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Todd CarpenterNo Escape from Nature2018
2018
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil.
As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings.
The Blue Azul Collection®
©Todd Carpenter
- Creator:Todd Carpenter
- Creation Year:2018
- Dimensions:Height: 12 in (30.48 cm)Width: 24 in (60.96 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:San Diego, CA
- Reference Number:1stDibs: LU123615557121
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View AllOne Of The Ways
Located in San Diego, CA
"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature.
As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings.
The Blue Azul Collection...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Price Upon Request
Undersky
Located in San Diego, CA
"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Price Upon Request
Future Shadow
Located in San Diego, CA
"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited.
As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings.
The Blue Azul Collection...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Light Decaying
Located in San Diego, CA
"Light Decaying" depicts a winding river through a mountainous terrain, not unlike the many vistas and terrains of Carpenter's adventures into nature.
As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings.
The Blue Azul Collection...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Price Upon Request
large 5
Located in San Diego, CA
"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited.
As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings.
The Blue Azul...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Untitled
Located in San Diego, CA
Serene landscape by Ernest Goertzen. Acrylic on panel. Signed E. Goertzen at bottom right. Not dated.
Category
20th Century Landscape Paintings
Materials
Wood Panel, Acrylic
$525 Sale Price
30% Off
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