Abstract Expressionist More Art

Two pines , 60x25 cm, oil on canvas

Fuchsia , 50x50 cm, oil on canvas

Sunflowers , 40x50 cm, oil on canvas

Artist Comments
Artist Naoko Tadotsu displays ethereal expressionism with an image of a blazing tree. The sun sets behind it, giving its silhouette a dark translucent glow. The light reflecting from the river's surface filters through the leaves and twinkles like glass shards. The fiery orange hues against the blue and green accents give the composition warmth and brilliance.

About the Artist
Brilliant prismatic trees radiate in artist Naoko Tadotsu’s expressionist compositions. “I am always in awe of nature, color, and light,” says Naoko. These three facets establish her vibrant works in fluid strokes of vivid hues. Roots of her influence trace back to growing up in Osaka, where these elements were abundant. Naoko migrated to New York where she was immersed and fell in love with the world of art. What was once unexpressed inspiration inevitably translated onto the canvas. Her work often crosses into abstraction, capturing her feelings towards nature and painting it as its own entity. “The trees, like people, show different faces,” adds Naoko. In the same way, her pieces elicit different perspectives from every viewer. All Naoko needs is a portable easel...

Beyond words III - más allá de las palabras This painting from my "Beyond Words" series features fluid, abstract forms in shades of teal and beige. The soft, organic patterns...

Blue Striped Abstract Expressionist Composition in Acrylic on Paper Bright, saturated abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). This p...

In this painting, the artist portrays a young girl surrounded by wildflowers—symbols of untamed beauty and resilience. Wildflowers thrive without cultivation, growing freely wherev...

Artist Comments
Artist James Hartman draws inspiration from the experience of seeing sunlit colors and details appearing through the strong vertical tree pattern. He expresses the painting sections to appear like stained glass. James highlights small areas where collaged 100-year-old paper show through the surface, he does this in a non-disruptive way. James applies heat to fuse the oils into a mixture of beeswax and damar crystals to seal the work.

About the Artist
When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.

Words that describe this painting: expressionism, encaustic, beeswax, collage, antique ephemera...

Artist Comments
Artist Autumn Rose presents a luscious, pastel bouquet inspired by sunflowers and anemones. Rich layers of acrylic create a tactile surface, while bold black ...

Inspired by the season and the vibrant shift from greens to the landscape's rich golds, yellows, and oranges, I aim to capture what autumn represents to me as an artist. I absorb the...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Artist Comments
A thick green marshland shines from the bright reflections of the evening light in this expressionist landscape by artist George Peebles. Grasses fade away in...

Magic is a distraction, a face wandering in the shadows, waiting like a jellyfish, only dreaming of what remains after the sweet apocalypse. :: Painting :: Abstract Expressionis...

She beckons them to her. They dance like fish in water. Clouds of flame scatter. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authentic...

Artist Comments
"This painting looks like a place I saw in my dream," says artist Naoko Tadotsu. "It was a large forest, filled with bright warm light. Birds were singing mer...

Artist Comments
Sunset along the coast. Dark crimson clouds float over the glowing blue water. In the foreground, the landscape radiates with yellow and red. Benjamin explain...

Artist Comments
Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.

About the Artist
Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany” was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.”

Words that describe this painting: woods, forest, trees, nature, expressionism, nature, non-representational, oil painting, blue

Bare Trees...

Artist Comments
Evening in an italian town. The title "Passeggiata" refers to a leisurely stroll often taken after dinner where friends meet up on the street. Dramatic lighti...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Edition of 20 pieces

Edition of 20 pieces

Love lives here No.2 is 50cm H x 70cm W x 4cm deep. Unframed. In creating this piece, I aimed to evoke the deep, complex textures of emotions that make up our sense of 'home.' Uti...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Edition of 20 pieces

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Rus...

****This painting will be shipped ready to hang only to USA and Canada. Outside Continental North America it will be shipped rolled in a long sturdy box. If you do not live in North ...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

Oil paint on heavy paper. (this might possibly be acrylic paint) This does not appear to be signed. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

LEONARDO NIERMAN – UNTITLED TAPESTRY ⚜ Wool tapestry ⚜ Signed in the weaving lower right ⚜ Weaver: Gobelinos Riedl ⚜ Features original hanging loops ABSTRACT EXPRESSIONIST TAPESTRY ...

Woodcut printed in blue on tan wove paper, 1950. Signed by the artist and dated in pencil, lower center margin. Numbered 4/11 in pencil, lower left margin. Printed and published ...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

David Rankin American (b. 1946) Untitled (Black on gray) (1990) Gouache and charcoal on paper signed lower left 19 x 15 inches Rankin is a New York-based, British-born Australian p...

Evening mood , 60x60cm, oil on canvas

Red Valley

Edition of 20 pieces

Artist Comments
Artist Gail Ragains portrays two gestural figures clad in swimwear on a hot summer day. The piece pays homage to the Bay Area figurative movement yet retains ...

Artist Comments
Artist George Peebles depicts a fiery haze of a sunset across a wet marshland. Tall and wavy leaf-covered silhouettes of trees appear in the distance while gr...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Ashes of Light unfolds as a vibrant abstraction where glowing oranges, saffron yellows, and ember-like reds rise against soft blues and diffused creams. The composition feels like a ...

Lage horizontal abstract, expressive and energetic evoking feelings of intensity and questioning, on neutral muted tones of rust, Payne's gray, beige and white. This gorgeous paintin...

Edition of 20 pieces

Limited edition of 5 pieces

Black Elk Oil on Canvas 94 x 74" / 7 ft 10" x 6 ft 2" Signed at the back (Some of these images show his other large scale work in collections around the country) This is one of his...

Girona. Original unique ceramic piece. La Bisbal d'Empordà, capital of the Baix Empordà region, is a town with a long pottery and pottery tradition for centuries, as well as one of t...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Edition of 20 pieces

Edition of 20 pieces

Still life with oysters, 80х80cm, print on canvas Edition of 20 pieces

Edition of 20 pieces

Edition of 20 pieces

Edition of 20 pieces

Black music, 174x157 cm, oil on canvas

City flowers, 100x160 cm, acrylic on canvas

I want to fly , 80x90 cm, oil on canvas

The Expulsion of Danae, 148x200 cm, oil on canvas

Night music , 65x49cm, acrylic on paper

Night music , 65x49cm, acrylic on paper