1920s Landscape Paintings

Fritz Lindström (1874–1962) Sweden Värmland Landscape, 1928 signed and dated lower left Fritz Lindström 28 oil on panel unframed 38 × 46 cm (15 × 18.1 in) framed 53 × 61 cm (20.9 ...

Early 20th Century Expressionist Landscape – “Le pique-nique” A vibrant landscape executed in the expressive style of early 20th-century Expressionism. Bold, confident brushstrokes ...

Waldwiese im bay. Wald (Forest Meadow in the Bavarian Forest). An oil on canvas, signed "Johannes Schütz". This landscape depicts a forest meadow in the Bavarian Forest, where a wind...

This French summer landscape with surrounding river water and dense vegetation with trees is signed and dated E.P. Norselius 1923. It is painted during this Swedish artist’s years in...

Glen Tracy (American, 1883-1956) Summer Landscape, c. 1920 Oil on board Signed lower right, titled verso 12 x 9 inches 17.25 x 14.5 inches, framed Since he studied and taught commer...

Original oil on canvas painting of a clipper ship under full sail. Signed “T. Bailey” lower right. Condition is good. Original gold frame with wear consistent with age. Overall frame...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

Summer Day with Three Birches on Rolling Fields. A bright summer landscape depicting three birch trees standing before gently rolling fields and cultivated farmland, with a lake and ...

This captivating oil painting by Argentine Impressionist master Adán Pedemonte, beautifully captures the serene essence of a sun-drenched rural landscape. The artwork showcases Pedem...

Antique American impressionist landscape oil painting. Oil on canvas-board. Signed verso. Framed. Measuring: 12 by 16 inches overall, and 9 by 12 painting alone. Nicely framed. Exc...

A Southern Coastal Landscape by Charles Bisschops. This oil on canvas, signed L. Ch. Bisschops, depicts a southern coastal scene with a beach bordered by trees. Across the bay, mount...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Jonas Heiska (1873–1937) Finland Mountain Landscape, Finland, 1922 signed J. Heiska and dated lower left oil on panel unframed 35 × 48.5 cm (13.8 × 19.1 in) framed 45.5 × 59 cm (17...

Sunlight on Snow, 1927 Oil on canvas, 24 x 30 inches (61 x 76.2 cm) Framed dimensions: 31 1/4 x 37 1/4 inches Signed lower left: Leith-Ross Provenance The CIGNA Museum and Art Collection, until 2004; Sotheby's, New York, December 15, 2004, lot 14; Thomas Colville Fine Art until the present Harry Leith...

Untitled (Pastel #19), c. 1920-30 Pastel on sandpaper 8 x 11 inches (20.3 x 27.9 cm) Framed dimensions: 16 1/2 x 18 1/2 inches Estate stamp on verso Provenance The artist; Estate of...

