Surrealist Figurative Paintings

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: A Dream Within a Dream Medium: Original Oil on Linen Dimensions: 48" x 36" x 1" inch, ( 122 x 91 x 3 cm) Year: 2026 ...

Sometimes, fear and a sense of security, tension and calm, the desire to hide and the desire to stay in the open all exist within me at the same time. They aren’t necessarily contrad...

Details: Title: Surrealist Collection Medium: Acrylic Painting on Watercolor Paper Size: 100x 70 cm (40x 28 inches). Year: 2026 Artist: Alberto de Blobs Artist's signature: Right co...

Surreal Abstract Mineral Landscape with Cadaqués Rock Forms Artist: Antoni Pitxot i Soler Medium: Oil on canvas Dimensions: 41 × 33 cm / 16.1 × 13 in Signature: Signed lower right D...

Spanish Surrealist Oil Painting with Cosmic Egg and Mythological Figures Francesc Vilaplana Spanish / Catalan, born 1945 Oil on canvas Dated 1974 92 × 73 cm / 36.2 × 28.7 in Unframe...

Surrealist Mineral Still Life with Dalinian Organic Forms and Textured Surface Artist: Antoni Pitxot Soler (Figueres, 1934 – Barcelona, 2015) Title: Surrealist Mineral Still Life wi...

Artist: Tigran Hovumyan Figurative Surrealist Oil Painter Title: Between Dreams and Reality Medium: Original Oil on Linen Dimensions: 40" x 40" x 1" inch, ( 100 x 100 x 3 cm) Year: ...

Rune Andersson (1936– ) Sweden Händerna (The Hands), 1968 signed and dated a tergo oil on panel and relief framed approximately 66 × 57 cm (26 × 22.4 in) Provenance: Private colle...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2018 Style: Figurative Surrealism, ...

Artist Comments
Two astronauts sit across from each other, the table between them barely separating their bodies as they lean in close. It was a first date, and they had a wond...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Akanji Bolaji (b...

"I am interested in the movement that arises from our interaction with the world around us: how we change under the influence of encounters and circumstances, seek direction, and lea...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Dalí Circle Surrealist Mineral Landscape, Spanish Catalan Oil Painting Artist: Antoni Pitxot Soler / Antoni Pichot Soler (Figueres, 1934 – 2015) Title: Surrealist Mineral Landscape Date: 1985 Medium: Oil on canvas Dimensions: 50 × 61 cm / 19.7 × 24 in Framing: Unframed Signature: Signed and dated lower right Condition: Very good overall condition. Stable canvas and paint layer. Rich surface texture, visible impasto and original brushwork. Description Powerful surrealist oil painting by Antoni Pitxot Soler, one of the most important Catalan artists connected to Salvador Dalí’s inner circle and a key figure in the visual universe of Cadaqués and Figueres. Painted in 1985, this work belongs to Pitxot’s mature period and presents one of his most recognizable subjects: a dreamlike mineral landscape built from stones, fragments, shells, fossil-like forms and metamorphic shapes. The composition seems suspended between landscape, archaeology and hallucination, where inert matter becomes almost alive. The painting is especially strong visually. The lower section is constructed through a dense accumulation of sculptural forms, painted with thick, expressive brushwork and a refined chromatic range of blues, ochres, pinks, whites, greys and earthy tones. Above them, a floating organic form...

Annieo Klaas In Spite of it All 2024 Oil on Canvas 84 x 48 inches (213.36 x 121.92 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang Annieo ...

Believe is a moving meditation on hope, self-worth, and the courage to look past our limits. Standing on a bed of clouds, the figure wears an oversized blue coat and giant red boots,...

In this oil painting, I've blended abstract, figurative, and surreal elements to capture the fluid motion and raw emotion of an intimate dance. The intertwining forms, awash in shade...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'S...

A Unique, Visually Striking, Surrealist Mid-Century Modern Abstract Beach Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an abstracted female bathers stan...

36 x 48 inches Unframed Signed, bottom right. In this captivating narrative composition, American painter Doug Whitfield crafts a whimsical, surreal, and dramatic story that feels l...

Breathe (2025) is a contemporary figurative painting by Brazilian artist Ritchelly Oliveira, executed in charcoal and acrylic on canvas. The monochromatic composition depicts a human...

This surrealist painting by Toni Hamel features a Group of Seven piece and focuses on the theme of climate change. In this imaginative painting, Toni Hamel sends a powerful message ...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Mary Spain (American, 1934-1983) The Happy Couple Oil on canvas Signed middle right, signed and titled verso 22 x 26 inches Set in a realm of fantasy, Mary Spain’s work exhibits oddly distorted figures in a child-like manner with an underlying sense of absurdity. Through her toylike and primitive style, Spain created surrealistic dramas that puzzle and entrance the viewer. Born in Raleigh, North Carolina, Mary Spain studied art at Syracuse University and moved to Ohio in the 1960s to teach art at Chagrin Falls...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Oil and tempera on panel. Signed and dated "James Mesplé 1991", lower right; titled on label on ...

This painting belongs to the series of paintings "Blue." Long before 2022, a process of spiritual transformation took place in my life, in particular, a rethinking of the feminine pr...

Karin Hauke, Desert Goddess, 1976. Oil on wood, 70 x 50 cm (image size), 73 cm x 53 cm (frame), signed “K. HAUKE” lower right and dated “[19]76.” - Small flaking in the lower area, o...

