Acrylic Polymer Paintings

Artist: Tim Leura Tjapaltjarri (c.1929-1984) Titled:"Marla Serpent Story" size: 68x96 cm year: c.1977 Aboriginal art Australian Art Tim Leura Tjapaltjarri (c.1929-1984) est né à ...

This unique abstract painting by Eyal Gilboa is from his latest body of work. Gilboa is using Blob painting, 3D art technique where colorful, layered blobs of paint are built up on a...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

RED HEADS - (Diptych) - This pair of floral landscapes emphasize the thoughtful arrangement of elements, resulting in paintings that are understated yet visually compelling. Textile ...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Painting of the Wyndham New Yorker Hotel, 8th Avenue, Manhattan, New York City, by British Contemporary Urban Artist, Angela Wakefield. Part of her Ne...

Abstract conceptual painting. it has a lacquer resin like finish to it. it is not framed. Siren Bliss was born Michael Whipple in Salt Lake City in 1947. He attended the University o...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Collection: Beyond the Horizon Acrylic on canvas Signed Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dh...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic, representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational, it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography, note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned, haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting, it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection, his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Presenting a rare, early original oil painting, "The Lavender Vase", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific an...

Abstract Conceptual painting. it has a lacquer resin like finish to it. it is reminescent of the pored resin works of Gaetano Pesce. it is not framed. Siren Bliss was born Michael Wh...

Whimsical textured relief painting of two stylized twin jesters in primary colors, their long mask-like faces created with the technique of hand carving layers of laminated paper board and painting with acrylic, by contemporary English artist Martin Ingley...

Collection: Beyond the Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

This contemporary poured painting, From Cloud to Cloudless by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on panel crea...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

At Sea Between Fossils and Satellites 16 (vertical) is a richly textured mixed-media painting by Melisa Taylor Metzger, part of her decade-long series At Sea Between Fossils and Sate...

Eduardo Guelfenbein (Chilean, 1953- ) is a Latin American painter who was born in Santiago, Chile, educated in England and Italy, who has lived in Paris, France, since 2003. He started out as a figurative painter and was led to abstraction in late 2000. His soulful liquid abstractions and thick acrylic textured canvases, accompanied by a full color palette, reveal a process of discovery of infinite patterns and forms that much resemble a cosmic creation. His patterns may at first seem accidental, but in fact, meticulous color strokes over layers of varnish, deliver a luminescent visual panorama. His works are busting fluid lines and swirls, depicting patterns that seem to be infinite and create a sense of continuous movement. They bear an affinity to the works of American pop art artist Kenny Scharf. Eduardo Gulfenbein was born in Santiago, Chile, to parents of Russian and Polish origin. He attended Embley Park School, Hampshire, UK (1965–1969) and King's School, Rochester, Kent, UK (1969–1971). In 1971 he realized the backdrops for Tim Rice and Andrew Lloyd Webber's musical Joseph and the Amazing Technicolor Dreamcoat at Rochester Cathedral's first musical presentation. 1965/69 - Embley Park School Hampshire Great Britain, 1969/71 - Kings School Rochester Kent Great Britain, In 1973–1977 he studied fine arts at the Accademia di Belle Arti Brera, Milan, Italy, graduating with the Diploma di Licenza Accademia in 1977. In 1978, he moved to Sydney, Australia. In 1985, he returned to Europe, settling between Milan and Paris where he resides as of 2016. His vibrant colorful work has appeared in exhibitions internationally, including a solo exhibition at the Museum of Contemporary Art of Santiago in 1997. Select Exhibitions 2022 - Rarity Gallery Group Show , Greece 2021 - Event ‘Infinito’ Centre Pompidou Paris Collective MoCA - Museum of Crypto Art Paris 2020 - Hunter Squared Gallery Santa Fe USA 2019 - Collective Eternity Gallery Paris 2019 - Visual Dialogue: Abstraction _ Opera gallery Seoul International abstract art. The show will feature works by Yasmina Alaoui, Alessandro Algardi, Eduardo Guelfenbein, Alfred Haber Pointner, Marcello Lo Giudice, Sitthiphon Lochaisong (BOMB), Oscar Lozano, Pino Manos, Umberto Mariani, Fabrizio Plessi, Anselm Reyle, Emmanuelle Rybojad, Federico Uribe and Wang Yehan.2018 - Personal Valverde Gallery Brussels 2017 - Personal collages, glass sculpture Valverde Gallery Paris 2016 - Collective Opera Gallery Aspen - Miami Glass Sculptures Murano Italy Official poster/graphics Carnevale di Venezia 2016 - 2017 - 2018 2015 - Collective Opera Gallery Singapore 2014 - Opera Gallery Singapore, Group show with Pablo Picasso, Julian Opie, Lita Cabellut...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Crete. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Cobalt Blue background al...

A Formal Feeling by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throu...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Tango. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

Great color and presence. A lot of detailing in the different panels. A great work from hard-edge American abstractionist, Hilton Brown. A composition that plays with op art decep...

A lot of presence and detail to this abstraction work by hard edge abstraction pioneer, Hilton Brown. This is a large scale work and the artist put tremendous detail and attention in...

Woman with billowing skirt and french curls in red, blue and black, 'Parisian Fllip' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes',...

Matte but luminous, Outland No. 13 by Susan English is a wonderful play of color, light, and composition in poured tinted polymer on aluminum. Hues of opaque blue at the bottom meet ...

