Vertical Paintings

This elegant late 19th-century French School portrait presents a sophisticated lady of high standing. The woman stands in a three-quarter pose, turned slightly with her head gently i...

Contemporary abstract painting in acrylic on linen with geometric shapes in black, blue, sage green, pale pink, and red against a luminous yellow background. The angles and soft grad...

This painting is filled with life, movement, and the sunny mood of a rural morning. At the center of the composition is a majestic white rooster with a fiery red comb, spreading his ...

Portrait by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors....

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Turquoise blue background with thick use of paint...

Portrait of a Young Lady French School, early 1800's period oil on canvas, unframed canvas: 26 x 21 inches Provenance: private collection, France Condition: some crazing and pronoun...

Signed Adolfo Perez Frame size 75x64 cm.

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Anna Klumpke A Path Through the Woods, circa 1890 Signed lower right Oil on canvas 36 1/4 x 24 1/2 inches Anna Klumpke was born in San Francisco but travelled to Europe in 1865 for...

The Young Model Paul Morro, German circa 1960’s Oil painting on canvas, unframed Canvas size: 27 x 23.5 inches Portrait of a young girl, signed by the impressionist artist. Unfra...

ANTONIO REVERTE OLIVA (Monteagua, Murcia, 1943 – Gavà, Barcelona, 2014). A self-taught artist, Antonio Reverte settled in Catalonia in 1961, in the Barcelona town of Viladecans. In ...

Title: Vintage Cavalier King Charles Spaniel Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to boar...

5-3509 Acrylic an artist board Set in a natural wood frame Image size 13.5x10.5"

A charming mid 19th century rural scene depicting a red-cloaked figure walking along a country path. The figure passes beneath a mature tree, its foliage turning a rich autumnal brow...

A Summer French Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), un...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Untitled Abstract Expressionist painting, 1957 Oil on canvas measuring 18 x 30 inches. Signed with monogram and dated lower right. Two repair patches on back on painting. Artist...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

A dreamy, lush, atmospheric abstract landscape with a flowing waterfall and poetic space. Won't you lay down with me? On the forest floor? Among the newly born green and mist from t...

This painting is done in an abstract style on canvas using various textures and geometric shapes. The composition features predominantly gray and lilac tones with touches of beige, c...

Portrait of a Noble Lady English School, circa 1820's-1930's period oil on canvas, unframed painting: 35 x 28 inches provenance: private collection, London condition: some old restor...

Vintage American modernist beach scene oil painting . Oil on board. Signed. Framed. Measuring: 21 by 25 inches overall, and 18 by 22 painting alone. Excellent condition, ready to h...

Jean Calogero (1922 - 2001) Italy United States oil on canvas titled clown et endangered 29 x 21 frame 38 x 29 Painting has paint loss And crackling . This was painted in 50’s 6...

This painting "Under the Maltese sun" , created by French artist Natalya Mougenot, is part of her Nature series. Completed in the summer of 2023, it reflects the artist’s desire to c...

Title: Blue Fish of Cities and Dreams - The Red House Large and strikingly beautiful abstract expressionistic artwork. This piece will create a beautiful focal point in any collec...

This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Figurative Art, Large Painting Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Contemporary Art Title:...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

Artwork sold with frame (76.5 x 100 x 5 cm)

Winter Sunrise oil/panel 8 x 6 unframed, 11.75 x 9.75 framed signed LL Winter Sunrise is a beautiful oil painting on canvas by award winning contemporary artist Michael Budden that s...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting St. Patrick's Cathedral in the snow. St. Patrick’s Cathedral is the largest Roman Cath...

"Be Bold" is a striking piece that demands attention from the moment one sets eyes on it. The central figure, a woman with flowing blue hair, exudes an air of confidence and resilience. The blue hue not only serves as an aesthetic choice but also carries deeper significance, representing the freedom to break societal norms and embrace personal identity without fear. The composition is masterfully crafted, with bold brushstrokes and intricate details that draw the viewer into the artwork. The woman's piercing gaze locks with the observer, inviting them to explore their own journey of self-discovery and empowerment. Each stroke of Theophilus's brush seems to radiate energy and passion, capturing the spirit of the subject and infusing the artwork with a powerful presence. "Be Bold" serves as a powerful symbol of embracing individuality and embracing one's true self. The woman with blue hair stands as a representation of those who dare to be different, challenging societal expectations and norms. The vibrant blue color symbolizes freedom, confidence, and the courage to break free from conformity. In a world that often pressures individuals to fit into predefined molds, Theophilus's artwork is a reminder of the beauty and strength found in embracing one's unique qualities. "Be Bold" calls on viewers to celebrate their differences, encouraging them to step out of their comfort zones and express their true selves without hesitation or fear of judgment. The power of "Be Bold" lies in its ability to evoke a strong emotional response in those who experience it. The artwork serves as a catalyst for introspection, urging viewers to reflect on their own lives and choices. The confident and defiant gaze of the woman with blue hair prompts individuals to question their own limitations and seek the courage to break free from them. By inspiring viewers to be bold, Theophilus encourages self-empowerment and personal growth. Through his art, he instills a sense of pride and confidence, reminding us that our uniqueness is a strength to be celebrated, not hidden away. The artwork's impact extends beyond the confines of the gallery walls, inspiring individuals to embrace their authentic selves and pursue their passions with unwavering determination. "Be Bold" by Adewuyi Theophilus...

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

* No US duty or taxes to pay on this item * A beautiful signed and dated 1953 French naïf oil on canvas depicting the River Seine at the Pont Neuf, by Louis Florquin. Excellent qua...

This superb British 18th century Old Master portrait oil painting is attributed to Thomas Hudson. Painted circa 1750 it is a three-quarter length standing portrait of a gentleman in ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Beautiful Ashcan School era cityscape painting. Seventh Avenue at Night, ca. 1920. Oil on canvas, 8.75 x 12 inches. On small patch repair on back. The piece is unsigned and unatt...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

shipped in roll A minimalist and deeply contemplative composition. In the vastness of a dark, fading sky, a solitary figure kneels in silent prayer. Clothed in white, the figure rad...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

Beautiful illustration art painting depicts a gentleman calling on a Southern belle. Oil on canvas measures 16 x 20 inches; 18 x 22 inches framed. Signed lower left.

Antique European impressionist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in period giltwood molding. Excellent cond...

Mid-Century still life of chrysanthemums in copper vase, oil on canvas signed R Colao bottom left. A wonderfully colourful and vibrant still life, beautifully...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

Work on canvas Molded frame Diensions with frame : 87 x 73.5 x 4.5 cm This captivating work depicts a female nude in a dynamic pose, combining softness and tension. Every curve of t...

1780's-1800 Fine English School Ink & Watercolor Armoured Cavalier Carrying Lady on Horseback Romantic Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

Minimalist Coastal Watercolors set of 6 watercolour painting on artist paper painting: 10 x 7.25 inches provenance: private collection, England co...

"Wild Mushrooms IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

This mid-17th-century Flemish oil painting depicts a gentleman wearing a black doublet together with a collar edged with lace. In his right hand, he clutches a pair of gloves. It's a...

Signed lower left, 'M. Streckenbach' for Max Theodore Streckenbach (German, 1863-1936) and painted circa 1900. Framed dimensions: 37 H x 3 D x 33.25 W inches Born in Eckernförde, Ge...

A wonderful composition of one of Slonem's most iconic subjects, Daffodil flowers. This piece depicts 3 gorgeous flowers in ascension placed in a wonderful intense pink colorful back...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

2024 I – 2 is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 112 × 53 cm (44.1 × 20.9 in). The...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...