Lithograph Paintings

This authorised Lithography " Portrait of a Young man" by Van Gogh was published in Munich, Germany by Franz Hanfstaengl in 60s. It is in mint condit...

This is an authorised Offset-Lithograph, published by Achenbach Art Edition in Düsseldorf; with copyright and legal serial number. Detail: Lithograph Unsigned and unnumbered as issu...

GSY curated this unique set of three authentic Shin-hanga Woodblock Prints by the workshop of Hasegawa Sadanobu III, the Uchida Publishing House, a well-known Kyoto publisher; they h...

Mintu Naiya - Lady - 11 x 8 inches ( unframed size ) Wash on Paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Graduate from Calc...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Beautiful pastel on archival paper by the well known American pastelist, Gene Sparkman. In excellent condition and very nicely custom gallery frame. Signed lower right. Overall framed 23.75 by 32 inches. Gene Sparkman (1941-2010) Master pastelist, Gene Sparkman’s work is in many private, corporate and permanent public museum collections world-wide, such as, the Butler Institute of American Art, Franklin Library, The Smithsonian, et al. He was a director of the Pastel Society of America and elected Master Pastelist in 1984. Exhibitions and major awards include Salmagundi Club, NYC; Allied Artists of America, NYC; Pastel Society of America, NYC; Manchester Institute of the Arts, NH; Canton Art Institute, OH; Butler Institute of American Art, OH; New Britain Museum of American Art, CT; Society of Illustrators, NYC; Society of Illustrators, CA; Rameau Palais, Paris, France, etc.. Gene Sparkman studied with such formidable masters of their genre as California artists Joseph Henniger, Harry Carmean...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Water, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Water; Once upon a time there was water. It fell from the sky in clear blue droplets. It made pools and puddles on the ground. The water tasted sweet and pure, it was good to drink, to make soup, to swim in or to wash in. It made the plants and trees grow big and luscious, it was the lifeblood of everything.. Everybody loved water and no one ever questioned where it came from or that one day the rain might stop and there would be no water.  The water women went about their usual business, they made soup, they grew cabbages, they argued and laughed together. The well was always full, there was food aplenty, life thrived. It is sometimes said that ignorance is bliss, and the women did live in bliss although they did not know it. They did not know that one day the rain would stop. It was only when the rain stopped that they knew they had lived in bliss. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

Figurative Blue Portrait Painting by Cuban Artist Hector Frank Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost living artis...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Porthole to Another Dimension, 168x153cm, woodblock print, acrylic ink, acrylic paint, 2020 * Please note this artwork is on two separate pieces of paper that have been joined together. The join is not obvious when looking at the work. At the time Isabel was desperate to make the piece but did not have a large enough piece of paper in the studio, so she joined two together. Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabels own words: Porthole to Another Dimension The legend said, that down by the river, beneath the purple hills, where the black iris...

This acrylic painting on paper can be framed or displayed easily by hanging with magnets. Tatana Kellner’s work is rooted in social issues. She has been exhibited in numerous venue...