Land Abstract Paintings

Artist Commentary: A cold foreboding fantasy with a dark blood red sky... Keywords: Abstract, minimalist, blue, red, brown, purple, plant, flower, still-life Artist Biography: Robert Crooker was born in Massachusetts in 1951. A life long Red Sox fan, he saw the likes of Frank Malzone, Yaz, George Scott, Rico, Jim Lonborg all play in years gone by. He has been married for over 27 years with 4 children, and 2 grandchildren. In the Mid-1970’s, Robert started collecting Vintage Disney Collectibles...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Impasto Oil Painting of Oak Tree in Yellow Corn Field in the English Countryside by British Landscape Artist, Colin Halliday. This painting articulates the intensity of the colours a...

oil on canvas signature and title on verso Michael Marlowe is a studio artist, art director and production designer working in the film and television industry. Marlowe’s large-sca...

Vintage Impasto Oil Painting of River Mountain Scene in Wales by British Artist Charles Wyatt Warren (1908-1993) Art measures 21 x 9 inches Fram...

Winter Trees in the Yorkshire Dales Sunshine - Abstract Landscape Oil Painting by British Artist Art measures 24 x 18 (triptych of three 8 x 18 inch canvasses) Frame measures 26 x 22 inches Using blues, lilacs and whites, this is an abstracted interpretation of Winter Trees in the Yorkshire Dales - an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe...

Impasto Oil Painting of English Moorland Hillside by British Landscape Artist, Colin Halliday. This painting articulates the intensity of the clouds in Northern England, and the aest...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Abstract Landscape Oil Painting of Green Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe....

To Turn My Face Away - Atmospheric Monochromatic Black & White Abstract Landscape Painting. Mark Thompson is a seasoned professional painter with international...

Abstract Landscape Oil Painting of Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ...

Red and Yellow Abstract Landscape Oil Painting of the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ori...

The light of the setting sun bounces off the particles of smoke from a distant fire, creating a moment of mixed emotions, stirred by nature's power. I'm interested in phenomena that...