeev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Sternschuss, David Palombo ( who executed the iron...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Divyendu Anand - Mystical Woodland - H 20.5 x W 28 x D 10 inches Edition 3/9 Metal Skin Over Composite of Stone Glass and Polyester Resin, White Marble...

Divyendu Anand - Leaves - The Mystical Link - H 32 x W 20 x D 18 inches Edition 3/8 Liquid Metal Coating over Composite of Stone Glass and Polyester Res...

Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. He is credited with...

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

Lychee Abundance, The Auspicious Fortune Desk Ornament was carved in 2012 by master Gui Yang Mo from fine green Duan stone. Duan stone is one of China’s ...

The Divine Dragon Inkstone was carved in 2012 by master craftsman Wei Ming Huang, using stone from Songkeng, one of the four famous Duanxi quarries. Discovered and mined since the Northern Song dynasty, Songkeng stone is known for its dense, smooth texture and distinctive features such as golden star-like specks, “fire spots,” and the prized “coin fire” patterns. With a high mica content, it produces ink of exceptional quality, making it highly valued for carved inkstones. This piece reveals natural star-like “stone eyes” across the surface, resembling a night sky. A dragon, executed in high and openwork relief, emerges among clouds, evoking the majestic vision of a divine dragon soaring through the heavens. Symbolizing wisdom, power, and auspicious protection, the work harmonizes nature and artistry. Wei Ming Huang, from Zhaoqing, Guangdong, has devoted over twenty years to Duan inkstone...

Carved from Duanxi Kengziyan stone, prized for its fine and dense texture that produces smooth ink without harming the brush, this inkstone follows the natural shape of the stone to form the pool. At the water inlet, a high-relief dragon surges through clouds and waves, with the interplay of cloud and water rendered in both intaglio and relief to create an open composition. The dragon symbolizes auspiciousness and protection, echoing the scholar’s tradition of “nurturing the brush and carrying the Way through objects.” Han jing Mo’s style achieves a balance between meticulous precision and freehand expressiveness, skillfully integrating natural stone colors, skins, and fissures into the design so that material and imagery resonate as one. Master craftsman Han jing Mo, from Zhaoqing, Guangdong, has devoted more than twenty years to Duan inkstone...

Naman Mahipal - Indian Mother MDF, Brass & Stone, L 24 x B 15 x H 24 inches * Delivery will take upto 20 days after placing the order. Naman expresses h...

Divyendu Anand - Space Rock - H 27 x W 18 x D 11 inches Edition 2/9 Metal Skin over Composite of Stone Glass and Polyester Resin, Black Marble, 2020 G...

PORTORO MARBLE FLUTED COLUMN Rome, 18th Century portoro marble 121 x 36 x 36 cm 47 3/4 x 14 1/4 x 14 1/4 in

Martha Winter employs a unique technique to create visually stunning 3 dimensional pieces where painting meets sculpture. By building textures and patter...

Zane Elerte (1987) StoneGod Medal, brushed, polished granite, 75x11x40 mm "StoneGod" is a medal made of brushed and polished granite. The dimension...

Divyendu Anand - Within The Shell - H 27.5 x W 19 x D 14 inches Edition 7/9 Oxidised Bronze over Stone Composite, Granite Base, 2020 Growing up with th...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

Naman Mahipal - Vintage Identity MDF & Paint, L 10 x W 11 x H 16 inches Naman expresses his subjects and thoughts through a variety of art forms like po...

Vase blue flower. 2017. Stone mass, h 13 cm, diam. 15.5 cm

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

Stone collage on cardboard signed and dated on back, Presta 4-10-1970, with lovely frame

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

"Shooting Flower" is a Serpentine statue by the artist Leonard Chitanda. It measures approximately 15.5 x 8.5 x 7.5 inches. The date of creation is un...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 49 Shona Stone Samples with Specimen Box

African (Shona) 25 Shona Stone Samples with Specimen Box, ca. 2005

African (Shona) 49 Shona Stone Samples with Specimen Box.

African (Shona) 49 Shona Stone Samples with Specimen Box

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with hand-cut Italian marble and smalti, Venetian glass made by the same Italian family for over 400 years. Using traditional Italian techniques, Kii’s art is nonetheless modern. It is monochromatic, abstract, and highly textured and highlights the involved and technical art of mosaic making. In this mosaic entitled "Restoration Test...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Kathleen Hope MODULAR 78 cement, pigment, plaster 8.00 X 8.00 in $250.00

Listening at the Cliffside, Original Contemporary Wooden Mixed Media Sculpture 20" x 65" x 42" (HxWxD) Wood, Stone, String, Brass Bell, Glass Bottle, Clear Finish In this highly conceptual work, artist Todd McCollister has combined a myriad of elements to depict a narrative scene that makes the viewer pause. Inspired by historical elements, the work explores space, structure, and sound. A small boat-shaped after shave bottle serves as a floating element beneath a brass bell. A wall of undulating wood creates the cliffside, while more delicate beams of wood jut behind the piece, somehow evoking both fragility and the integrity of industrial engineering at work. Artist Commentary: This piece started as a reference to the "acoustic mirror" listening stations on the southeast coast of England. These huge concrete parabolic reflectors focus sound to a small point. During the second world war, the British posted soldiers at the focus of each one, where they would listen for German boats...