Screen Figurative Paintings

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Overall 21 X 27 image is 17.25 X 23.5 This is a mixed media print on canvas by beloved comedian and artist Jonathan Winters. This one depicts old biplane airplanes and parachutes ...

Shepard Fairey Jasper Johns Red, 2010 Silkscreen and mixed media collage on wood. Hand signed twice - on both the front and the back 23 3/4 × 17 1/2 inches Frame included Edition HPM...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Geisha Girl by HUSH 1-colour Screen Print on Wheat Paste Paper on Wood 70 x 100 cm Open Edition HUSH is a British mixed media artist who trained as a graphic designer at the Newc...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Unique hand painted with acrylic paint color screen print on 300 gsm somerset paper. Paint adds around 5mm of height to the print. Hand signed and dated lower right corner by Shane Turner...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

Original and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed dimensions 48 x 62 inches, 2011, from the series "Guns". Hand sig...

"Sunday Service, a lovely mid-century figurative village street scene by Frank Serratoni (American, 1908-1970), c. 1940s. A family is shown strolling through the tree-lined street of a quaint village towards a red church...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

In this mixed media 24"x24" painting, 'Meme Money 007: Green Goochi,' by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob, as a green 'Goochi Sponge,' takes center stage with a green letter pattern on the canvas background. The work is a screen print with additional painting and iridescent oil stick by the artist with predominant colors of green and gold. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

In this mixed media 24"x24" painting by XVALA, 'Meme Money 000: Goochi Sponge,' the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob as a Goochi sponge takes center stage with orange glasses glasses in a palette of purple, green, and red on a fuschia pink background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Space to breath is a unique contemporary modern wall object by British artist Kate Brett. This one of a kind object consists of 144 handmade unglazed porcelain elements mounted in a...

Clouds Behind Clouds II by Simon Tozer [2021] This is one of an ongoing series of seascapes and sky images that have clouds as their main focus. Clouds are ethereal forms, and along...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Behind Every Strong Woman… by Amy Gardner [2020] limited_edition Screen Print Edition number 40 Image size: H:118.9 cm x W:84.1 cm Sold Unframed Please n...

Chuck Sperry Sappho Panel Edition out of 30 7 color screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

This 61" x 44" mixed media painting by the artist XVALA is from his series 'Pandemic Collection: 6.' The painting was created with iridescent oil stick and spray paint on a screen print of a Star Wars poster. The abstracted "Basquiat-inspired" work depicts a silver robot with red eyes and large white teeth on a purple and blue background with the text 'cyber punk' in red at the bottom of the painting. 2020 twisted human reality in a number of ways no one could ever have predicted. XVALA pays tribute to this by melding the original Star Wars movie poster with the unexpected weirdness of the 21st Century. By combining a classic sci-fi villain with a modern symbol of literal Cyberpunk, XVALA shows the COVID-19 virus aimed straight toward the earth with a mission to destroy it. Exhibited during the Pandemic Paintings exhibition at the Meme Ranch August 7th, 2020. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His' Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the 'New World Order' collection as part of a pyramidal, 3D printed, living ant farm...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Original Steve Kaufman Art Studio Certif...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size 47 x 47 inches. Canvas is not stretched. Artwork is in excellent condition...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Hand embellished with oil paint on silkscreen canvas. Hand signed and numbered by the artist on verso. PP edition of 50. Canvas is not stretched. Artwork is in excellent conditio...

Rhythm Graf Glimmer 1 (2009) by Hush Hand Finished (Spray paint, Acrylic, Tea) 5-color screen print on 300gsm somerset velvet paper Limited edition of 25 Numbered (11/25) and hand-s...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Bright and viv...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Original Steve Kaufman Art Studio Certif...

Embossed screenprint on paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Otto de Souza Aguiar (Brazilian 1938–2006), the son of a highly respected Brazilian general, graduated with honors and was awarded a Master's Degree in Graphic Art and Drawing from the University of Fine Arts in Rio de Janeiro, Brazil. After teaching drawing and design to aspiring architects, Otto began the extensive travels through Europe that were his induction into the world of High Fashion and Interior Design. As one of Brazil's top models, his engagements took him to Milan, Paris, and London. There, with his assignments in Harper's Bazaar Italia and others of the world's most prestigious publications, Aguiar developed an inspired aesthetic perception, which manifests itself boldly in his dramatic blending of sumptuous color, texture and gilding. Uncompromising in his thirst for creativity, Otto has combined his vast fashion and theatrical background with his diversified experience in the Visual Arts. Thus, his work has been characterized by the portrayal of elegance and grace. His inner tranquility manifests in his paintings as he recaptures the lush topical beauty of the Brazilian beaches...

Chuck Sperry Mystai Blue Edition out of 30 screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Original artwork by Russell Young. Acrylic paint screen print on somerset paper 44 1/2 x 35 inches Framed 45.5 Inches x 36,5 Inches white wooden frame with glass, custom made as seen...

Original and unique work by Russell Young. Enamel and diamond dust screen print on linen, Black + White, unframed dimensions 62 x 48 inches, 2011, from the series "Diamond Dust". Da...

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

Original double sided mixed media painting on wood. Hand signed on verso by FAKE. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers wi...

Original and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed dimensions 38 x 30 inches, 2010, from the series "Dirty pretty th...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

This large scale 66" x 94" mixed media painting by XVALA is from his "Pandemic Collection: Series #9." The background is painted an iridescent gold with three alien "Rona Bots" weari...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

From the Pandemic Collection: Series #5 "During the COVID-19 pandemic, the Supreme Leader of North Korea, Kim Jong Un, suddenly disappeared from public vie...

Original and unique artwork by Russell Young. Screenprint on canvas, unframed dimensions 40 x 57 inches, 2007, from the series "Fame + Shame". Black and white, hand signed by the art...

'I'll Be Back,' by XVALA is a mixed media painting and colorful screen print with iridescent oil stick painting featuring the theme of the 'New World Order.' It was produced in 2015/16. The phrase 'I'll Be Back' is printed on the top and bottom margins of the work with the words 'New World Order' on the top margin. Three heads are stacked in the center of the canvas with the 'all seeing eye' on the top of the head. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Original and unique artwork. Hand painted metallic leaf pigment paint and enamel screen print on linen, unframed dimensions 48 x 37,5 inches, 2015, from the series "Marilyn Superstar...

Orignal and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed 62 x 48 inches, from the series "Diamond Dust". Dark colors, hand...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Mirrored glass and silkscreened plexiglass wall sculpture. Incised artist signature and edition on verso. From the EA edition of 20 (there is also the main edition of 99). Artwork...

BARUCH, color screenprint, signed in pencil, numbered 5/175, sheet 25 ¾ x 21 ½”. Maris Bishofs was born in 1939 in Rujiena, Latvia. In 1965 he became the first artist to graduate fr...

This large scale 113" x 55" mixed media painting by XVALA was created during the pandemic and features floating green robots on a silver canvas with multi-color dollar signs throughout. The COVID-19 pandemic has had a devastating effect on the global economy. The Rona Bots have canceled the economy, but it's not only our money that has been affected. XVALA appropriated this specific dollar symbol from Andy Warhol to remind us that the pandemic has also ripped through the fabric of pop culture in 2020. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...