Angela Fraleigh

Through the half-drowned stars

2015

Francesca Fuchs Desklamp, 2017 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Truth and Painting. In How to Tell the...

Jim Richard Art Stroll, 2017 Flashe on canvas 48 1/4 x 46 3/4 in (122.6 x 118.7 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his f...

Ceravolo's Large scale paintings have received international acclaim for more four decades. His art, came to popular attention when he was commissioned to create 5 large scale oil on canvas portraits for the lobby of The Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Frank Zappa, Neil Young and Hall and Oates. In addition to those, his paintings are in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. "Cleopatra 9" consists of 9 separate unique one of a kind canvases featuring women that have portrayed Cleopatra over the years in Film and on stage. From Theda Bara...

Ellen De Meutter Paint 2, 2007 Acrylic, ink and oil on canvas 31.5 x 23.6 in (80.0 x 59.9 cm) Provenance: Secrets & Lies show at her American gallery Roberts & Tilton, LA in 2007 Ellen De Meutter (1981) teaches painting at the Royal Academy of Fine Arts of Antwerp. In 2006-2007 she followed the HISK programme in Ghent, in 2013-2014 she did a residency at the Jan Van Eyck Academy in Maastricht. De Meutter is represented by Tim Van Laere Gallery since 2006. (they represent Tal R, Marcel Dzama, Tomasz Kowalski and Franz West) Her work has been shown in various exhibitions in Belgium, the United States, Italy, Spain, the Netherlands, Germany and Japan. In 2010 she had her first solo museum exhibition in Museum Dhondt-Dhaenens. Ellen De Meutter alters her viewer's reality by presenting a language in which she classifies the figures, shapes and colors from her personal world into a captivating utopia. Contrary to current trends in Flemish art, De Meutter is not simply relaying an anecdote; she composes unique imagery that allows her to experiment with the placement of the subject and unique treatments of her medium. De Meutter's repertoire of vivid, semi-neon colors contrast the muted grays blacks and grays on which they lay. These seemingly energetic colors are at once enhanced by the dark undertones of the canvas below, while simultaneously insinuating a concealed gravity of subject. Belgian art critic and curator, Luk Lambrecht remarks on De Meutter's painting: "she folds back 'her' world onto itself, into a solid mass of color from which, very slowly, vague contours emerge, which safeguard our expectations about looking at an image." De Meutter's scenes are reminiscent of schoolyard games, incorporating a series of text and symbols. By combing figurative imagery with basic abstraction, Ellen De Meutter creates wildly successful compositions that allude to her comprehensive understanding of contemporary painting. She was included in the show, Tomorrow is a long time: Ellen De Meutter, Gelitin, Kati Heck, Anton Henning, Friedrich Kunath...