Screen Figurative Paintings

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

This large scale 66" x 94" mixed media painting by XVALA is from his "Pandemic Collection: Series #9." The background is painted an iridescent gold with three alien "Rona Bots" weari...

From the Pandemic Collection: Series #5 "During the COVID-19 pandemic, the Supreme Leader of North Korea, Kim Jong Un, suddenly disappeared from public vie...

This large scale 113" x 55" mixed media painting by XVALA was created during the pandemic and features floating green robots on a silver canvas with multi-color dollar signs throughout. The COVID-19 pandemic has had a devastating effect on the global economy. The Rona Bots have canceled the economy, but it's not only our money that has been affected. XVALA appropriated this specific dollar symbol from Andy Warhol to remind us that the pandemic has also ripped through the fabric of pop culture in 2020. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

In this mixed media 24"x24" painting, 'Meme Money 002: Goochi Sponge,' by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. Spongebob, a 'Goochi Sponge' takes center stage with red dollar sign glasses in a palette of green, red, and gold on a lime green background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Ticket office is a unique contemporary modern wall object by British artist Kate Brett. This one of a kind object consists of 144 handmade unglazed porc...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Red and dark c...

Summer I. 1972, cardboard, mixed media, silk screen printing, 80x100 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in L...

Original and unique artwork by Russell Young. Acrylic paint screen print on canvas, unframed dimensions 60 x 45 inches, 2006, from the series "White rabbit". Dark and vivid colors, h...

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

Chuck Sperry Mystai Blue Edition out of 30 screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Chuck Sperry Flora Panel Edition out of 30 7 color screen print on white oak panel 20 x 33 inches Signed and numbered by the artist

"DRAWING INVENTORY (Jamón y Gasolina)", 2019, painting in acrylic, charcoal, watercolor, collage, silkscreen enamel on cotton rag paper by artist Andrew Cornell Robinson...

Ten Bridges is a traditional serigraph on canvas, 30 x 40" and 40 x 50" framed. Signed ‘Kondakova’ lower right and numbered 62/295 in the left corner (there were also 25 APs,and 5 HC...

Chuck Sperry Sappho Panel Edition out of 30 7 color screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Flying High by Amy Gardner [2020] limited_edition Screen Print, Lino Print Edition number 35 Image size: H:45 cm x W:45 cm Sold Unframed Please note that ...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Original Steve Kaufman Art Studio Certif...

Unique hand painted silkscreen on canvas. Hand signed by the artist by Steve Kaufman. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size 47 x 47 inches. Canvas is not stretched. Artwork is in excellent condition...

ALISTAIR MACK (1955-) Scottish painter and print maker. He trained at Edinburgh College of Art after working as a lab technician for 12 years and his artistic work is often inspired ...

This large, mixed media work by artist XVALA depicts the infamous actor Tom Cruise. The background features primarily painted gold and white tones with a variety of images of Tom Cruise enhanced by the artist with oil stick. The painting is layered with images of the actor and masks created by the artist. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

As if COVID-19 were not enough, 2020 also brought the explosion of the Karens, a modern day militia motivated by mundane things. They wanted to speak to your manager, they would have...

France-Lise McGurn (British, b. 1983) In Pub-Lik, 2021 Medium: Painting on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (with same silkscreen base): Hand-signed,...

A rare serigraph by world-renowned Giancarlo Impiglia. This is an opportunity not to be missed. Born in Rome, Impiglia moved to New York in the 70s, where he established a signatur...

France-Lise McGurn (British, b. 1983) In Pub-Lik 5, 2021 Medium: Paint on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (with same silkscreen base): Hand-signed, ...

Original - one of a kind hand pulled screen print, hand painted and torn painted paper on 2 inch cradled gesso board. Artwork is in excellent condition. Certificate of authenticity...

Born in Central Jersey, Alysha Grace Marko is an NYC-based painter and the owner of AMRM Gallery. Growing up, Alysha was always involved in art: singing, dancing, and theatre. Moving...

Unique hand embellished with acrylic paint and marker on serigraph. Hand signed and dated by Ronnie Cutrone. Custom framed as pictured. Black color. Frame to fit style. Artwo...

Fishermen is a very common theme in Filcer's paintings. He was fascinated by both the ocean and the fishermen around the world.

Hand embellished with oil paint on silkscreen canvas. Hand signed on front by Steve Kaufman and numbered on verso. From the edition of 500. Canvas is stretched. Artwork is in exc...

Doring incorporates archival imagery to create painted and silkscreen canvas works that take the viewer back to a by gone era of iconic film stars. T...

Original silkscreen with acrylic painting on canvas. Hand signed on front; signed. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Hand signed, numbered, and dated by the artist. Hand embellished. Limited edition of 150. Each embellished print is unique. Artwork is in excellent condition. Certificate of authenti...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All...

Daniel Maltzman’s "California Dream 80’s" channels the vibrant allure of 1980s California with a bold and stylish composition. Featuring a glamorous woman with hot pink lips, a color...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen. Rose. Unframed dimensions 62 x 48 inches, 2025, from the ser...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 28 x 21 inches, 2024, from the series "D...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed 28 x 21 inches, 2024, from the series "Dreamland". D...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 28 x 21 inches, 2024, from the series "Dr...

Original and unique artwork by Russell Young. Four color acrylic paint, diamond dust hand pulled screen print on linen, unframed dimensions 62 x 45 inches, 2024, from the series "Dre...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 62 x 43 inches, 2023, from the series "Dr...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 36 x 28 inches, 2023, from the series "Fa...

Original and unique artwork by Russell Young. Acrylic paint, hand pulled four color screen print on archival material, unframed dimensions 56 x 40 inches, 2023, from the series "Flow...

Original and unique artwork by Russell Young. Acrylic paint, hand pulled four color screen print on archival material, unframed dimensions 56 x 39 inches, 2023, from the series "Flo...

Daniel Maltzman’s "Breaking Through" masterfully blends portraiture and abstraction to create a vivid, dynamic composition. The close-up portrait of a wo...

"Blonde Glitch Girl" by Daniel Maltzman is a captivating blend of classic beauty and contemporary innovation. The artwork captures a cropped image of a blonde model with striking red...

Daniel Maltzman's "Beauty in the Sky" is a mesmerizing exploration of form, color, and abstraction. At its heart is a hummingbird, its delicate outline defined by Maltzman’s iconic f...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...