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Dan ChristensenBlue Splash1999
1999
About the Item
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction.
Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade.
Unlike many of his contemporaries who dedicated their practice to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and aesthetics.
During the 1980's and 1990's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists.
The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Blue Splash"). Bursts and flecks of transparent white hover alongside washes of denim blue with touches of magenta.
Over the course of Christensen's lengthy career, he had numerous solo exhibitions in both galleries and renowned institutions across America and beyond. His works can be found in museums including the Guggenheim, the Whitney, the Met, the MoMA, and the Albright-Knox Gallery, among many others.
- Creator:Dan Christensen (1942 - 2007, American)
- Creation Year:1999
- Dimensions:Height: 12.25 in (31.12 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Signed and dated by the artist in pencil.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 07-201stDibs: LU21526435812
Dan Christensen
Dan Christensen, (October 6, 1942 – January 20, 2007) was an American abstract painter He is best known for paintings that relate to Lyrical Abstraction, Color field painting and Abstract expressionism.Christensen was born in Cozad, Nebraska, and died in Easthampton, New York. His early work from 1965-1966 was related to Minimalism. A graduate of the Kansas City Art Institute, class of 1964, Dan Christensen moved to New York City from the Mid-West during the late summer of 1965. Christensen was represented by several influential galleries including the Andre Emmerich Gallery, the Salander/O'Reilly Gallery and various others throughout the United States and Europe. He has had more than seventy-five solo exhibitions and his work has been included in hundreds of group exhibitions. His paintings are in important museum collections throughout the United States and Europe.
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Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso)
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Measurements:
Image:
17" x 24"
Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
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