Felt Pen Nude Paintings

Strange women III, 2015 Acrylic on canvas pad 23.62 H x 17.71 W in. 60 H x 45 W cm "Strange women" is a cycle of eight canvases, each representing a fem...

Watercolor, mixed media, using resists and metalic paints and old pastels. For Octopus and cephalopod fans. Janet Morgan’s explosive art captures the exu...

"Lady with Books 2", 39x23in / 100x60cm. Original painting. Shipped as it is, stretched, ready for hanging, framed. Framed size 41.5x25.7in. Free shipping with 1stDibs code This p...

Self-portrait 3 2009, canvas, acrylic, 140x98 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris U...

Contemporary Figurative Painting of Female Figure by British Artist Simon Bradley Art measures 24 x 30 inches Frame measures 29 x 35 inches

This painting demonstrates Bruno Surdo’s deep grounding in classical figurative tradition while addressing intimacy in a distinctly contemporary register. The tightly compressed composition—two nude bodies locked in a kiss—recalls Renaissance and Baroque explorations of entwined figures, from Michelangelo’s sculptural studies of interlocking forms to Caravaggio’s emotionally charged chiaroscuro. The anatomical modeling is central: the musculature of the male back, the subtle weight shift in the female torso, and the nuanced transitions of light across flesh reveal Surdo’s atelier training and commitment to Renaissance draftsmanship. The dark, atmospheric background isolates the figures, heightening their sculptural presence and intensifying the psychological focus. Art historically, the pose evokes both sacred and mythological precedents—embraces seen in depictions of Venus and Mars, Cupid and Psyche, or even the sensual gravity of Rodin’s later sculptural couples. Yet Surdo strips away allegorical attributes and narrative setting. The white drapery loosely gathered at the woman’s hip subtly references classical sculpture, where cloth both conceals and accentuates form. Unlike historical idealization, however, these bodies feel lived-in and human rather than mythic. Surdo’s broader practice often stages grand allegories or mythological conflicts; here he distills that tradition into a singular moment of private intensity. The painting bridges past and present, demonstrating how the language of Renaissance form and Baroque light can still articulate modern vulnerability, desire, and connection without relying on overt narrative symbolism. Bruno Surdo Desire oil on paper on canvas 40h x 30w in 101.60h x 76.20w cm BRS086 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Self-portrait 1 2009, canvas, acrylic, 140x98 cm. Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris ...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

A pillow book was meant to teach a young bride about the art of lovemaking. This rare museum-quality 19th century example is composed of 12 masterfully pai...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

America Martin "Woman Learns the Names of Plants" Oil & Acrylic on Canvas 49.5" x 44" Framed Exploring the identity of both her namesake and country, LA-based America Martin dra...