Glass Interior Paintings

"Dervish Profile I” Painting in Glass Frame 31x31 in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

"Derviche II” Figurative Painting 31" x 31" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

"Derviche I” Painting in Glass Frame 31" x 31" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept ...

"Pierrot” Painting in Glass Frame 51" x 38"in by Katherine Bakhoum Tisné * Due to the Ministry of Culture policy, handling time (paperwork) may take...

"Danseuse Jaune” Painting in Glass Frame 51" x 38"in by Katherine Bakhoum Tisné * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1...

"Danseuse Bleue” Painting in Glass Frame 51" x 38"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concep...

"Le Rideau Rouge” Painting in Glass Frame 51" x 38"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the conce...

Titled: Pop (Samuel Rothbort) in our living room. Bears estate stamp of his father, famed American folk artist Samuel Rothbort. one of only about 10 in total large scale mosaics that he did, each one took many months. very complicated intricate work made up of glass and tile in all different sizes and and shapes. This had been mounted as a coffee table top but was intended to be hung on the wall. Lawrence Rothbort 1920-1963 Lawrence Rothbort, son of American Impressionist - Samuel Rothbort, was born in Brooklyn, N.Y. in 1920, and achieved fame for his expressionist style painting, earning comparison to Paul Gauguin and Vincent Van Gogh. At age 16 he dropped out of High School and became an avid reader of philosophy, religion and mysticism which, eventually, led him to become a moral vegetarian. As a pacifist during World War II - he refused to serve in the military. A requirement therefore, was to work on farms due to the manpower shortage. For one year at the age of 24, he left home for the Pocono's where he would live as a hermit , living off the land and closely observing nature. Rothbort returned home in 1945 determined to become an artist. As a self-trained artist, he worked non-stop, seven days a week, grinding his own paints, experimenting in oils, watercolors, pen & ink. He developed several new techniques such as the patient application of paint with sharpened twigs to the canvas, and the combination of oil painting with glass. He created enormous mosaics and it was not unusual for a piece to take several months to complete. The Charles Barzansky Gallery gave him his first solo show in 1947. The reviews were excellent comparing his pen & ink drawing and painting to the "old masters" "extraordinary" and his oils "outstanding", "admirably executed", " a Seurat painter", "most personal revelation of an arresting talent" where he was praised by critics as a descendent of Paul Gauguin. Like his father, he recorded the ever changing landscape of New York, including 5th Avenue with flags - always on location and never touching up or finishing an outdoor work in the studio. He stated their "Direct Art was synonymous with truth." He worked in oil, casein, pen & ink and ceramic and glass. Depending upon the subject and medium, his work would take anywhere from 3 months to one and a half years; working every day for no less that 8 - 12 hours. In 1954, using discarded glass from the shores and junk piles, he embarked on a new phase in his career and began creating mosaics. In 1956, he married a young piano teacher with whom he had three children. In 1956 they moved to Florida where he completed three major works, one of which was an enormous mosaic of his wife nursing their first born surrounded by everything they owned. The work is reminiscent of Medieval Madonna's. Rothbort returned to Brooklyn in 1960 and established a small gallery behind his family's apartment. He would often travel with his supplies in a carriage to various locations throughout Manhattan, the Bronx, and Brooklyn painting...

"Les 3 Graces” Painting in Glass Frame 47" x 47" in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while...

"Les Derviches” Painting in Glass Frame 31" x 51" in by Katherine Bakhoum Tisné * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1...

"Le Derviche” Painting in Glass Frame 47" x 47" in by Katherine Bakhoum Tisné * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1-3...