Angela Fraleigh Art

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body sha...

"Fifties Grand Canyon" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

Brothers are not just people related by blood.... here is how I found my brother on the street leaving prints of impact on me... Keep the good brothers that will reflect in your lif...

ABOUT THE ARTWORK The artwork titled "Woman Nude - ANTIFRAGILE" presents a striking juxtaposition of serenity and chaos, a profound exploration of resilience and the human spirit. At...

Well executed basic nude. Likely early 20th century or late 19th.

Ps 233 La Fauve S'habille en leopard. (Tawny wears leopard) Portrait of a naked woman who is carrying a leopard. Structural analysis: Closeup portrait of a naked woman. The backgro...

acrylic & oil stick on canvas

original painting; acrylic and oil on high quality canvas stretcher. 70 x 90 cm 27.5 x 35.4''. Sides painted and ready to hang.

Leopard's mansion (technique mixte, 80x80cm) est une pièce unique de l'artiste Nathan Neven. Né en 1979. Vit et travaille en Irlande. Originaire de Thaïlande, Nathan Neven a grandi ...

Rebecca Jack "Fernanda" Oil & Acrylic on Canvas 24 x 24 in. 25.25 x 25.25 in. Framed __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative wo...

As William Shakespeare is reputed to have said, ‘The eyes are the windows to your soul.” In this classic portrait, Montreal born artist Mel Davis has captured dark eyes framed by dar...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...