Powder Coating Figurative Paintings

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

This whimsical painting "First Note" bursts with playful imagination, featuring elegant egrets adorned with crowns, feathers, and musical instruments drifting through a dreamlike gar...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in London’s West End...

Abstract and figurative interpretation of a classic theme. Originally inspired by the Odalisque.

Title: Good Company - Amicus Maximalism Colorful Authentic Original Contemporary Intense Striking Love Friendship One-of-a-kind Amīcus - The Latin word meaning to befriend. To be ...

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

“Gato Preto” (2025) Charcoal and Acrylic on Canvas 100 x 80 cm / 39.3 x 31.5 in Original work by Ritchelly Oliveira (Brazil, b. 1993) “Gato Preto” is a captivating and deeply symbol...

“Recomeço” (2024) is a charcoal and acrylic on canvas painting by Ritchelly Oliveira, measuring 190 x 150 cm (74.8 x 59 in). A poised, grayscale figure appears at the center with arm...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in making and viewing art. Artist Statement: Though we don’t generally think about it, thirteenth-century religious art actually reflects medieval European perceptions of events that occurred in the ancient Middle East. In the Divine Beauty project I filter sacred iconography through the secular lens of today’s societal perceptions by placing found commercial fashion imagery (from magazines and other sources) in the context of painted religious narratives, producing a clash of ideas that throw both sources into question. Like many Western New Yorkers, I was raised Catholic. I attended a Catholic elementary school, went to church every day. While the indoctrination didn’t last beyond childhood, it did instill a lifelong affinity for the visual traditions of sacred art. But, as the recent economic meltdown has made apparent, conspicuous global consumption has replaced western religion today as the favored path to personal fulfillment. Fashion models serve as the new icons...