This gorgeous large American Impressionist oil painting is attributed to Lillian M. Genth. She was a favourite pupil of Whistlers whilst at an art school in Paris. She is best known for depicting female forms or nymphs in landscapes such as this, up until about 1928 when she focused on other topics. She had an estate in Connecticutt and would often paint models in the woods there. Although not initially accepted by Victorian Society, In 1908 her painting, The Lark, won her the Shaw Memorial Prize at the 83rd Annual Exhibition of the National Academy of Design. The Lark depicts a full female nude strolling through the woods with her head turned looking toward the sky as if she just heard a lark, as the title suggests. This painting successfully demonstrates Whistler’s influence on Genth through the integration of the nude form and the landscape. Our lovely painting's composition is of a nymph seated in a tree playing pipes with a blue sky as background, while sheep graze beyond her in a landscape. The dappled sunlight on her skin and hair are beautiful. This is a superb example of work by a female American Impressionist in the 1920's and visually stunning. Unsigned. Provenance: Berkshire estate. Christies London Condition. Oil on canvas, image size is 50 inches by 37 inches and in good condition. Frame. House an ornate gilt frame. Framed size is 57 inches by 44 inches and in good condition. Lillian Mathilde Genth (1876 – March 28, 1953) was an American impressionist artist. She is best known for her depiction of female nudes in landscape settings. However, in the middle of her career she swore off painting female nudes and began painting more conservative paintings inspired by her travels. In about 30 years Genth appeared in 233 exhibitions, and while well renowned for her paintings while alive, her story and artwork have been lost in the retelling of American art history. Lillian Mathilde Genth was born in Philadelphia, Pennsylvania, the daughter of Matilda Caroline Rebscher and Samuel Adam. Genth began her art career by attending the Philadelphia School of Design for Women in Pennsylvania on scholarship. During her schooling years she worked to help support herself as a dress designer. At the Philadelphia School of Design for Women her primary teacher was Elliott Daingerfield. Daingerfield greatly influenced her style, which can be seen in the similar tonalist and coloristic qualities of her landscape scenes. Genth graduated from Philadelphia School of Design for Women in 1900. She received the William L. Elkins European fellowship for attainment in art from the Philadelphia School of Design, which sponsored her to paint in Europe for a year. During her time in Europe, Genth first settled in Paris, France in October 1900 where she enrolled in art classes at the Académie Carmen, an art school run by James McNeill Whistler. Whistler became a large influence on Genth’s work and she was known to be a favorite pupil of his. During one of Whistler’s visits to the school in 1900, he was so impressed by Genth’s work that he gave her a paint palette; an honor that she used and treasured for the rest of her career. This was an incredible compliment from Whistler, who rarely accepted women painters. Genth’s style is typically attributed to Whistler because of her paintings' tonalist qualities and because he taught her to see her paintings as a whole instead of in individual parts. After the Academie Carmen closed in 1901, Genth stayed in Europe for three more years. During this time she worked on painting landscapes, genre scenes, and waterfronts; her nudes would not begin for a few more years. In 1904 Genth returned to the United States and was living in New York City. It was at this point that her career began to flourish. In 1904 Genth showed at three exhibitions: the National Academy of Design, Art Club of Philadelphia, and Worcester Museum. In October of that same year she appeared in her first individual show at the Pennsylvania Academy of Fine Arts. Also in 1904 Genth received the Mary Shaw...

Signed oil on panel figures in cityscape circa 1920 by sought after French impressionist painter Edouard Cortes. The work depicts a a view of the Boulevard de Capucines, on the Grand...

An Early Modern 1920s Western Landscape Painting by Notable Chicago Artist, Francis Chapin, "Hillside Corral, Wyoming Dude Ranch". Oil on canvas, signed "Francis Chapin", lower righ...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a field of bluebonnets in full bloom accented by a few trees. Signed and dated in the fron...

Frank Luis Jirouch (American, 1878-1970) Return to the Stables, Gates Mills, Ohio, c. 1925-30 Oil on canvas board Signed lower right 14 in. h. x 16 in. w....

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

This evocative oil painting by Richard Sigafoos presents a solitary coastal rock formation rising against a softly illuminated seascape. Rendered with confident, expressive brushwork...

Brume Sur La Seine (Mist On The Seine) Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibes...

Carmel by the Sea - Beach, California Coastline 1927 Oil on Linen Seascape oil painting of the Carmel coastline by Charles Henry Harmon (American, 1859-1936). Vibrant blue Pacific w...

Leon Foster Jones was born in Manchester, New Hampshire. He studied under Joseph Rodefer DeCamp and Ernest Lee Major at the Cowles Art School in ...

This panoramic marine composition presents a fishing fleet gathered on calm waters at sunset, rendered with a refined sensitivity to light and atmosphere. A sequence of sailing vesse...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Measuring: 18 by 15 inches overall, and 16 by 12 painting alone. Unsigned. Excellent condition, ready t...

Work on canvas This painting by Josep Maria Mallol Suazo (1910-1986) depicts a lively country scene, bathed in warm light. In the foreground, a large leafy tree dominates the compos...

Rare antique oil painting by Charles W. Patterson (1870 - 1938) . Oil on canvas, signed lower right. Measuring 29 x 33 inches overall, 22 x...

Antique American dog portrait oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in a wood molding. Excellent condition, rea...

