Paste Interior Paintings

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 22 inches overall, and 25 by 19 painting alone. Excellent condition, ready to hang and enjoy.

Daisies In Vase signed by Y. Blanchon, French 1950's Impressionist oil painting on canvas, framed framed: 15 x 23 inches canvas: 13.5 x 22 inches provenance: from a large private co...

Still Life of Vase of White Roses, 20th Century American Art, Oil on Canvas by Robert Cox (1934-2001) Art measures 8 x 10 inches Frame measures 12.5 x 14.5 inches A beautifully e...

This painting depicts an impressionistic scene of Peonies in a Blue and white Cloisonné Ceramic Vase, a poetic piece with beautiful details. The work reminds us of Claude Monet, with...

An oil painting of lilacs and a water-pitcher on a window-sill, looking out towards a winding driveway, leading away from the Tuscan Farmhouse the scene is set within. Signed "Ben ...

An oil painting of an interior close to the artist's heart; her parents house. The object of focus is the black baby grand piano. A big open win...

An impressionist still life from contemporary American Realist painter Kelly Carmody. A wildflower is placed in a white vase, atop a low coffee-table. Branches reach up and outward, decorated with budding blossoms. Painted in the artist's studio in Waltham, MA. Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists...

Melanie Parke’s latest selection of still lifes looks at quotidian interiors and imbues them with magic. All of the elements of the still life are present: a stem in glimmering glass...

A still life oil painting of colorful flowers arranged in an assortment of vessels. Hues of pink, yellow, purple, and orange flutter throughout the canvas, a wild jungle of colorful ...

Signed impressionist oil on canvas still life by French painter Jeanne Baudot. The work depicts a bowl filled with red and green apples and grapes. Signature: Signed upper left Dimensions: Framed: 33"x29" Unframed: 26"x22" Provenance: By direct descent from Jeanne Baudot to her godson Jean Griot Jeanne Baudot's father, Emile, was doctor to French artist Auguste Renoir's relatives when they lived in Louveciennes. In 1893, she met Auguste Renoir through her cousin Paul Gallimard, an art collector. Renoir travelled from his studio in Montmartre to meet the aspiring painter and give his opinion on her work. Renoir was so impressed with what he saw that soon she became his only pupil. Form 1897 to 1914, she lived at 4, Rue du Général Leclerc in Louveciennes, where Renoir had his workshop. She became the godmother of Auguste Renoir's second son, Jean Renoir, at the Saint-Pierre de Montmartre church, while Georges Durand-Ruel was the godfather. Throughout her life she stayed close to Jean Renoir, who became a film director. He wrote the preface of the exhibition catalogue of her retrospective in 1960 at Galerie Durand-Ruel. Auguste Renoir painted several portraits of Jeanne Baudot. They became great friends, accomplices and confidants. They painted side by side, in the studio of the painter, in the studio of Jeanne and outside, in the countryside, in Louveciennes, in the South and elsewhere, chatting cheerfully. He gave her advice, and shared his own concerns, such as those caused by his talks with the representatives of the State to make them accept the paintings bequeathed by Gustave Caillebotte. Maurice Denis painted Auguste Renoir and Miss Jeanne Baudot in 1906. Jeanne Baudot was a childhood friend of painter Julie Manet, the daughter of Berthe Morisot and Eugène Manet, and appears in many instances of Manet's diary. Her name was given to a street in Louveciennes. Lifetime Exhibitions: 1905, Paris, Salon d'Automne. 1906, Paris, Salon des indépendants. 1925, Paris, Salon des Tuileries. 1930, Paris, Galerie Dru from November to December 1930. 1950, Paris, Galerie Durand-Ruel, from April 28 to May 15, 1950. Retrospective Exhibitions: 1966, Paris, Galerie Durand-Ruel, Dame & Demoiselles – Blanche Hoschedé, Jeanne Baudot, Paule Gobillard...

"Welcome Home" is an oil painting by American realist Maryann Lucas. It depicts a vase full of flowers sitting on a table w gathered linen and a pair of pears. A wooden windowsill l...

Hubert Glansdorff Brussels 1877 – 1963 Knokke Belgian Painter 'Roses in a Green Vase' Signature: signed lower left and dated 1941 'Glansdorff 41' Medium: oil on canvas Dimensions: image size 80 x 100 cm; frame size 107 x 127 cm Biography: Hubert Glansdorff was born in Ixelles, Belgium, in 1877. He was a Belgian figurative painter whose work encompassed genre scenes, seascapes, floral still lifes, female figures, nudes, and portraits. Over the course of his career, he developed a distinctive painterly language that combined academic training with a luminous, colour-rich sensibility. From an early age, Glansdorff showed a natural inclination toward pictorial expression. The picturesque aspects of life and landscape emerged organically in his work rather than as a calculated artistic choice. His visual world was shaped by instinct as much as by study, resulting in compositions that often feel immediate and atmospheric. He initially admired the Flemish Primitives, whose influence can be felt in his attention to structure and tonal harmony. However, Glansdorff gradually evolved toward a more personal form of Luminism, characterised by warm light effects, vibrant colour, and a heightened sensitivity to atmosphere. His palette became increasingly rich and expressive, particularly in his floral compositions for which he gained considerable recognition. Glansdorff studied at the Brussels Academy of Fine Arts, where he worked alongside and was influenced by artists such as Joseph Stallaert. During his formative years, he also developed friendships with contemporary artists including Joris De Bruyne, Alphonse Blomme, and Albert Alleman. He became a member of the Cercle Artistique et Littéraire de Bruxelles, an important artistic circle in the Belgian capital. In 1904, he exhibited at the Salon des Indépendants in Brussels, presenting works such as Armenian Fiddler. Later, in 1920, he participated in exhibitions at the Cercle Artistique et Littéraire, the Salle Studio, and the Salon d’Automne, alongside artists such as Pierre Abattucci, Firmin Baes...