Vertical Paintings

Beautiful Post-Impressionist landscape painted in Bloomsbury Group era period and style. Oil on canvas, 18 x 24 inches; 22 x 28 inches framed. Unsigned. Some areas of paint loss as...

This 1989 painting titled "Java Rice Birds" is a quintessential example of contemporary American artist Hunt Slonem's celebrated Neo-Expressionist avian series. The subject matter st...

This original mid-century oil painting depicts a majestic tall sailing ship cutting through calm waters at sunset, its full sails illuminated by warm hues of gold, crimson, and soft ...

A fine large signed and dated 1882 portrait of a gentleman with a cigar, by French artist Ernest Constant Simon. Superb quality depiction of the gentleman wearing a dark suit, crisp...

Artist: Olesia Miftahova Title: Sanctuary Series: Older than Memory Year: 2026 Medium: Acrylic on 100% cotton canvas Style: Contemporary Symbolism, Expressionism, Minimalism Subjec...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

oil stick, acrylic, charcoal on raw linen canvas

Acrylic on canvas Signed

Serge de Vries, Dutch artist Interior with secretary Desk 90 x 70 cm Oil on canvas A jug, a sugar bowl, a tea bag – these are objects that we hold carelessly every day, but Dutch f...

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Title: Provence Lavender Fields with Farmhouse and Distant Hills French Landscape Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 8.5 x 6.5 inches Condition: Good overall, with light natural edge wear consistent with age. Provenance: From the artist’s studio sale in France; all works by this artist in our collection originate from the artist’s estate. Description: This luminous watercolor and gouache landscape by Pierre Neveu captures the quintessential beauty of Provence, featuring sweeping lavender fields, warm ochre farm buildings, and rolling blue-green hills under a glowing southern sky. Neveu’s ability to express the colours, textures, and atmosphere of the French countryside is fully evident here, making this an ideal work for collectors seeking an evocative Post-Impressionist interpretation of Provence’s most iconic landscape. The foreground is dominated by the rich purple rows of blooming lavender, painted with loose, rhythmic brushstrokes that convey both movement and scent—those unmistakable fields that draw visitors from around the world each summer. A sunlit farmhouse complex sits beyond the lavender, its tiled roofs and stone walls glowing in warm yellows, browns, and soft creams. The mid-ground transitions into layered greens of vineyards, orchards, and cypresses, characteristic of the Luberon and Vaucluse regions. Above, the composition rises into deep blue and indigo mountain ranges, their tonal shifts suggesting atmospheric heat and great distance. Neveu’s use of gouache adds solidity to architectural details while maintaining the translucency and fluidity of watercolor in the sky and foliage. His sketchlike graphite lines remain visible beneath the paint, giving the work an immediacy reminiscent of plein-air studies done on location in rural Provence. Perfect for collectors of French landscapes, lavender field paintings...

* No US duty or taxes to pay on works of art * A very beautiful signed and dated 1875 oil on panel depicting a river landscape, by Belgian artist Vital de Gronckel. Excellent quali...

Portrait of an English Gentleman English School, circa 1830's period oil on canvas, unframed Canvas: 30 x 24.5 inches Provenance: Private collection, UK Condition: relined canvas, ov...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45 x 35 inches condition: the work is in overall very sound and good con...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Wate...

Portrait of a Young Woman French artist, mid 20th century signed oil on board, frames Framed: 29 x 23 inches Board : 22 x 15 inches Provenance: private collection, France Condition:...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

1960s Italian Signed Still Life With Flowers A beautiful and rare painting by one of Italy's most important avant-garde artists. It depicts a stunning vase of flowers with intense, ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

Circle of Jean-Baptiste Greuze (Tournus, 1725 – Paris, 1805) - Portrait of a Young Lady. 46 x 37.5 cm (without frame) - 51 x 44.5 cm (with frame). Oil on canvas, in carved and gild...

‘The Gate’, a masterpiece from 1955 painted on canvas by the Florentine artist Ottone Rosai (Florence 1895 – Ivrea 1957). Ottone Rosai Archive, curated by Dr Giovanni Faccenda Signed...

