Organic Material Paintings

Linear Orange (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, ...

0118.3 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Michelangelo (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact abstra...

Turning The Wheel (Abstract Painting) Beeswax, resin and pigment on panel. Within a process of repetitive application and reduction of paint, this work explores the energies of tra...

0218-11 (Abstract Painting) Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ...

Ambient Grey (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. Mathematically, the concept of ambient space will change within a two or three di...

0118.13 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

0118.6 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This process...

0118.2 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Indigo On Grey (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

Atlantis (Abstract Painting) Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The...

The Whisper Of Solitude (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal ...

0118.5 (Abstract painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Obsidian Blue (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers...

0118.14 (Abstract painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Atlantis (Abstract Painting) Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The...

Murmur (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, base...

Chartreuse Over Cerelean (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper ...

Prussian Blue (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series ...

0118.5 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Oil, charcoal, wax, pigment, & graphite on canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotation...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibi...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archival board 41 cm x 51 cm, 16” x 20” m...

Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional quality t...

Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional quality t...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional q...

Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a di...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Beeswax, resin and pigment on panel. Within a process of repetitive application and reduction of paint, this work explores the energies of transparencies and densities of monochroma...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Joanne Ungar's unique process involves layering pigmented wax over cardboard forms to create a geometric composition of color. Ungar's process begins by the artist flattening three-...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal compositions of quiet horizont...

Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. Mathematically, the concept of ambient space will change within a two or three dimensional space, one being true an...

Mixed-media contemporary artist from Miami via Corsica, France who has lead national ‪digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...

Introducing EMMI IIDA: Visionary Artist and Sound Alchemist Emmi Iida is a visual artist, sound healer, and multi-modal creative whose work blends art, spirituality, and transformat...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

“Pigeons 562” by Linda Touby, circa 2010. Oil and wax on canvas, 30 x 30 inches. This painting features textural stripes of bright pigments including red, orange, blue, black, green,...

This 48 inch square original textural painting of trees on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of colorful paint, resin, glitter and other mixed media elements present a dazzling tactile nature to the work. This would be a marvelous addition to any collection. ABOU THE ARTIST - For over 20+ years, Haleh Mashian’s art has colorfully illustrated her unique, astute view of the world, both real and imagined. As a painter and creative expressionist, Mashian’s abstract works reveal her appreciation of color theory, compositional form, and the study of positive and negative space. Working in mixed media and using a variety of techniques from collage to impasto, a repeated layering and application of paint, Mashian’s dynamic pieces range from smaller artworks that can be arranged together to large-scale paintings. Her large-paneled paintings have been exhibited nationally in Los Angeles, Miami, and other art enclaves and are included in private collections in the United States and abroad. Her creativity extends into other forms as well. Haleh has included fashion design, digital art, and music into her repertoire of boundless expression. She is the Founder and Lead Designer for MASH City, her innovative men’s and womenswear collection. Originally from Iran, she is a longtime resident of Southern California with a Studio in Santa Monica where she lives with her husband and two children. TREE SERIES - The Tree Series presents an intricate study of positive and negative space and the mystery of multitudes in minimalism. These canvases, often large-scale, have the effect of walking into a multicolored forest. Art critic, Peter Frank, speaks of this series with awe: “Haleh Mashian does not paint trees. She does not paint forests. She paints the condition that persists between trees and forests...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

A woman with a rope wrapped around her, abstracted buildings in the background.

ABOUT THE ARTWORK- Within this mixed media composition, it portrays a woman ensnared within the intricate web of suppressed desires. The figure, boldly defying the constraints impose...

Figurative realist painting by Steve Hawley

(Very difficult to photograph inside the case with glass front, so we took one outside the case. A video is included that we hope helps, thought it suffers from reflections on the gl...

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

In Mashian’s "Awaken 2," a woman's face bursts forth with vibrant shades of yellow, green, orange, and blue, engaging the viewer with wide-open eyes that pierce through the canvas. H...