ABS Figurative Paintings

G. Jeanson (active in Venice, 19th century) - View of the Venice lagoon with gondola and figures at sunset. 65.5 x 54.5 cm (without frame) - 76.5 x 62.5 cm (with frame). Oil on can...

In a world of disparity, loneliness strives With the words of diversity, brokenness camps Life companions are precious. Relatives and friends are rare. Keep my mind active with your ...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Kimberly Dow's "Push" is an original, handmade oil painting that depicts a portrait of a female model pushing against a beam as the wind whips her brown hair across her face.

Alfred Aberdam Abstract Expressionist OIl on board Hand signed lower right Provenance: bears label from Molton Gallery, London verso. The Molton Gallery, active in London during the early 1960s was notably managed by Annely Juda before she founded her own eponymous gallery. It was known for showcasing modern, international, and abstract artists. Key artists who had exhibitions at the Molton Gallery included Avinash Chandra, Denis Bowen, Emilio Pettoruti and Walter Nessler: Associated with the period and featured in contemporary London, 1940s-1980s. The gallery played a significant role in promoting artists within the London art scene of that era. Alfred Aberdam (1894–1963) painter and graphic artist was a painter of School of Paris, born in Lvov, capital of Galicia, Austro-Hungarian Empire. Born in Lviv, Krystonopol, East Galicia (now Chervonograd, Ukraine) and received a traditional Jewish education in a Heder while studying Hebrew with private teachers. In 1905–12 he lived in Lvov, where he finished high school. He decided to become an artist at the age of 14. At this time he came into contact with young Yiddish Judaic writers (Melech Ravitch, Abraham Moshe Fuks, and others) and with Zionist youth groups in Lvov. He attended their meetings and their lectures on Jewish Judaica artists. After graduating high school, he organized several conferences in his hometown on Italian and Flemish masters and on the first Jewish painters, including Josef Israels (1824-1911). In 1911 he started to study art at the Munich Royal Academy of Fine Arts, Akademie der Bildenden Künste München. Lemberg/Lwów (today Lviv), studies under Gabriel von Hackl (1843-1926). During World War I he was imprisoned by the Russians and stayed in the camp for prisoners of war in Siberia where he became acquainted with David Burliuk and other Russian futurists. In 1917, Aberdam was appointed People’s Commissar of the Department of Fine Arts by the local soviet, which assigned him the task of reorganizing artistic teaching. A year later, in Moscow, he befriended the poet Vladimir Mayakovski. In 1921 in Poland, he began his studies at Kraków's Academy of Fine Arts under Professor Teodora Axentowicz, then lived in Paris. There he participated in numerous exhibitions, and in a Poland exhibition in the Gallery of Modern Art Editions in 1929. In the latter he organized the exhibition in 1931. In 1932 he exhibited in Warsaw and Lviv. From 1933 he belonged to a group of visual artists known as "Nowocześni". In 1923, while he was staying in Berlin, he met Menkes and Weingart in sculptor Alexander Archipenko’s studio. In 1924, he settled in Paris in the Montparnasse area. In the end of 1925, Jan Sliwinski held an exhibition in his gallery Au Sacre du Printemps, at 5 rue du Cherche-Midi, Paris. His work was exhibited alongside paintings by his Galician friends Leon Weissberg, Sigmund Menkes and Joachim Weingart. The Group of Four was born. In 1935 he took part in the exhibition of Polish artists in the Paris Galerie des Beaux-Arts. He maintained connections with Poland, showed his works in Polish exhibitions, and was a member of the Plastycy Nowocześni ("Contemporary Plastic Artists") group. In 1944, he participated in the creation of the Jewish Artists Society in Paris, whose president was sculptor Léon...

Here comes our pride The bond of peace we formed And thorn of splits we healed from I see your thoughts We feel our pains As we share the joy We are united beyond barriers Despite ...

Juan Arana "Elbows Up" oil and acrylic on wood 12" x 12" 2017

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

Scott Harbison grew up in northern New Jersey, and had an early fascination with cartoons. Somewhat introverted, he seemed to daydream his way through ...

Julio de Diego (Spain/US, 1900-1979) “Misericordia” – (Compassion for others) 36 x 48”, 44 x 56 ½” framed, oil on canvas Signed and titled, verso Synopsis of the Painting: The...

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.