Canvas Paintings

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... A dreamy, deep-blue elephant walking through a starlit sky, blends cosmic energy with gentle symbolism....

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

Impressive early American impressionist still life oil painting by Harriette Bowdoin (1880 - 1947). Framed. Oil on board. Signed. Image size, 18H by 22L.

Spring Collection: Snowdrop 5 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroq...

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Contemporary modernist American portrait oil painting. Oil on canvas. Signed. Measuring 20 by 40 inches.

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

Dusk Pool [2022] original and hand signed by the artist oil on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a painting from my architectural series of works. I wanted to paint a twilight scene using deep rich colours against a beautiful lit up pool. A window depicting another world inside a modernist house reflecting interiors with warm and inviting colours. I am inspired by modern architecture as I love painting the straight lines against the softness of nature with its trees and plants and cactii. This painting is painted in oils on a thick painted edged canvas and is ready to hang. Discover original architectural paintings online with Wychwood Art and in our Oxfordshire art gallery by artist Karen Lynn...

A futuristic looking rabbit is the focus of this fantastical contemporary painting in acrylic ink on canvas by Peter Hamlin. The rabbit is whimsical and surreal, sitting in the cente...

“New Perspective” is a painting that epitomizes renewal and confidence. The background of the city street conveys the rhythm and dynamics of life, where the figure in its movement re...

[Bruce Sargeant (1898-1938)] Man in Towel Looking to the Side n.d. Signed in red, u.l. Oil on canvas 14 x 11 inches (35.6 x 27.9 cm) $3,000 + $125...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Transport yourself to the heart of Paris during the enchanting 1940s with this exquisite original painting by the renowned artist Moura Chabor (1905 - 199...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

Willard Dixon (American, born 1942) Near San Quentin, 1976 Oil on Canvas Signed lower left Dated lower right 41in H x 62in W In a natural float frame: 42....

Initialed lower left, 'J.P' for Julius Paulsen (Danish, 1860-1940) and painted circa 1910. A dramatic, early twentieth-century work by this notable Post-Impressionist painter and th...

Hubert-Denis Etcheverry Bayonne 1867 – 1950 Paris French Painter 'Une Consultation de Sigmund Freud' Signature: signed lower right and dated ‘D. Etcheverry / Paris 1900’ Medium: oi...

Josephine Reichmann Bass Rocks Signed lower right Oil on canvasboard 14 x 16 inches Reichmann was born in 1864 in Louisville, Kentucky. After studying at the School of the Art Inst...

An impressionistic depiction of a blue porcelain vase with a burst of white, pink, and light red flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural move...

Unidentified Artist – Interior Genre Scene (19th-20th Century) Medium: Oil on canvas Framed Dimensions: 99 x 82 cm Canvas Dimensions: 88 x 67 cm Signature: Not identified This evocat...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

The Quiet River French Impressionist, signed and dated 1940's oil on canvas, framed in original French frame. signed and dated framed: 35.5 x 36 inches canvas: 24 x 29 inches Prove...

Gordon Hunt Swim Study Original Painting Acrylic on Canvas Canvas Size: H 30cm x W 30cm x D 4cm Signed Sold Unframed Please note that insitu images are purely an indication of how a ...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

In this electrifying composition, RETNA pushes the boundaries of urban calligraphy with a radiant yellow canvas ignited by strokes of hot pink. Fresh from the studio, this newly comp...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2012 Title: Spring is Coming Size: 27...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: Ocean Cliffs, Size: 11" x 15.5"...

Jean Jansem (1920-2013) La salle de répétition de l’Opéra de Paris, 1968 Huile sur toile Signée en bas à gauche 130 x 195 cm Provenance: Wally Findlay Galleries, New York Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: 1964: c’est l’inauguration du nouveau plafond du Palais Garnier par Marc Chagall commandé par André Malraux alors ministre chargé des affaires culturelles. Commande qui fera couler beaucoup d’encre entre les partisans du modernisme et les tenants du conservatisme. Malraux tiendra bon, si ce n’est une légère concession: pour éviter de détruire l'ancien plafond et son décor, il sera masqué par une toile amovible de quelques 240m2 réalisée par Chagall dans les ateliers des Gobelins puis tendue par-dessus. Cette commande, autant acte politique que intellectuel, intervient à une époque où Malraux, convaincu que l’art contribue au rayonnement international de la France, soutiendra notamment les commandes du Mobilier national dont Pierre Paulin sera l’une des grandes figures, et où la CGT (Compagnie générale transatlantique) lancera un de ses plus gros chantiers avec le mythique paquebot France...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: After Storm, Size: 29" x 44.5" ...