"Portrait of a Workhorse Standing in a Stable" Julius Paul Junghanns (German, 1876 - 1958) Oil on panel Signed lower right and dated 1925 15 1/2 x 12 1/4 (19 1/2 x 16 2/4 frame) inc...

Antique American impressionist landscape oil painting by Cecil Chichester (1891 - 1963). Oil on canvas. Framed. Signed. Measuring: 19 by 23 inches overall, and 16 by 20 painting alo...

Antique French impressionist landscape oil painting. Oil on canvas, lain to board. Framed. Signed. In excellent original condition. Handsomely framed in a period impressionist mo...

Fernand Laval (1886–1966) – *La Fête des Loges* (1929) **Paris School Art Deco Period Oil on Canvas** A charming Post-Impressionist depiction of the bustling fairground at **La F...

Spring Landscape, 1921 Oil on canvas 36 x 42 1/4 inches 91.4 x 107.3 cm Signed and dated lower left: John Wells James / 1921 Provenance Private collection John Wells James painted ...

“Young Farmer with Draft Horses and Favorite Dog” Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 41 1/2 x 33 1/2 Depicted here is one of Junghanns favorite subjects d...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a small lake surrounded by trees as the sun sets in the background. Signed in the front lo...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

George Gustav Adomeit (American, 1879-1967) Cape Ann Coast, 1922 Oil on canvas Signed lower left 20 x 24 inches 20.5 x 24.5 inches, framed A major painter of American scene subjects...

Very impressive early 20th century impressionist winter landscape. A view of the Palisades. Great color and a panoramic view. Nicely framed.

Antique American school impressionist sunset landscape oil painting . Oil on board. Signed. Framed. Measuring: 8 by 11 inches overall, and 6 by 9 painting alone. Excellent conditio...

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

Nicely painted early American impressionist landscape oil painting. Framed. Oil on board. Signed.

A beautiful oil on canvas by the Dutch painter, born in Amsterdam, Bernard Van Beek. An artist who had not attended any academy. He belonged to the Kortenhoef School, which in turn ...

Fantastic oil on board of Provincetown Harbor. Well painted by a talented artist circa 1920. Painting is 12" x 9" , 18.5" x 15.5" framed.

Signed by the artist but he is unknown from the gallery Probably a Swiss artist and Swiss landscape Artwork sold without frame

Antique American impressionist forest landscape oil painting. Oil on canvas. Signed illegibly. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 24 by 28 inches painti...

6008 Winter Snow,a 1920's oil painting on canvas depicting the isolation and beauty of your girl walking thru a fresh fallen snow.Displayed in a gilt wood frame.Artist unknown

Vintage American impressionist landscape painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in a giltwood molding. Excellent con...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

Signed and dated impressionist riverscape oil on panel by Russian painter Georges Lapchine. This stunning piece depicts a view of a small rowing boat with a fisherman inside, fishing...

An exceptional original oil on canvas painting by American artist Albert Byron Olson (1885–1940), created circa 1920 and titled "The Shining Angel of Remembrance." This evocative and...

Antique American impressionist landscape oil painting by Charles Gordon Harris (1891 - 1963). Oil on board, circa 1920. Signed. Displayed in a period giltwood frame. Image, 11"L x...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

The small scale of Vårkväll, Frykensjön, Sunne is central to its effect. Rather than aspiring to panoramic description, the painting behaves like an attentive visual note in which at...

Oil Painting by Willem Anton Alexander Knip "Sheep Grazing" 1883 - 1967 Knip trained in decorative painting at the Quellinus School, Amsterdam. Then worked in Chris Lubeaus studio. W...

➡️ Landscape Le Pont ⬅️ ⏩It is signed possibly J Siverton⏪ ⭐Medium:⭐ watercolor on paper ⭐Technique: ⭐Watercolor painting with expressive brushwork. ⭐Size:⭐33x41cm / 12.9x16.1 ...

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

Antique American landscape oil painting. Oil on board. Framed. Unsigned. Measuring: 13 by 15 inches overall, and 11 by 12.5 painting alone. Excellent condition, ready to hang and e...