Unframed. Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and running alongside shapes, yet there is n...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

MacConnel, Kim Robert (American, California, born 1946) Sri Ranganathanswamy Temple, Trichi, India (an ancient Indian city in India's southern Tamil Nadu state) 1992, commercial phot...

"At Sea Between Fossils and Satellites" is a large-scaled textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, late...

In this vibrant composition, Koko captures three boats in a tranquil resting position, their sails adorned in soft whites and blues. The boats themselves radiate warmth, painted in r...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Acrylic and polymer on aluminum panel

This contemporary abstract poured painting, April by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create dep...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Matte but luminous, Outland No. 47 by Susan English is a wonderful play of color, light, and composition. Hues of icy gray blue meet and merge, offset by beige brown at the bottom an...

Francine Tint (b. 1943) Black Spring Thick acrylic impasto on canvas 1990 Hand signed 'Francine Tint' and dated verso (multiple times) From the arrows on the back i believer this pa...

In poured tinted polymer on aluminum, Outland No. 71 by Susan English is a wonderful play of color, light, and composition. The layers of the tinted polymer create the depth and surf...

The Sun is Half the World by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textu...

Ceravolo, one of The Hampton's most popular urban Pop artists, has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. His Large scale paintings h...

Of Earth by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throughout th...

Electric Coffin is a Seattle-based artist collaboration between Duffy De Armas and Stefan Hofmann. Electric Coffin is coded within art history and ideologies...

This framed gestural work is by Donald Martiny. This signature piece is composed of enamel and polymer paint, cardboard, aluminum and wood on wood panel. He creates immediately froze...

Your eye wanders the surface of this painting on canvas by Vince Coyner studying the movement and interactions of dots and stripes and dripped paint. Ther...

MacConnel, Kim Robert (American, California, born 1946) Tourists, Hampi, India (Hampi is an ancient village in the south Indian state of Karnataka. It’s dotted with numerous ruined t...

Cham Hendon Born, Birmingham, Alabama, 1936 Education 1977 M.F.A., University of Wisconsin, Madison 1965 M.A., University of New Mexico, Albuquerque 1963 B.F.A., School of the Art Institute of Chicago 1959 B.S., Georgia Institute of Technology Select Solo Exhibitions 2012 Giampietro Gallery, New Haven, CT 2008 Artspace, New Haven Connecticut 2000 Monty Stabler Galleries 1998 Monty Stabler Galleries 1997 Monty Stabler Galleries Interlaken School of Art, Interlaken, Massachusetts 1995 Monty Stabler Galleries 1994 Monty Stabler Galleries 1993 Monty Stabler Galleries Columbia - Greene Community College, Hudson, New York 1992 Monty Stabler galleries Merchant - Ivory Foundation at the Red Mills, Claversck, New York 1991 Monty Stab ler Galleries Ayden Art Center, Ayden, North Carolina 1990 Phyllis Kind Gallery, New York Monty Stabler Galleries, Birmingham, Alabama Gallery of Art, University of Northern Iowa, Cedar Falls Moody Gallery of Art, University of Alabama, Tuscaloosa The Waterworks Visual Arts center, Salisbury, North Carolina 1989 Phyllis Kind gallery, New York Gray Art Gallery, East Carolina University, Greenville, North Carolina 1989 Phyllis Kind gallery, New York 1988 Phyllis Kind Gallery, New York 1987 Phyllis Kind Gallery, New York 1986 Phyllis Kind Gallery, Chicago 1985 Phyllis Kind Gallery, New York 1984 Phyllis Kind Gallery, New York Phyllis Kind Gallery, Chicago 1984 Phyllis Kind Gallery, New York 1983 Phyllis kind Gallery, New Y ork 1982 Phyllis Kind Gallery, New York 1981 Phyllis Kind Gallery, Chicago Phyllis Kind Gallery, New York 1980 Phyllis Kind gallery, New York 1978 Phyllis Kind Gallery, New York Select Group Exhibitions 2011 Scale Factor, Aspace Gallery, West H aven, Connecticut. Sameness - Difference - Variance, West Cove Gallery, West Haven, Connecticut 2010 CWOS, Artspace, New Haven, Connecticut 2009 CWOS, Artspace, New Haven, Connecticut 2008 Open Studios, Artspace, New Haven, Connecticut The Players’ Lounge Invitational Exhibition, Pilot Pen International Tennis tournament, New Haven Connecticut Intricacies, Hess Laboratories, New Haven Connecticut 2007 California in Connecticut, New Britain Museum of American Art, New Britain Conne cticut 2005 New Visions, Pro Arts Gallery, Oakland California 2003 Works by Lori Hanson and Lawrence Lincoln, Cham Hendon, Cynda Valle, San Francisco Museum of Modern Art, Artists Gallery 1995 Temporarily Possessed; The Semi - Permanent Collection, The New Museum of Contemporary Art New York Contemporary Art’ New York Alabama Impact: Contemporary Artists With Alabama Ties, Fine Arts Museum of the South, Mobile, Alabama and Huntsville Museum of Art, Huntsville, Alabama Art...

Oil and Polyviny on board, signed on reverse Image size: 15 1/2 x 11 3/4 inches (39.5 x 30 cm) Original frame Exhibited Pictures for Scottish Schools, 1967 Elspeth Spottiswood Bo...

Paolo Minoli (1942-2004) ...On Stage... 1987 Acrylic on Canvas Size 70x70 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...