Mylar Paintings

Layers of foliage on a gingko tree with coral reddish orange leaves grace dark indigo branches on the pristine white background of this contemporary botanical painting on Mylar mount...

Nine chair paintings inspired by - and named after - individual artists whom Zolotnitsky met during her residency. Oil on mylar, 6 x 6 inches / framed white, 16" x 16" or as a suite...

Susan Kiefer Goddess Charcoal, pastel and reflective mylar on paper Year: 2000 Size: 30x25x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1660 Framed drawing o...

Reverse Mylar Painting, 'Blue Composition (1),' 2017 by Catherine Howe. Molding paste, oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

This abstract composition in blue and brown black earthtones is created with a unique perspective which gives a feeling of looking up at a sky or looking down into merging paths of w...

This beautiful orange work is by Cathy Choi. Her pieces are minimalist, colorful and highly glossed surfaces. Finding inspiration from the physical and metaphysical qualities of wate...

This is a beautiful ink on Mylar by Alexis Portilla, unframed. Daylight 26.5 x 21 in. Ink and Mylar mounted on acid free foam core Unframed Framing a...

An original oil on mylar by American contemporary artist Robert Fleming from the artist's Support Series. The work is 36" (h) x 40" (w) unframed.

Layers of foliage in shades of vibrant violet purple grace turquoise teal and dark brown branches on the pristine white background of this painting in acrylic on Mylar mounted on acr...

In this contemporary botanical painting in acrylic on Mylar, layers of foliage grace delicate branches in shades of deep violet on the pristine white background. This painting is mo...

Luminous pink magnolia blossoms grace burgundy brown branches with hints of dark turquoise green on the pristine white background of this painting on Mylar mounted on acrylic panel. ...

In this contemporary botanical painting in acrylic on Mylar, layers of foliage in shades of blue from pale sky blue and periwinkle to dark navy cobalt grace the dark hunter green and...

Layers of foliage in shades of bright teal blue, dark navy cobalt and a faint pale bluish gray grace dark teal blue branches on the pristine white background of this painting in acry...

This abstract composition in blue and brown black earthtones is created with a unique perspective which gives a feeling of looking up at a sky or looking down into merging paths of water. Cyphers use of silver leaf gives the central forms a reflective glow, which balances well with her masterful brushwork and mark making. This painting has a meditative quality that draws the viewer in and allows for introspective thought. Peggy Cyphers, “Silver Spider Spirit”acrylic and silver leaf on mylar ($2750 USD framed in shadowbox frame with museum glass) Peggy Cyphers has had over 30 solo exhibitions throughout the United States and Europe since 1984. Cyphers received numerous awards for her work, including NEA, Elizabeth Foundation, Peter S...

In this contemporary botanical painting in acrylic on Mylar mounted on acrylic panel, layers of foliage in shades of teal blue green, pale periwinkle blue gray dark indigo and hints ...

Layers of foliage in shades of bright blue, dark cobalt and teal grace violet blue branches on the pristine white background of this contemporary botanical painting...

Layers of foliage in vibrant shades of deep purple grace dark brown branches on the pristine white background of this horizontal painting in acrylic on Mylar mounted on acrylic panel...

Dark indigo blue oak leaf foliage with hints of dark burgundy graces delicate branches on the pristine white background of this large vertical painting in acrylic on Mylar mounted on...

"Absence No Presence" by Brooks Salzwedel is an original work that depicts a tree with a rainbow colored structure emerging from a snow covered landscape. Brooks is a Los Angeles-...

Gingko leaves in deep hues of purple and lavender on delicate brown branches with hints of teal are striking against the pristine white background of this vertical painting in acryli...

Gingko leaves in deep hues of brown, dark purple and blue on delicate golden brown branches are striking against the pristine white background of this painting in acrylic on Mylar. ...

Steven Baris Turtles All the Way Down D1, 2024 oil on Mylar 24 x 21 in. (bari097) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meanin...

Tree branches in dramatic hues of dark blue are striking against the pristine white background of this painting on Mylar. This painting on Mylar requires mounting and bracing to be ...

Steven Baris states, "The body of artworks from my Jump Cut series advances my long running meditation on the experience of contemporary built space. The formal language of my work d...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 12 x 12 inches. Professionally framed in burnished gold leaf over wood with an outer dim...

A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our r...

gouache & graphite on mylar

graphite on mylar

A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our r...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 18 x 16 inches. A compelling and elegant work of art by Elena Zolotnitsky, who is Inspir...

Yellow rose (for friendship) in crystal vase - still life is featured in this small scale mixed media oil painting that is 10 x 10 inches. Oil on mylar ove...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Gold and alabaster-esque blue oil painting, 'Remake' featuring a statue from antiquity, in oil on mylar, mounted to panel; from Russian American visual artist, Elena Zolotnitsky, who...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 12 x 12 inches. Professionally framed in burnished gold leaf over wood with an outer dim...

Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Layers of foliage in vibrant, eye-catching shades of reddish orange with shadows of deep burgundy grace light pink branches on the pristine white background of this contemporary bota...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Anonymous Self Portrait XXXVII 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Th...

Steven Baris Stations of Attention D7, 2024 oil on Mylar 24 x 21 in. (bari096) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaningl...

Steven Baris Stations of Attention D11, 2025 oil on Mylar 24 x 21 in. (bari099) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaning...

Signed and dated on label, verso Graphite and oil paint on double-sided frosted Mylar film This work is offered by ClampArt in New York City.

Steven Baris Stations of Attention D12, 2025 oil on Mylar 24 x 21 in. (bari100) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaning...

Steven Baris Chunking Diagram D2, 2024 oil on Mylar 24 x 21 in. (bari098) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaningless ca...

Layers of foliage in violet and pale powder blue grace dark golden brown branches on the pristine white background of this painting in acrylic on Mylar. Battenfield's works on Mylar...

Dina Brodsky's realist oil on mylar animal miniature, "Tiny Yellow," 2018, depicts a petit, black and yellow bird perched on a small branch. The bird's delicately textured black and ...

gouache & graphite on mylar

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Matt Latham charcoal on mylar 60h x 40w in 152.40h x 101.60w cm MBG011 FRAMED DIMENSIONS 62h x 42w x 2.25d in 157.48h x 106.68w x 5.71d cm [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

Love Affair 9 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our r...

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Robin Cole's (US based) "The Return II" is an original, handmade charcoal painting that depicts a grey monochrome sky with clouds. Nature and those that inhabit it—our human selves...