Fauvist Interior Paintings

European Café Interior Scene, Blue Tonal Figurative Oil Painting, Contemporary Spanish Urban Painting Artist: Julio García Iglesias Title: Café Interior Date: 1986 Medium: Oil on c...

Spanish Fauvist Female Figure, Modern Catalan Figurative Painting Artist: Jordi Curós Ventura (1930–2017) Medium: Mixed media on canvas board Dimensions: 18.12 x 14.97 in (46 x 38 c...

French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...

1970s Spanish Fauvist Female Portrait Watercolor, Catalan Modern Art Artist: Jordi Curós Ventura (1930–2017) Title: Young Woman Date: 1977 Medium: Watercolor on paper Artwork dimens...

Spanish Fauvist Figurative Painting of a Woman with Fan, Mediterranean Interior Artist: Jordi Curós Ventura (1930–2017) Year: 1979 Medium: Mixed media on canvas board Dimensions: 38...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

The third work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

Frederic Cabanas (1954) - Pitussi - Oil on canvas Oil measurements 92x65 cm. Without frame. ​ Frederic Cabanas Multifaceted artist, painter, sculptor, musician, photographer, wr...

Still Life by M. Peiffer, French 1940's signed and dated 1946 oil on canvas, framed framed: 26 x 30 inches canvas: 24 x 28 inches Provenance: private collection, Paris Condition: ve...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Woman with Guitar in Vibrant Fauvist Interior, Spanish Figurative Mixed Media Artwork Artist: Jordi Curós Ventura (1930-2007) Title: Woman with Guitar Date: c.1985 Medium: Mixed med...

Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed "J. Taylor" in bottom right. Displayed in a giltwood frame. Illustration board size: 16" H X 20" W. Artist Jonathan Taylor was born in 1966 and was raised in Bar Harbor Maine...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Colorful Fauvist Woman with Guitar Mixed Media Painting, Spanish Figurative Portrait Artist: Jordi Curós Ventura (1930-2007) Title: Woman with Guitar Date: c.1985 Medium: Mixed medi...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

Still Life Painting of a Poinsettia Plant on a Persian Rug by Contemporary British Artist Art measures 18 x 24 inches Frame measures 24 x 30 inches Angela Wakefield has twice bee...

Signed fauvist oil on canvas still life by French post impressionist painter Louis Valtat. The work depicts a green vase filled with roses in different shades of pink set against a y...

Oil on canvas

The first work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were presen...

Still life with apples 1961. Canvas, oil, 50x70 cm Published at book Biruta baumane on 78 page "Still Life with Apples" is a stylized still life pain...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

Spanish Fauvist Self-Portrait, Modern Catalan Figurative Painting Artist: Jordi Curós Ventura (1930–2017) Title: Self-Portrait Date: 1979 Medium: Mixed media on canvas board Dimensi...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Genre: Impressionist Subject: People Medium: Oil Surface: Canvas Hand signed lower right Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of J...

