Tempera Figurative Paintings

This 19.7" x 27.6" framed tempera, acrylic, and oil pastel work on paper by Tbilisi, Georgia-based multidisciplinary artist Erekle Chinchilakashvili depicts two distinct profiles of ...

Italian Illustrator Gianni Benvenuti depicts a Pushkin's Fairy Tales Princess in a winter landscape of stylized trees with exaggerated curves and twisting branches. The princess is d...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

This 19.7" x 27.6" acrylic paint and oil pastel work on paper by Tbilisi, Georgia-based artist Erekle Chinchilaskashvili features an aged figure, eyes covered by the rain jacket they...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

Original fresco tempura painting. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Woman in Surreal Landscape Illustration Published: Woman's Home Companion December 1939, "How to Pray" By Ralph Sadler Meadowcroft Work is Unframed

This work celebrates the customs and folklore of Indigenous People / Eskimo native life. Illustrator Gianni Benvenuti shows a partially clothed Eskimo man lying on his back in a tran...

Medium: Tempera on Board Illustration of a baseball player's dusty crash to a field base as seen out of the corner of a television set.

This is egg-oil on Birch panel. A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking de...

About Barnaby Fitzgerald’s work, the scholar Frederick Turner writes, “Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do ...

Signed Lower Left

Signature: Signed Lower Left Medical Times, vol. 89, no. 5, May 1961, pp. 7a, 192a, cover illustration. According to the Medical Times, where the present work was featured on the c...

The Borodino repulse took place on August 26 (September 7), 1812 in the village of Borodino, 125 km west of Moscow. This dramatic artwork vividly conveys the tension of the Battle of...

A gorgeous tempura painting of figures carrying goods and taking a break in a Haitian village by Frantz (Freddie) Lamothe (Haitian, b.1961). Signed "F. L...

"Riggs openly identified as gay to his friends in the Philadelphia art community, but did not disclose his orientation to his employers." - Woodmere Art Museum Tempera mixed with gum arabic and alcohol on Renaissance Panel "Robert Riggs was awarded the Gold Medal for Excellence by the New York Art Directors Club for ten consecutive years and received many additional awards." He was elected to the Society of Illustrators' Hall of Fame. His work is in the permanent collections of the Metropolitan Museum of Art in New York, the Philadelphia Museum of Fine Arts and the U.S. Library of Congress. Riggs's compositons are "monumental" Walt Reed Riggs was a Gay Artist...

Tempera mixed with gum arabic and alcohol on Renaissance Panel There is from frame burn and scattered surface abrasions but they are minor. Additionally, there are a 3 or 4 very fine hair line scratches not visible unless you look very closely. The work is varnished and has a reflective quality to it that makes it hard to photograph. In person the viewing experience is much better. You can see more detail in the shadow areas. The colors are rich, deep and saturated. Riggs was very particular in researching the tribal costumes...

Tempera mixed with gum arabic and alcohol on Renaissance Panel ( composite wood panel ) Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways. Throughout Riggs' oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style. In “Prospector firing Rifle,” there is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the moment of its peak climax. Meanwhile, the two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker, and nothing in any of Riggs’s compositions was haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...

"Robert Riggs was awarded the Gold Medal for Excellence by the New York Art Directors Club for ten consecutive years and received many additional awards." He was elected to the Society of Illustrators' Hall of Fame. His work is in the permanent collections of the Metropolitan Museum of Art in New York, the Philadelphia Museum of Fine Arts and the U.S. Library of Congress. Riggs's compositons are "monumental" Walt Reed - work is unframed. - Riggs was a Gay Artist.

Medium: Gouache and Tempera on Board Dimensions: 16.00" x 16.00" Signature: Signed Lower Right

Fred Wessel's "Giana (Fibonacci Revisted)" is a stunning egg tempera painting on gold leaf. Created in 2019, this piece depicts a young woman, looking inquisitively over her shoulder...

Artwork measures 48" x 30" and framed 56 ¼" x 38 ¼" x 3" Provenance: John Heller Gallery, NYC, circa 1975 (label verso) The artist's daughter Corbino Galleries, Sarasota, FL (1990)...

Wonderful abstract expressionist figurative of a pilot and his plane attributed to Jean Kellogg (American, 1910 - 1995), circa 1970. Unsigned. (Purchased ...

Andre QUELLIER ( 1925 - 2010 ) " La Nativité " Signé . Peintre français né à PARIS , élève de jean DUPAS . Médaille d'Or des Artistes Français ( 1966) Prix de la Casa Velasquez ( 1...