Desert. 1974, oil on canvas, 95,5x116 cm Painting in orange colors Provenance Maxwell gallery

Symbols abound in this monumental painting by Bruno Surdo. Each of the subjects on this canvas is dependent upon the other. They require the presence of the others for balance and ...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Oil size 54x81 cm. Frameless

Here is David Shevlino's magnetic 'Judith and Holofernes', oil on canvas, 65 x 60 inches, painted in 2023 after a trip to Rome where the artist was inspired by the treasure trove of ...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a blue shirt and green hat ...

Title: Flower Knows III Medium: Oil on canvas Size: 19.5 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

"Guardians" Contemporary Oil Monkey Eyes Post-Cubist Abstract Whimsical Animal Hunt Slonem (American, b. 1951) "Guardians" 24 x 19 inches Oil on Canvas Signed, dated 1995, titled, and numbered "JEM0668" to verso. A Certificate of Authenticity from Hunt Slonem Studio attached. Unframed Provenance: From a New York City Collection. BIO Hunt Slonem was born in Kittery, Maine in 1951. His fascination with exotica imprinted during his childhood in Hawaii and experience as a foreign exchange student in Managua, Nicaragua. Slonem received his Bachelor of Arts degree from Tulane University of Louisiana and studied painting at Skowhegan School of Painting and Sculpture. Since 1977, Slonem soloed in over one hundred fifty exhibitions at prestigious galleries. His work is exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. Over fifty museums internationally include his work in their collections, among them The Metropolitan Museum of Art, New York, New York. His work has been shown in thirty-one different museums. Corporate collections include American Telephone and Telegraph, Chase Manhattan Bank, Citibank, Continental Airlines, Goldman Sachs Co., IBM Corporation, Marriot Corporation, Paine Webber, Inc., Port Authority, and Readers Digest Inc. He won the 1991 National Endowment for the Arts Grant in Painting, and McDowell Fellowships in 1986, 1984 and 1983. Since 1973, Slonem has lived and worked in New York City in his legendary loft with his seventy pet birds. The birds are his models. So enmeshed and unique are his aviary, studio, lifestyle and painting, that Slonem has been featured on television a dozen times and in numerous articles. In his 1993 essay, the late Henry Geldzahler describes, "The visual field of Hunt Slonem's paintings is a continuum accented by ovals of varying shape and colors that it turns out are birds." The birds evolved from Slonem's early paintings of saints as well as inspiration from the pioneers of bird imagery in painting, including Fabritsius, Heade and Audubon. Audubon shot one hundred birds...

This contemporary floral painting showcases an expressive arrangement of lush blue blooms set within an intricately patterned ceramic vase. The artist utilizes a fresh and inviting c...

Abstract Treescape Landscape Berkeley School Abstract Expressionist Substantial period Berkeley School abstract expressionist landscape titled "Treescape" by listed Berkeley artist...

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

Sunset in the Scottish Highlands by Arthur Stanford, signed and dated 1900's oil painting on canvas, framed canvas: 15 x 20 inches framed: 23.5 x 28.5 inches condition: very good and...

Large Original Painting of a Classic 1990's Busy New York City Scene in the Rain, with Yellow Taxis, Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a ...

Jiban Biswas - Nostalgia - 36 x 48 inches (unframed size) Acrylic on Canvas Style : According to him, “ The Mud colour are changing its shade, The sheds...

Vintage American modernist framed still life painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

The Wrestlers by Clyde Singer is an excellent Mid-Century painting of a popular Aschan subject. The artist George Bellows (1882-1925) was a precursor of Singer's who often depicted ...

Unframed Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdoreix (Barcelona), to Catalan parents of Spanish nationality. His f...

By Martha Ochoa Oil on Canvas Canvas Size: 59x39 Framed Size: 70.5x50.5 This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Saint Nathanael playing a fiddle dressed in ornate green and red cloaks. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

“View of Villefranche-sur-Mer” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 24 x 32 1/2 (29 x 38 1/2 framed) inches Bathed in the soft and steamy light of the S...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Subject: Sity scape Size: 18.5" x 25.5" x 0.8...

'Monterey' by Dedrick Brandes Stuber. California Plein Air, Laguna Beach Art Association, New York Art Students League ---- Signed lower right, 'Dedrick B Stuber' for Dedrick Brande...

Portrait of a Woman in the Style of Modigliani in Acrylic (Red Background) Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The woman has d...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 40 x 48 inches. Frame size: 41.62 x 49.62 x 2 (white floating frame hand ...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 24 x 20 inches condition: overall very good, a few min...

A Mornings Chorus #2 – By Lucy Moore [2022] A Mornings Chorus #2 - An Original semi-abstract painting by Lucy Moore. Using her signature string grass technique Lucy has created a se...