This profoundly religious oil on canvas by an unknown artist was painted in the second half of the 17th century. It draws inspiration from the renowned Italian master Guido Reni (157...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 10 x 8 inches condition: very good and ready to be ...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

Joan Cruspinera Red Abstract Oil Painting on Canvas, 1996. Oil on canvas. Signed and dated 1996. 61 × 50 cm (24 × 19.7 in.). Original oil on canvas by Catalan artist Joan Cruspinera...

Wesley Lea (1914-1981). Cubist Composition, ca. 1960. Oil on masonite panel, measuring 14.5 x 22 inches. Framed measurement: 19.5 x 27 inches. Signed lower left.

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

" Water lilies" Original Oil painting by Ukrainian artist Evgeny Chernyakovsky 65.0 X 80.0 CM / 25.5 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2026 Goo...

Untitled #537 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

Balance from the series The Daily The image of this woman can be perceived as a metaphor for everyday life. It reflects the balance we try to maintain each day — between what pressu...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

Meredith Walker’s "Desert Sunflower" is a luminous original painting that bridges abstract symbolism and folk art tradition through radiant color and bold composition. This unique ac...

Untitled 01, 2017 Mixed media: white oil painting, adhesive on canvas (Signed on reverse) 46.85 H x 39.37 W in. 119 H x 100 W cm Zsolt Berszán treats the first layer of the drawing ...

Holy Family with the Infant Saint John – Bolognese School, Second Half of the 16th Century Oil on wooden panel with two horizontal braces on the reverse Bolognese School, second hal...

This striking work explores African cultural identity as both personal and collective memory. Through the interplay of concealment and adornment, it presents the African body as a sa...

Black Essence' captures the unbreakable spirit of every woman who has long been the pillar of strength in their community. With a steadfast gaze, the subject embodies determination a...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

A fine copy after French painter Alexandre Gabriel Decamps (1803-1860), whose orientalist subjects were popular and widely copied in the nineteenth century. Here a solitary guard sta...

A warm and intimate genre scene depicting a young woman seated beside a hearth, absorbed in her knitting. She is dressed in traditional Dutch costume - a white lace cap, striped bodi...

ARTIST: Lucy Lockwood (1875-1961) English TITLE: "The Priory Garden" SIGNED: lower right MEDIUM: oil on canvas SIZE:110cm x 80cm inclusive of frame CONDITION: very good - a coupl...

In my world, colors aren't always reliable. I often struggle to tell where a deep blue ends and a purple begins, or where a red turns into wine, and deep yellows turn into oranges. I...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

'Hidden Portraits XVII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

"Blooming Silence” – Acrylic on Canvas by French Artist Natalya Mougenot Contemporary Floral Still Life (80 × 60 × 1.5 cm / 31.5" × 23.6" × 0.6") "Blooming Silence" captures a mome...

Unknown Italo-Flemish Artist (active circa 1600) Adoration of the Shepherds oil on copper unframed: 32 × 25.5 cm (12.6 × 10 in) framed: 43 × 37 cm (16.9 × 14.6 in) Provenance: Acq...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

'Looking out to Sea' The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on canvas, unframed Canvas: 10...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Sun Image, 1936, oil on canvas, signed lower right, 30 x 24 inches, presented in a newer frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry stu...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: Summer Field, Size: 28" x 56" x...

Barbara Keidel Park XVI Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) Signed and dated in pencil Additionally hand-signed, dated, tit...

Title: Freedom Flowers Painting Flowers Freedom Contemporary Modern Bold Original Nature Statement Joy Whilst creating Freedom Flowers, I connected to the gift of nature, the abund...

A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...

Modernist Portrait of St. Francis, Oil on Canvas, Signed Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe pa...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

This contemporary abstract acrylic painting was inspired by nature. Sandra Goldie’s artwork has been praised by one of Quebec’s leading abstract artists. Leopold Plotek described th...