Canvas Interior Paintings

Painting for me is an experience, where we learn every day and unlearn what we’ve learnt, and also as a portal to connect to the past, present & future. I was inspired to create thi...

"Green happy life" is an abstract painting distinguished by its texture and interwoven layers of color. Green tones predominate, complemented by flashes of blue, red, and green. It f...

"Encounters at Dawn" – Contemporary Abstract Painting on Canvas in Violet Tones with Figuration is an abstract oil painting that explores color field and abstract expressionism. The ...

Formes en suspens by Sophie Dumont is a contemporary abstract oil painting on canvas measuring 89 x 116 cm. The work is presented in a black floater frame. This large-scale compositi...

ABOUT THE ARTWORK Books about Love belongs to the Madeleine series, where memory appears not as an archive of facts, but as a fragile atmosphere shaped by objects, silence, and tende...

Vers l'Équilibre - Oil on canvas Unframed: 80 x 80 x 2 cm (31.50 x 31.50 x 0.79 in) Framed: 87 x 87 x 3.5 cm (34.25 x 34.25 x 1.38 in) Black or natural wood floater frame available S...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Architecture of Colors This work is part of Sophie Dumont’s recent Architectural Abstractions series, an ongoing body of work exploring constructed space through layered oil painting...

A beautiful oil painting on canvas from the second half of the 19th century. It depicts a church interior with rare intensity. The attention to detail, the quality of the brushwork, ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnect...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

shipped rolled in a tube. I Let Myself Bloom from the series Inner Landscapes This work is part of the Inner Landscapes series, where landscape becomes a reflection of an inner stat...

”Still Life: Allure of Blue” presents a quiet, contemplative arrangement centered on a Chinese porcelain vase with soft blue landscape motifs. A loose bouquet of forget-me-nots rises...

Abstract Composition with Color Fields is an original oil painting on canvas by Colombian artist Luis Xiua, created in his studio in Bogotá. The work explores the relationship betwee...

This oil on canvas by Sophie Dumont presents a structured composition where curved forms and vertical elements intersect in a finely balanced architectural space. Built through succ...

What we see here is not an ordinary floral landscape, but a state of time, that brief moment between day and night, when the air still retains warmth, but the light has already becom...

Vintage American modernist flower still life oil painting . Oil on board. Framed. Measuring: 10 by 6 inches overall, and 9.75 by 5.75 painting alone.Excellent condition, ready to han...

Antique European still life oil painting. Oil on canvas. Framed. Measuring: 27 by 21 inches overall, and 22 by 16 painting alone. Excellent condition, ready to hang and enjoy.

This original oil painting by Sophie Dumont, a French contemporary painter, reflects her distinctive approach to landscape through abstraction, structure, and material depth. Born i...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

French Art Deco Fauvist portrait, oil on paper laid on canvas by Auguste Chabaud. The painting is signed bottom right and carries an atelier label, with date, to the rear of the canv...

“Cherry Delight” is a work about an experience that does not seek to закрепить itself in the future. About intimacy accepted as an event rather than a promise. Like the taste of cher...

As the moon climbed higher, the stories grew darker, more fantastical. Whispers of mermaids, shipwrecks, and buried treasure filled the air. The harbor town, once a bustling hub of a...

Antique American Hudson River School seascape oil painting. Oil on canvas. Framed. Measuring: 10 by 13 inches overall, and 7 by 10 painting alone. Excellent condition, ready to hang ...

Workshop of Jacopo Bassano (Bassano del Grappa c. 1510 - 1592) - The Entombment of Christ. 65.5 x 50.5 cm (unframed) - 83 x 70 cm (framed). Oil on canvas, in a carved and gilded...

Painting with a composition of overlapping planes and figures. The scene presents a space constructed through geometric and organic forms in relationships of crossing and continuity....

shipped rolled in a tube. The Air Feels New from the series “Inner Landscapes” This painting is part of the Inner Landscapes series, where landscape becomes a reflection of memory, ...