“This Tender Place” is a contemporary acrylic interior painting by French artist Natalya Mougenot, sized 50 x 65 cm (approx. 19.7 x 25.6 inches) and created on heavyweight profession...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Vintage American fauvist interior scene oil painting. Oil on canvas. Framed. Measuring: 29 by 25 inches overall, and 20 by 24 painting alone. Handsomely framed in wide modern wood m...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 41x33 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Spanish Modernist Portrait of a Woman with Guitar, Catalan Fauvist Interior Artist: Jordi Curós Ventura (Spanish, 1930–2017) Title: Woman with Guitar Date: 1980 Medium: Oil on panel Dimensions: 46 × 38 cm (18.11 × 14.96 in) Framed dimensions: 64 × 56 cm (25.20 × 22.05 in) Signature: Signed and dated lower right Period: Late 20th century Style: Spanish Modernism, Catalan Modern Art, Figurative Expressionism, Fauvist influence Subject: Female portrait, woman, guitar, interior, flowers Condition: Good vintage condition, consistent with age Frame: Framed Description A striking 1980 oil painting by Catalan artist Jordi Curós Ventura, depicting a seated young woman in an intimate interior accompanied by a Spanish guitar and a vase of red flowers. The composition is constructed through large areas of warm, expressive color. The intense coral-orange background establishes an immediate chromatic presence, while the woman's pale yellow jacket, dark violet trousers, blue-green vase and orange guitar create a carefully balanced yet deliberately unconventional palette. Curós simplifies forms without abandoning figuration, giving the painting the visual immediacy associated with postwar European modernism and the coloristic freedom of Fauvism. The sitter occupies the center of the composition, frontal and still, her crossed legs and folded hands producing an almost sculptural stability. Behind her, the guitar introduces an unmistakably Mediterranean and Spanish note, while the vase and small table transform the portrait into an intimate domestic scene. Rather than functioning merely as accessories, these objects divide the composition into chromatic zones and establish a rhythmic dialogue between figure, still life and interior. The painting is signed and dated lower right and retains its substantial period frame. Biography Jordi Curós Ventura (Olot, Girona, 1930–2017) was an important Catalan painter associated with the renewal of Spanish figurative painting during the second half of the 20th century. He trained at the Escola d'Arts i Oficis of Olot, a city with one of Catalonia's most distinguished landscape-painting traditions. His first solo exhibition took place at Galerías Jardín in Barcelona in 1950, and from 1951 he participated in the influential Salons d'Octubre, which played an important role in introducing new artistic languages into postwar Catalan art. Curós exhibited at prominent Barcelona galleries including Sala Caralt, Galerías Layetanas, Galería Syra and Sala Vayreda. His Madrid debut took place at Galerías Biosca in 1953, and he also exhibited internationally. In 1952 he was selected by the influential Catalan intellectual and critic Eugeni d'Ors for the X Salón de los Once. The following year he participated in the II Bienal Hispanoamericana de Arte in Havana. Curós received scholarships that enabled him to work in Paris, first from the Institut Français de Barcelona in 1954 and later from Barcelona City Council in 1958. Contact with the Parisian art world contributed to the development of the increasingly experimental language that characterized his work during the following years. Between approximately 1958 and 1963, his painting moved toward abstraction and Informalism, with strongly textured surfaces, arabesques and enamel-like areas of color. He later returned to figuration, developing a highly personal style characterized by luminous color, simplified forms and an interest in capturing the immediacy of everyday life. From 1965 to 1989 he exhibited repeatedly at Barcelona's historic Sala Parés, one of Spain's oldest and most prestigious commercial galleries. His career also included participation in major exhibitions of contemporary Spanish art in Havana, Rio de Janeiro, Montevideo, Lisbon, Porto and Brussels. The Museu d'Art Modern de Barcelona acquired one of his paintings as early as 1953. Today Curós is regarded as a distinctive representative of postwar Catalan painting, occupying a fascinating territory between Mediterranean figuration, Expressionism, abstraction and the legacy of French modernism. Artistic Inspiration and Context This painting belongs to Curós's mature return to figuration after his experiments with abstraction and Informalism. Its saturated palette and simplified construction recall the great colorist tradition of 20th-century European painting, particularly Henri Matisse, Kees van Dongen and Raoul Dufy, while its psychological directness and deliberately economical drawing place it firmly within Spanish and Catalan postwar figurative art. There is also a subtle connection with the intimate interiors of the School of Paris: a solitary figure, ordinary domestic objects and an apparently simple setting transformed through color into something psychologically charged. The guitar is especially significant. Beyond its decorative function, it introduces a distinctly Spanish cultural symbol into an otherwise cosmopolitan modernist composition. Together with the flowers and intensely colored background, it gives the work a warm Mediterranean character highly characteristic of Curós's mature figurative vocabulary. The result is both portrait and interior, combining Spanish identity, Catalan postwar modernism and the chromatic freedom inherited from Fauvism. Jordi Curós Ventura Spanish Modern Art Catalan Modern Art Catalan Painting Spanish Figurative Painting Spanish Expressionism Fauvist Painting Fauvism Postwar European Art Postwar Spanish Art Mid-Century European Art 20th Century Spanish Painting Modernist Portrait Female Portrait Woman Portrait Painting Woman with Guitar Guitar Painting Spanish Guitar Art...

Fauvist Seated Woman with Fan Spanish Figurative Modern Mediterranean Painting Artist: Jordi Curós Ventura (1930–2007) Title: Woman with Fan Date: 1979 Medium: Mixed media on canvas...

Large Spanish Expressionist Figurative Painting Couple in Landscape 1970s Oil Canvas Artist: Manuel Capdevila Massana (1910–2006) Title: Les Palmiers Year: 1971 Medium: Oil on canva...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

DESCRIPTION Oil on cardboard 55 x 46 cm (21.66 x 18.12 in) Unframed Signed Good condition A powerful self-portrait by Jordi Curós, executed circa 1980, depicting the artist in his ...

A stunning oil on canvas by French fauvist painter Henri Charles Manguin. The work is a still life of a glass vase of colourful flowers - including zinnias and ranunculus - in red, o...

Signed still life oil on canvas circa 1950 by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in oranges, yellows, and pinks in ...

Contemporary Large-Scale Cubist Figurative Interior Scene Bursting with bright colors and whimsical energy, this contemporary figurative abstract painting by San Francisco artist M...

Vintage fauvist hat still life oil painting. Oil on canvas. Framed. Measuring: 27 by 33 inches overall, and 26 by 32 painting alone.. In excellent original condition. Handsomely fr...

Frederick Serger Fauvist Impressionist Judaica painting Oil on Canvas This is not signed on the front. It has a hand inscription verso on stretcher, Frederick Serger, Helen Spitzer C...

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Gir...

Annie Coxey And it Rained Original Abstract Painting Acrylic Paint, Collage, Inks, Resin and Drawing on Canvas Canvas Size: H 100cm x W 100cm x D 4cm Sold ...

Augustin Nicolas Georges Grasmick, known as Grass-Mick (Augustin Grass-Mick, Paris, 1873 – Marseille, 1963) Interior, Studio Corner Circa 1906 Oil on cardboard 50 × 65 cm 62 x 77 c...

Acrylic on canvas