Copper Paintings

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Memory is a unique painting by contemporary artist Lumi Mizutani. The painting is made India ink and Japanese pigments on panel covered with copper leaves, dimensions are 31.8 × 40.9...

In her 'Prayers,' series, Shizico incorporates Dahlias, which bloom in the late summer, bringing vibrancy to the garden into the winter's chilly months. The innocence of a cat serves...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

No signed This 18th-century oil on copper painting, by an anonymous artist, exemplifies the refinement and technical sophistication associated with this highly prized medium in Euro...

This piece titled "Enchanted Forest" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contem...

15 3/8 “x 22 1/8” (39.2 x 56.3 cm) – Framed : 20 5/8’’ x 28” (52.5 x 71 cm) Provenance: Sotheby's London, December 7, 1994, lot 165 Guilloché frame in blackened wood - 17th century ...

Veronica Offering the Holy Veil to Christ – Flemish School, oil on copper. Oil on copper. Framed size: 41 × 47 cm Unframed size: 36 × 30 cm 19th-century later frame. Copper plate ...

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed. Oil on copper circa 1660–1665 22 × 15.5 cm (unframed) The painting is accompanied by an exp...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...

St. Francis of Assisi Italian School, circa 1500 oil paint on copper, unframed copper: 6.75 x 10 inches provenance: private collection, Loire Valley, France condition: for a work tha...

The Coronation of the Virgin. Oil on copper. All of our works are covered by our own guarantee of authenticity which covers the work for its ...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

Sébastien Ardouin Dumazet (b. 1972) – "Japanese Chrysanthemums" Oil on oxidized gilded leaf on canvas, 2026, 25⅝ × 36¼ in. (65 × 92 cm) "Japanese Chrysanthemums" is a floral composi...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to church...

The party’s over I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and copper leaves on Japanese cardboard, it is sold with a b...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

6201 Paris street scene made with enameled glass on copper plate Framed Image size 9.5x7.5" Signed Mingolla

Sébastien Ardouin Dumazet (b. 1972) – "Twilight" (Crépuscule) Oil on oxidized gilded leaf on canvas, 2026, 15¾ × 15¾ in. (40 × 40 cm) "Twilight" is a small-scale floral composition ...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm

ARTIST - Workshop of Alessandro Allori (1535–1607) // PERIOD - Circa 1570–1580, 16th Century // ORIGIN - Florence, Italy // MEDIUM - Oil on Copper // STYLE - Late Florentine Renaissa...

In Small Pink Hummingbird, Dina Brodsky captures a fleeting moment of stillness within a creature defined by motion. The tiny bird, rendered in luminous shades of rose, coral, and go...

Shell from Viareggio inspired by the moment you put your ear to a shell and hear the sound f the sea. If you are silent and close your eyes and believe, you may hear it. The Painting...

This rare painting in a tondo format, attributed to Jean-Baptiste Pillement (1728-1808) and executed in oil on copper during the zenith of the French Rococo at the court of Marie Ant...

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Pair of copper paintings, military march with cavalry. Adam Frans van der Meulen, 17th century. Artist: Adam Frans Van Der Meulen. Attributed. Dimensions without frame: 21 × 18 cm e...

Title: Portrait of Charles II of Spain Artist: Unknown Date: Late 17th century Medium: Oil on copper Framing: Set against red velvet in a deeply carved and distressed giltwood frame,...

Contemporary Art, Abstract Painting Copper paint and Acrylic on canvas 150x100cm Signed and dated on the back About the artist Alejandro Legorreta...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

RAFAEL ATENCIA (Córdoba, España, 1954). Romería del Rocío. Óleo sobre cobre. Firmado en el ángulo inferior derecho. Medidas: 22 x 41.5 cm.; 51 x 71 cm. (marco). Precioso óleo sobre ...

Sébastien Ardouin Dumazet (b. 1972) – "Anemones" Oil on oxidized gilded leaf on canvas, 2025, 31½ × 31½ in. (80 × 80 cm) "Anemones" is a contemporary floral composition by French ar...

Nicolò Cercignani, known as “il Pomarancio,” *The Transfiguration*, a large-scale oil painting on copper plate. The work is attributed to Nicolò Cercignani, known as il Pomarancio (P...

Just when you think an artist has reached the zenith of creativity and beauty a piece arrives that is simply breathtaking. It truly is Sax Berlin's destiny to create these stunning w...

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Brian O'Neill's "What Lies Beneath" is an exquisite original artwork created in 2024. This piece, measuring 24 x 48 x 1.50 inches (60.96 x 121.92 x 3.81 cm), features a masterful com...

Flower Garland Surrounding the Virgin and Child, after Jan Brueghel the Elder (flowers), Circle of Frans Francken II (figures), Antwerp, circa 1615–1625, Oil on copper This finely executed garland painting on copper belongs to the Antwerp tradition of collaborative devotional cabinet pictures developed in the early seventeenth century. The meticulously rendered floral wreath may be associated with the circle of Jan Brueghel the Elder, while the central figures are attributable to the circle of Frans Francken II. The copper support, favored for high-quality works of this type, provides an exceptionally smooth surface that permits minute precision of detail and preserves the jewel-like luminosity of the colours. Set against a dark, subtly modulated background, the oval garland appears to float freely within the pictorial field, leaving the corners and margins open and lending the composition an airy sense of balance. The wreath is constructed from a carefully orchestrated rhythm of large, voluminous blossoms—roses in varying hues, carnations, anemones, and marigolds—interwoven with a profusion of smaller flowers, leaves, and stems. Each bloom is individually characterized, displaying botanical precision, crisp highlights, and delicate tonal transitions consistent with early seventeenth-century Flemish flower painting...