Original oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand, I exp...

FREE SHIPPING - This artwork is shipping UNMOUNTED and ROLLED UP in a tube and you can stretch it very easy to your local framer. In this very beautiful large colorful, bold, vivid a...

This work is a manifesto about finding oneself within the confines of strict boundaries and external expectations. It is based on a period of life when the environment dictated the r...

In this work, the artist immerses the viewer in a living, breathing environment—a space where color becomes a state, and texture a tangible memory of summer. Intertwined stems, leave...

The picture was painted under the impression of vacation. It's just a dream when you wake up in the morning in a small provincial town. The house is filled with the smell of coffee a...

Profils Intérieurs Oil on canvas 2026 100 x 100 cm (39.37 x 389.37 in) Framed dimensions: approx. 107 x 107 cm (42.12 x 42.12 in= Framing: Floater frame available in black or natural...

Vintage American oil painting. Oil on canvas. Framed. Measuring: 14 by 11 inches overall, and 12 by 8.75 painting alone. Unsigned. Excellent condition, ready to hang and enjoy.

This original oil on canvas is in excellent condition and and has only been shown in a gallery setting. The size dimensions do not include the frame. This item is signed by the arti...

Damien Hirst, HG66 - Playful Chaos Hidden Gardens, 2023 Oil on canvas presented in a white, hand-painted wooden frame 62.3 x 45 cm (24.5 x 17.7 in) Original artwork Hand-Signed by D...

Portrait of the Artists Mother *see below by Gladys Marguerite Baker (British, 1889-1959) signed, titled verso oil on canvas, framed framed: 29 x 17 inches canvas: 24 x 12 inches Pr...

This work appeared without a clear plan. Sometimes I simply begin painting objects that seem able to coexist within a single composition. I like the feeling that things somehow know ...

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

Where Water Holds the Evening From the series Inner Landscapes There are evenings by the water you never quite let go of. Where Water Holds the Evening is painted from exactly that ...

Elegant Figures in Interior *see notes below Italian School, mid 18th century most likely of Venetian origin oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private ...

Interior Still Life by Harry Bloomfield (British, 1883-1940) *see notes below signed verso oil on canvas, framed framed: 28 x 24 inches canvas: 22 x 18 inches Provenance: private co...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

These daffodils picked in my garden set in a milk jug. The various shades of yellow-white color and the choice of details made it possible to convey the beauty of flowers. The blue p...

The painting was created after a September trip to Alsace. During a walk, I noticed beautiful green fruits — not yet ripe, framed by dark leaves. They seemed to have been taken from ...

Short Description Original charcoal artwork on cotton canvas by Italian artist Marilina Marchica. A unique work from the Frammento series, inspired by memory, antique wallpaper, and ...

A poised still life rendered in luminous oil, where light glides across a draped table, revealing the tender gleam of porcelain and the play of silken folds. Two white jugs, a cup a...

The Duel by Alcide Joseph LORENTZ (French 1813-1891) signed and dated 1857 oil painting on canvas, framed framed size: 30 x 25 inches canvas: 25 x 20.5 inches condition: very good an...

Still Life of Fruit by Frederick J Stanier (1830-c.1912) oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, England condition: a few minor scuffs and m...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Marcel Dyf Claudine Signed lower right Oil on canvas 25 1/2 x 21 1/2 inches Marcel Dyf, born Marcel Dreyfus in Paris, was a French painter whose work carried forward the traditions...

Antique European impressionist portrait oil painting . Oil on canvas. Signed. Framed. Measuring: 26 by 32 inches overall, and 21.5 by 26.5 painting alone. Handsomely framed in a gi...

In this piece, I've sought to capture the ethereal glow of twilight embracing the iconic architecture. The playful dance of light and shadow melds realism with a hint of impressionis...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

The serene ceramic jar anchors the composition, creating a quiet dialogue between matte surfaces and glossy fruit. The carefully draped striped tablecloth introduces rhythm and movem...