Wholeness arises when the parts of the inner world stop fighting for the right to be the only one, come to an agreement, and act in unison, supporting one another. It does not try to...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

Hope often speaks in quiet ways—through resilience, through healing, and through the strength to keep looking forward. In this piece, layered fragments of color and texture come toge...

Queen of the Chanterelles - Surrealist Figurative in Acrylic on Canvas Bright, fantastical composition by TEMBO (20th Century). A woman is depicted in profile, head slightly tilted ...

A mesmerising acrylic on canvas by the world-renowned contemporary Haitian master, Franz Zephirin. Celebrated for his highly original style, Zephirin is a key figure in modern Caribb...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

Key Details Artist: French School, signed and dated 1972 Title: Figurative Abstract Medium: Oil painting on board, framed Size: Painting: 19.75 x 25.5 inches; framed: 21.5 x 27 inche...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

A mythical creature emerges as a new form of consciousness, born after numerous internal transformations. The human, the animal, and the celestial merge into a single image, where ev...

Acrylic on canvas Lemoi Ning is a Taiwanese artist born in 1981 who lives and works in Taipei, Taiwan, She has embarked on a creative journey in 2021 that will bring to life the en...

Jean Pierre Serrier (French, 1934-1989) Oil on canvas painting depicting four figures Hand signed lower right. Measures (frame) 26.5" x 30" wide, and (sight) 18.25." x 22.25" wide....

Acrylic on canvas Lemoi Ning is a Taiwanese artist born in 1981 who lives and works in Taipei, Taiwan, She has embarked on a creative journey in 2021 that will bring to life the en...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Meeting Medium: Original Oil on Linen Dimensions: 36" x 47" x 1" (91 x 120 x 3 cm) Year: 2012 Unframed, Stretched o...

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

Surreal Dreamlike Village Scene with Figures, Dog & Moonlit Sky by British Artist, John Charlesworth (British, b. 1947) Art measures 7 x 5 in (17.8 x 12.7 cm) Fram measures 10 x...

Oil on canvas realized in 1983. Signed and dated. A striking and contemplative surrealist composition depicting an empty birdcage suspended before an arched opening overlooking a s...

"Tramp," by Rudolf Kosow, is a whimsical painting that delights in its surreal juxtaposition of scale and serenity. At the center is a beagle's face, depicted with lifelike detail and expressiveness, eyes glistening with a calm intelligence that beckons the viewer into a state of contemplation. Positioned against the backdrop of the dog's vast visage, a small, solitary figure strums a guitar. The musician, dressed in casual attire, appears as a wandering troubadour, his music resonating with the quietude of the scene. This miniature man, though diminutive in size, plays a significant role in the narrative, providing a sense of companionship and shared experience. The painting's title, "Tramp," suggests a free spirit, both in the itinerant musician and the beagle, known for its adventurous and exploratory nature. Kosow's piece is an ode to the wandering souls and the moments of unexpected harmony they encounter. Through "Tramp," we are reminded of the melodies that score our journeys and the silent kinship we find along the way. It is an invitation to embrace the music of life, to find connection in the tranquility of existence, and to acknowledge the symphonies that unfold in the presence of kindred spirits, regardless of their size or form. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

In "Owner," Rudolf Kosow captures a tender moment of connection that is as powerful as it is subtle. The main subject of the painting is a large black Lab, soulful dog, its fur textu...

"Fantasy is Reality" is a striking oil painting on canvas panel, created by American artist Jen Starling. This beautiful piece depicts an open ocean which cascades into waves across ...

Artist Comments
Mr. and Mrs. Anderson commissioned a formal family portrait, insisting their beloved pet elephant, Elbert, be included. Elbert is family, after all. When the co...

"Hungry" is a captivating painting by Rudolf Kosow that beautifully illustrates a moment of connection between a gargantuan, doleful-eyed bulldog and a diminutive woman. The dog’s fa...

This painting is inspired by the imagery of classic science fiction and the optimistic visions of the future that shaped much of the twentieth century. Geometric structures, mechanic...

The Rainbow French School, signed with monogram and dated 1985 oil painting on canvas, unframed: 77 x 31 inches condition: overall very good, a few very small indents to the giant canvas but no holes, rips or damage. provenance: from a collection in France One of the largest paintings we have available at the moment, this staggering painting is very beautiful with the deep blue sky, the rainbow arching through the landscape, set against the backdrop of a fantasy Greek/ Romanesque landscape with ancient columns...

In "Case", banal, everyday things meet in this painting to create an unusual, strange, absurd and ironical situation derived by the disproportional scale size of things. Rudolf Kos...

Artist: Antoni Pitxot Soler (Figueres, 1934 – 2015) Title: The Stone Lovers Date: 1968 Medium: Oil on canvas Dimensions: 61 × 50 cm — 24.0 × 19.7 in Signature: Signed and dated lower...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Andreas Claussen (b. 1988, Hanover, Germany) is a pioneering oil painter whose journey from law studies to the art world underscores his deep-seated passion for visual storytelling. ...

Late 20th century surrealist gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and title...

"Spring in February" (2015), is a masterful realist bust portrait of a woman wearing an intricate flower crown, standing confidently, eyes locked with the viewer. This piece is fram...

The figurative surrealist paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing. This presence exposed Francisco to the world of figurative arts while...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Tristan Fabris 1989, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso dated 1989 painting: 32 x 25.5 inches private collection, F...