Abstract Paintings

One of a kind acrylic canvas painting by Linda Coppola.

This is a perfect example of Christine Romanell's wall mounted abstract sculpture based on her interests in sacred geometry. It is a small size for the artist making it a piece that...

En La Madrugada (Abstract painting) Acrylic on canvas — Unframed This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and pr...

Vibrant Modernist Landscape Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 8 x 10.75 inches Suzanne Vattier (1901-1996) was a pupil of the ...

Contemporary Art, Abstract Painting Acrylic on canvas 160x160cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura...

Eva Sikorski (1917-1990) abstract portrait painting by listed German born California artist. Classic impressionistic style with muted colors. Oil on canvas. Excellent condition in li...

"Trot", 12x36 is an oil painting on canvas by the artist Brooke Major. Depicted in white is a line of trotting horses. The artist uses layers and layers of white oil paint to meticul...

Composition is an original contemporary artwork realized in the mid-20th Century by Mario Asnago. Mixed colored oil painting. Hand signed on the lower margin. Includes frame: 90x5...

Damien Hirst Spin Painting, 2009 (Damien Hirst Skull): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless,...

Oblique Seams on Blue is an artwork realized by the Italian contemporary artist Mario Bigetti in 2020. Mixed media: acrylic painting on yellow colored canvas, twine, and seams. Hand-signed and dated on the back. A minimal wood frame is included 53.5 x 3 x 53.5 cm Good conditions. This original painting is realized with a a vivid blue colored acrylic paint on canvas and presents two red cuts on its surface. The painting consists in only one homogeneous vivid color. The cuts are mended with twine, like stitches do for healing wounds. The artist was certainly inspired by the great Italian artist Lucio Fontana, whom created the concept of Spatialism and came up with the idea of space inside a flat surface like the one for painting. Mario Bigetti, a Roman contemporary...

Jill Opelka Abstract III Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2050 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Traces Mixed media on Canvas 50x40 cm 2017 Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Academy of Fine Arts in Bologna in 20...

This contemporary abstract painting in acrylic and ink on canvas investigates the properties of abstract curvilinear forms found in the localized conditions of her surrounding enviro...

"Aura pure" is a soft, pink, pastel abstract painting. An ethereal, light-filled, sublime expression. It has a palette of many colors, including rose, lime green, celestial blue, bri...

Sylvia Rutkoff (1919-2011) 26-1 "The Schoolgirl" c.1950s Oil paint, sand on Masonite 36x48 wood period frame Unsigned Collection acquired from family estate Sylvia Weinreb Rutkoff (...

Cubist Interior Scene Marcel Seignobos (1892-1972) signed oil on canvas, unframed Canvas : 18 x 22 inches Provenance: private collection, Cote d'Azur, France Condition: good conditio...

This small abstract painting captures the feeling of an open window with a gentle breeze softly blowing the light curtain. Its rich blues and greens add to the quiet and calm. Painte...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

„Indivisible“ by Saber, 2017 Mixed Media Print, Hand finished with Spray paint and Pencil Embellishments Each Print Is Unique Numbered (28/68) In Bottom Left Corner, Signed in Penci...

This painting features hues of yellow, orange and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

In a whirlwind of vibrant colors, "Embracing the Present" captures the very essence of the present moment. Against an orange background, shades of blue and violet intertwine, creatin...

Artist: Matt Carone, signed lower right Dated: 1995 Dimensions: 80.25"H x 56.25"L In a fine wooden black and gold gilded frame. Provenance: Freitas Revilla Gallery. Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Artist Commentary: "To tell you my inner thoughts on each piece, or even to voice my opinion on ‘why’ and ‘how’ my paintings came to be, is intruding on your own perceptions. What yo...

In this piece, I endeavored to blend acrylic, oil, and ink with relief printing techniques to capture the enchanting essence of a mystical forest. This painting is a journey into the...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Milly Ristvedt approaches colour in her work with sincere consideration and expertise, her palettes contain a subtle complexity that is striking. The background of this painting is b...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Nude The beauty of a naked body is simply incredible! When I paint a picture with a naked woman, I have the feeling that I am painting space, the universe. I never cease to admire th...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Califonia artist, Brandon Neher captivates with his abstract artworks that seamlessly blend German Expressionism and Abstraction. His original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspiration from his coastal upbringing in California, Neher's art reveals layered references to his surroundings, merging physical and subconscious energies to create captivating shapes and patterns. This abstract artwork measures 60 inches square, showcasing Neher's fascination with artificial naturalism. Using acrylic and oil pastel on canvas, the artist meticulously crafted a uniform grid of 900 squares, overlaid with 900 circles...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Taupe Leaves Oil on canvas. Contemporary artist Deborah Bigeleisen is celebrated for her exceptional ability to toggle between abstraction and representation creating a new genre of...

In this piece, I channeled the raw, vibrant clash of dawn and dusk. Employing acrylics allows the expression of freedom—each stroke and splash tells a story of conflict and harmony. ...

The Way Home is an original abstract painting by Janet Keith. The Way Home is an expressive, gestural painting evoking a feeling of movement, light and fresh air. The painting is bui...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful striped background with thick use of pai...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Signed lower right, "Mogens Valeur" (Danish, 1927-1999) and dated 1956. Mogens Valeur first studied with Peter Rostrup Boyesen and, later, attended the Copenhagen Art Academy. He su...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

48" x 72" Unframed Original Acrylic on Canvas Hand signed by Sylvester Stallone

Shipping costs on request Paul Kostabi Colorful Mixed Media Painting for Sale: This vibrant mixed-media artwork captures Paul Kostabi's signature style—bold, chaotic, and evocative....

Hunt Slonem "Violet Spring" Purple and Green Flower A single violet gestured in purple, yellow and green on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: ...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

This painting is from my series titled “Convergence.” This captivating series explores the concept of deconstruction through a unique interplay of lines and color. Rather than relyin...

Unidentified/Unknown Artist "Untitled (Autumnal Landscape in Ochre, Red, Green) , Abstract Landscape Oil on Canvas signed, 26.25 x 32.50, Mid 20th Century, 1957 Colors: Ochre, White...

Tetsuo Mizu (1944) Landscape Executed in 1987 Oil on canvas 80.3 x 100 cm (39 3/8 x 31 1/2 in) Dated and Signed “1987 MIZU” (lower left) Signed, dated, an...

Abstract Expression is an original oil painting on canvas, realized in 1994 by the Italian artist Giorgio Lo Fermo. Hand-signed and dated on the back. This is a beautiful example o...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. H...

The list of what goes into the making of these large and complex paintings includes everything from precious small-batch oil paints to common house paint, along with tar, acrylic pai...

Zvi Mairovich. (Poland, Israel 1911-1974) Large abstract harbor scene with boats. Vibrant colors. Oil on canvas. Hand signed lower right. Tel Aviv, Jaffa harbour. Canvas: 35.5 x 47....

White on white contemporary 24” original wall art inspired by nature.

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

"Fruit Bowl No. 1" is an abstact still-life Post War oil on canvas painting by Hans Hofmann in 1949. The artwork is 29 1/2 x 37 1/2 inches and with the frame is 38 1/8 x 46 1/8 x 3 1...