John Hanlen (1922-2003). Beach Snack Shack, ca. 1950. Tempera on paper, sheet measures 18 x 23 inches. Measurement with matting: 26 x 31 inches. The piece is unframed. There is ...

Lalu Prasad Shaw - Bibi Tempera on Board, 28 × 22 inches, 2019 (Framed & Delivered) In Bibi, Lalu Prasad Shaw presents a graceful woman in a quiet, intimate domestic setting. Dresse...

Lalu Prasad Shaw - Babu Bibi Tempera on Board, 28 × 22 inches, 2017 This charming work by Lalu Prasad Shaw captures a quiet, intimate moment between a man and a woman, rendered in t...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

The cabbage that sheltered the golden lion is a picture drawn in folk style. A beautiful lion and a magical angel will help in life situations.

A.P. Ermolovs counterattack on the Raevsky Battery (Kurgan Height) became a turning point in the Battle of Borodino. Seeing the key position captured by the French around 11:00, Ermo...

This is one of the sketches in a series that the artist dedicated to the Patriotic War of 1812. This artwork vividly captures a historical battle scene, vividly portraying cavalry so...

John Hanlen (1922-2003). Spice Market, Marrakesh, Morocco, ca. 1950. Tempera on paper, sheet measures 18.5 x 23 inches. Measurement with matting: 26 x 32 inches. The piece is unfr...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

“Water is soft and supple, but also hard and inflexible.It flows or is still. It is silent and loud; it possesses every nature. Pure and clear, muddy and blind, wet and dry, salty an...

Oil and tempera on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Includes a wooden frame realized by the Artist cm. 58.5x48.5.

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Ma...

A milk truck is seen caressed in the golden light of early morning as a woman bends down to feed her cat. The artist depicts a precious moment: an older woman reaching down to pick u...

'Robe 2' 2005, Acrylic and Egg Tempura on Canvas and Cotton Canvas, 210 x 160 cm The leading theme of the artist’s interventions is the staging of temporality, transience, and chang...

Mimosas is an original contemporary artwork realized by Gina Ceccagnoli in 1996. Acrylic Tempera on Canvas. Hand signed and dated on the lower left...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall pa...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

PIOTR FĄFROWICZ (born in 1958). He studied art history at the Catholic University of Lublin. He deals with painting and graphic design. Winner of numerous awards for illustrations, i...

Blending Japanese ukiyo-e influences with contemporary figurative abstraction, Shunga I by Greek artist Konstantinos Papamichalopoulos is a visually arresting work that explores inti...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1968. Hand signed and dated. It represents a seascape in Falconara Marittima. A wooden frame realized by the Artist in...

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

This gouache, tempera and watercolour painting on paper laid on canvas is signed and dated by the artist "HMP’31" [Hermann Max Pechstein 1932] in the lower right image. It was painte...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

The painting is a delicate Chinese export artwork rendered on rice paper, showcasing the refined detail and stylistic elegance characteristic of 18th to 19th-century export art made ...

"Kasos 5" is a large scale oil and casein on linen painting by Hamptons-artist, Darius Yektai. A pulled back to a wide, almost surrealist view of the Greek island. A lone figure stan...

Costume is an original painting artwork in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos Very good conditions. The artwork is a b...

LOOK FOR FREE SHIPPING AT CHECKOUT Rock Me is a 14 x 20 figurative oil painting by E. Melinda Morrison. It was painted in 2019. Rock Me shows the movement of the water rocking the ...

An original egg tempera and gold leaf on board by American female conceptual contemporary artist Rosemary Lyons. What makes an artist a failure? While strolling through the Metropolitan I was viewing the wing piece of a more extensive altar and observed words etched into the golden grounds. This had a profound resonance with me because of my fascination and utilization of words in all of my work. Next I visited the Cloisters and stood transfixed in front of Robert Campion’s “Annunciation” Of particular interest was the lovely white lily that indicates Mary’s purity. On this same sojourn I witnessed the line out the door and around the block of people waiting to get into a contemporary artist’s retrospective. Is that success? My response began with one painting of lilies...

Aditya Basak - Untitled - 36 x 30 inches (unframed size) Acrylic & Tempera on Canvas ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

Fred Wessel's "Sienese Icon (Tropical Trinity)" is an egg tempera painting with gold leaf, cultured pearls and tiger eye gems on a panel. This piece measures 28 x 28 inches and is re...

Mother Elizabeth, c. 1930 - 40s, tempera on Masonite, signed and titled upper left, 22 5/8 x 16 inches, artist's name inscribed verso of original frame Ernest W. Scanes was a Mich...