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

This finely executed 3.5-inch tondo presents a quiet yet expansive view of the White Mountains in New Hampshire, distilled through an intimate and highly controlled painterly languag...

Contemporary Art, Abstract Painting Copper paint and Acrylic on canvas 150x100cm Signed and dated on the back About the artist Alejandro Legorreta...

A remarkable trio of 18th century, oil-on-copper paintings of, Ottoman Empire figures in colorful robes and accouterments, posing in European style landscapes. Each figure is labeled...

An important 18th century Italian Old Master tempera on copper panel Baroque painting, "The Road to Emmaus", circa 1700. The painting represents the early resurrection biblical story...

We would like to thank Dr. Ursula Härting who, after examining the work, confirmed the autograph nature of this painting by Frans Francken the Younger in a certificate issued on December 9, 2024. In this previously unpublished painting coming from a French private collection, Frans Francken the Younger tackles one of his favorite themes: the adoration of the Magi, the wise men who come from the East to adore the infant Jesus in Bethlehem, Judea. This theme was often taken up by the artist, but this version, which can be dated around 1610, is one of the earliest interpretations. 1. Frans Francken the Younger, "a surprisingly inventive painter". Frans Francken the Younger is the best-known member of an extended artistic family that worked in Antwerp from the late sixteenth to the late seventeenth century. Born in 1581, he almost certainly studied with his father, Frans Francken the Elder (c. 1542-1616), before becoming a master in the Antwerp Saint Luke's Guild in 1605. In 1627 he became a member of the Antwerp archers' guild De Oude Handboog. Francken was an extremely productive and imaginative artist who specialized in expressively rendered small-scale religious and mythological scenes. He also painted larger altarpieces for Catholic churches. His depictions of collectors' cabinets introduced a genre of painting that influenced several artists, including Jan Brueghel the Elder...

"Self Portrait" is an oil on copper painting depicting the likeness of renowned figurative artist Steven Assael, in his signature green brimmed hat, and glasses. The artist appears t...

"Make Me Proud or At Least Less Ashamed" captures a moment of quiet persistence. The surface shimmers with layered paint, paper, resin and copper, materials that hold both fragility ...

"Moonlight makes me dizzy, Sunlight makes me clean. Down is the dizziness of a hot summer night and Up is the cool calm of the morning." Becca Fuhrman says of her work... My work a...

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

18th Century Genre Painting: Pipe Smoker, Signed, Oil on Copper Wonderful genre painting of a pipe smoker. Dressed in a red cap and trousers, white shirt, and dark vest, the figure ...

Madonna and Child with Angels Attributed to Louis de Caullery (1565 -1622) for figures & Abraham Govaerts (1589 - 1626) for landscape Not signed 17th century Antwerp school, circ...

Allegory of summer, personified by Ceres Workshop of Hendrick Van Balen Antwerp School, early 17th century. Oil on copper, Dimensions: h. 54 cm, l. 40cm Ebonised wood frame with moulded and guilloché decoration. Framed dimensions: h. 80 cm, l. 66 cm Very good condition This finely executed oil on copper belongs to the rich tradition of allegorical and mythological painting that flourished in Antwerp during the early seventeenth century. Hendrick van Balen and Jan Brueghel the Younger were among the leading exponents of this artistic genre, whose workshops produced numerous compositions depicting the Seasons, the Elements, the Senses, and the gods of Olympus, set within luxuriant landscapes populated by animals and mythological figures. At the centre of a verdant landscape dominated by a flourishing apple tree stands Ceres, the Roman goddess of the Earth, agriculture, and the harvest. Partially draped in a flowing blue garment, she wears a crown of wheat ears, her traditional attribute. In her right hand she holds a sickle and carries sheaves of wheat, symbols of fertility and abundance. Beside her, a nymph presents a cornucopia while playful putti gather and offer flowers. The foreground celebrates the bounty of summer through an abundant still life composed of figs, cherries, apples, and lemons. A squirrel nibbling cherries symbolizes diligence and foresight, virtues echoed by the harvesters working in the wheat fields visible in the distance. The background unfolds in a profusion of vegetation: to the right, a wild rose bush rises against the trunk of a tree, while the centre is animated by majestic trees with silvery-green foliage. The artist, likely a pupil or close follower of Hendrick van Balen, draws direct inspiration from the master's repertoire. The nymph in the yellow drapery seen from behind—a recurring figure in Van Balen’s compositions—is a particularly telling example. The graceful gestures, luminous flesh tones, and wind-swept draperies further reflect the master's distinctive style. The influence of Jan Brueghel the Younger can be seen in the meticulous rendering of the trees, flowers—particularly wild roses and tulips—and in the richly detailed still life with animals in the foreground. Throughout Europe, there was considerable demand for these virtuoso compositions, in which mythological figures served as a pretext for the refined depiction of nature and its abundance. This painting is a charming and accomplished example of that tradition, combining elegant storytelling, technical refinement, and rich iconographic content. Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A student of Adam Van Noort, he entered the guild of Saint-Luc in 1593, later trained in Italy and was Van Dyck's first master. He often painted small characters taken from scenes from the Bible or classical mythology, on paintings in which Josse de Momper...

This charming bucolic landscape bathes in a soft yellow light. A lady on horseback, accompanied by a boy on a donkey, stops near a shepherd. The herd looks at two fishers and quietly...

An oil painting by Contemporary English painter, Melissa Franklin Sanchez. A whimsical depiction of fall. The bright orange leaves from the tree line the ground outside a structure. ...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...